Sonrisa is a design that evolved from my sketches of the skeletal structure of Jakob Erbar’s Koloss, trying to discover its underlying essence without all the contrast and bulkiness of the original design. Sonrisa Thin was the resulting font, from which the other weights of the family were developed. Gentle curves, open counters, generous x-height, and sleekly tapered terminals give Sonrisa a very legible, modern, elegant appearance. When she saw the first draft of this typeface, the smile on my friend Jennifer’s face gave me the idea to call it “Sonrisa” (Spanish for “smile”). Jennifer, a clinical psychologist, described Sonrisa’s personality as: "happy, clean, clear, open, joyful, spacious, playful, calm. I can see it being used for body product lines such as oils and lotions. Can see it being used in home/travel magazines or even Architectural Digest. Yoga magazine, definitely." Sonrisa is what some foundries call a “Pro” typeface family with all the bells and whistles that provide typographic versatility: true small caps, oldstyle numerals, arbitrary fractions, discretionary ligatures, and other powerful OpenType features. All fonts in the family, except Sonrisa Titling, support most European languages, including modern Greek and languages that use the Cyrillic Alphabet. (Cyrillic glyphs designed in consultation with Ukrainian type designer, Sergiy S. Tkachenko.) Sonrisa is available in the original Thin, monoline version as well as six weights (Light, Regular, Medium, Bold, Extra Bold, Black), and a Titling font that is essentially a display font construction kit. If you enjoy using Sonrisa even half as much as I enjoyed creating it, then I know you will have a “sonrisa” (smile) on your face!

Introducing Stolen Love - Stylish serif typeface + Swashes and Ornaments Stolen Love is stylish and creative typeface loaded with 6 different fonts, alternate and ligature glyphs, 52 swashes in 3 different sizes, 26 ornaments to make you typography truly unique! Language Support : Belarusian, Bosnian, Bulgarian, Chechen, Macedonian, Russian, Serbian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estronian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwadna, Litvian, Lithuanian, Lower Sorbian, Luo, Luxembourish, Luyia, Machame, Makhuwa-Meetoo, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokm ål, Norwegian Nynorsk, Nyankole, Ormo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Ukrainian, Upper Sorbian, Uzbek (Latin), Volap ük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Light, Regular, Bold, Extra Bold, Black and Rough Versions 52 swashes in three sizes ( small, medium, big ) 26 ornaments Character maps for swashes and ornaments BGR support - special fonts with Bulgarian alphabet ligature glyphs alternates Multilingual support - 95 languages No special software is required to type out the standard characters of the Typeface. How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

TT Tricks useful links: Specimen | Graphic presentation | Customization options TT Tricks is a modern serif font family whose design refers us to the style of transitional serifs. The distinctive features of TT Tricks are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized businesslike nature. The original idea of TT Tricks is based on the graduation project of student Sofia Yasenkova, who chose to create a daily planner font as her final project. This led to many stylistic decisions, for example, the large and asymmetrical serifs, low contrast strokes, and the presence of interesting details. In the process of working on TT Tricks, we have significantly revised the initial idea and expanded the areas of possible font application, while maintaining the original spirit of the project. Despite the large number of display details, the typeface looks great in a small point size, and also when it is used in large text arrays. TT Tricks features an original stylistic set which, when turned on, adds features of typical pointed-pen serifs to some of the lowercase characters. In addition, TT Tricks has small capitals for Latin and Cyrillic alphabets, as well as several interesting ligatures. The TT Tricks font family consists of two font subfamilies, these are the main version and the version with the original stencil cutting. Each subfamily consists of 12 fonts: Light, Regular, DemiBold, Bold, ExtraBold, Black + True Italics. Following a good tradition, TT Tricks supports a large number of OpenType features: ordn, case, c2sc, smcp, frac, sinf, sups, numr, dnom, onum, tnum, pnum, dlig, liga, calt, salt (ss01).

Record Store Stencil is based on classic stencil lettering from the first half of the 20th century. The font features Upper and lowercase, small caps, in upright, italic, and backslant. The font's multipart letterforms are ideal for color application. Available are two color variations, Black with Red accents and Blue with Red accents, with cycling activated through contextual alternates.

Sweepy is based on his popular Pooper Black but it is lighter and has connecting letters. Sweepy is a brush script that is casual and fluid. In the expanded OpenType version Sweepy is loaded with over 50 alternate characters and ligatures that offer more flexible lettering options. (Sweepy Basic includes 230 glyphs, Sweepy Pro includes 462 glyphs.)

Rock Face was inspired by a crude but effective home made sign I came across advertising a garage sale. The lettering was created using sticky black insulation tape which, like a child's drawing, had a certain naive charm. The type design presented here is obviously more considered, but I like to think it has the same raw dynamism.

Sidiqie is a modern sans serif with a monoline and minimalist style. With smooth, neat lines, and with just a hint of contrast, Sidiqie works beautifully for logos, branding, and web titles. See examples for some examples of how you can use them. Includes Sidiqie Light Sidiqie Reguler Sidiqie Bold Sidiqie Black Support for western languages

Modeco is a merge of modern and art deco styles. Its shown elegance, classy, ??and glamour look as 1920's visual trends, blended with geometrical sans serif in a functionality approach and complete font family styles. Its consist of 9 styles from Thin to Black with each matching oblique. It's contain 400+ glyphs that covered broad latin language.

Gestura is a Connecting script font that has an angled terminal upturned tail at the end of the ascender, and a flat terminal at the end of each letter, giving a bold impression in a script font. Gestura consists of 14 styles from Light to Black with each matching italics, 2 Variable Font; Upright and Oblique.

Planca is a sans serif typeface with medium contrast and distorted rhythm of the line. Spaced and mastered for optimal readability. All lines are of equal thickness. Its morphology is based on the study of traditional writing with a wide tip stick. It comes in 4 different weights (Light, Regular, Bold and Black) and provide multilingual support.

The family comes in five weights from Thin to Black, all with true italics; and a variable file in weight and slant. Concasse is multi-purpose and reads well in body copy, the open shapes ensure excellent legibility in even the smallest text sizes, while the lightest and boldest weights deliver impact to headlines and other display uses.

Austrian type designer Markus Hanzer created this display FontFont in 1994. The family has 6 weights, ranging from Light to Black (including italics) and is ideally suited for editorial and publishing and poster and billboards. FF Irregular provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Mymra fonts – an upgraded version of Mymra Forte and Mymra Mono (2009), with a careful re-dress of glyph shapes, and the extension of glyph amounts – which enables support of more Latin languages. One more weight – Black – has been added to the original three of Mymra Forte fonts. Fonts are intended for use in a vast variety of publications.

Lichtspielhaus Slab is an ultra condensed handwritten typeface based on Lichtspielhaus. It still transports you back to a time where neon lights and marquee letters decorated cinema facades. This time with Slab. There are 8 styles: Hairline, Thin, Light, Regular, Medium, Bold, Black and Heavy. “Lichtspielhaus Slab” is the third part of a Type Noir Quadrilogy.

Sunbird is a happy, rounded, cartoonish font family. It comes in three weights: regular, medium and black - each with its very own Italic style. Sunbird is quite versatile: it looks good as a display font, but setting a (short) text in it could work as well. Its versatility makes Sunbird an ideal font for product packaging and posters.

Bonega is a display font inspired by classic typography on ancient stone inscriptions. Consist of 4 weight (light, regular, bold, black) with each matching italics. With sharp and manly characteristics, Bonega family is suitable for powerful headlines, logotypes, beautiful signs, posters and more. Contains more than 400 glyphs including stylistic sets that make your typographic design more attractive.

Hierra is a reinterpretation or redraw letter design of a font that appears in the collection of fonts of Dan X. Solo. Strong German flavor this is a letter of rough edges and a special blackness that recalls ancient typefaces Art & Crafts. Hierra is also presented in the Rough version which increases their antique woodtype appearance.

Coop Blackletter's core concept was to create a more friendly blackletter typeface by pulling together two very different sources of inspiration. The design is a synthesis of the rounded, affable features and heavier weight of Cooper Black with the underlying composition and calligraphic contrast of a Fraktur. It's kinda chunky, soft around the edges, and not entirely unreadable.

Bovino is a display serif font family. It was formed in a strong and sharp characters. The moderate x height and high contrast strokes make it attractive for titles and large size usage. Bovino contain more than 400 glyphs which covered broad latin languages, its consist of 9 styles from thin to black with each matching italics.

FRUTTA (Fruit) is a new typeface made with the ever expanding food industry in mind. But don’t let that deter you from using our font on the cover of the forthcoming cd of the Black Keys or Beady Eye or Damon Albarn or Paul Weller or Daft Punk or Whatever... Concept/Art Direction/Design: André Toet © 2017

The prolific hand lettering of Samuel Welo is showcased in his “Studio Handbook for Artists and Advertisers” (published in both 1927 and 1960). A thick and thin Art Deco design in the 1960 edition – somewhat reminiscent of Futura Black (but with significant differences) is now available as Sign Work Deco JNL in both regular and oblique versions.

A 1932 fan magazine from Spain entitled “Films Selectos” (“Select Films”) had those words hand lettered in a decorative Art Deco type style that was a cross between the “Futura Black” style of stencil influenced display lettering and “Fiesta” lettering. This hybrid design is now available digitally as Dance and Sing JNL in both regular and oblique versions.

Braggadocio is a very black typeface. Braggadocio is a strange hybrid with characteristics of both sans serif and modern faces; and it belongs very much to its time. Like high society in the 1920's, it should not be taken too seriously. Use the Braggadocio font for display lines in advertising, magazines and light hearted communications.

ITC Symbol font was designed by Aldo Novarese, a simple, straightforward design of understated elegance. It has just the hint of a serif to aid legibility. Book and medium weights have a light, even color and are perfectly complemented by the bold and black weights. The italics are clear and simple, a comfortable companion to the roman.

The type family “Curlaight” has whimsical curly shapes but has some level of uniformity with straight lines and angles. These modern retro feel fonts look great for children’s books, posters, book covers, packaging labels, or even logos like TV and movie titles. Seven weights - thin, light, regular, medium, semibold, bold, and black - are available for your creative projects.

Birch Beer JNL comes from lettering spotted on a European business sign found in some stock footage that was used for an old black and white film about World War II. The name is derived from a popular root beer-like soda sold by the Royal Castle Restaurants that were popular in Florida from the 1930s through the 1970s.

Corvone is a heavy bullnosed display family, inspired by the post war era's ideas of modernity. Two faces are offered, plain—a solid black face, and regular—which employs a three-dimensional pipeline effect to add real emphasis. Use Corvone to give work a retro feel, and/or where you want to really drive your point home.

Breathless was inspired by movie posters of the Nouvelle Vague era when Jean Seberg and Jean-Paul Belmondo were young and films where in black and white. So I named this very spiky affair after that phantastic movie of my youth A bout des souffle or like it was called in English, Breathless. -Your breathless type designer, Gert Wiescher

Dermaks - A modern typeface with unusual shapes. The starting point were intuitively drawn glyphs that gave the impression of being cut in paper. It goes well with colors and black and white. The font is intended to provide a distinctive original form. Intended for slogan designs, headlines, logotypes, clothing designs, posters and all designs with an intriguing style.

Sturdy is designed to be as black as possible yet still legible. As an OpenType Pro font it has my normal complement of around 500 characters. New to this font I have added what I call ordinals: first through tenth in addition to Caps, lowercase, small caps, lining, oldstyle, and small caps figures, ligatures, and so on.

Ferpa is Typeóca's Fierciest Font Family. Drawn using only straight lines, Ferpa uses every kink, every kink and every serif as an opportunity for expressivity. From Thin to Black in both Roman and Italic constructions, Ferpa is available as 18 otf static font files, with a character set that goes a little beyond Latin Extended A.

The inspiration for Cuba comes from a sign for the restaurant "La Flor de Cuba" on Bergenline Avenue in Union City, New Jersey. Its blocky, dimensional forms are reminiscent of letterforms seen in signs throughout Latin America from, Colombia, to Mexico, to Spain, to Union City. Its quirky forms are meant to evoke a sense of hand painted signage.

Arya Rounded is a display typeface, based on Roman proportions. It has three versions, differentiated by the amount of the drawn lines. Single is solid. Double is sturdy but light. Triple is versatile and includes alternatives. They can be combined in layers. Capsule versions (White and Black) are designed to do quick, simple and elegant labels.

There are Rum doings in the harbor tonight, me hearties! Black-hearted buccaneers are gatherin' in the tavern and there's talk of gunpowder, treason and plot. Even if there are ladies in the room, we advise that you Pass the Port, put away your pieces of eight and weigh anchor until the Pirates have Caribbean and gone.

The agressive moves, the lateral spurs and the heavy leaf endings of Trochera resemble the silvan plants behavior giving it a very expressive and festive personality. Its features make Trochera very useful for flamboyant and colorful purposes, but it is also attractive in black and white, the saturation of the ornaments will give an appealing texture to headings.

MyCard is a display sans serif font of modernist spirit, where uppercase letters take the height of the lowercase letters (unicase), where only ascending and descending exceed the x-height. MyCard is ideal for creating logos, packaging, labels, advertising and short titles, in texts produced interesting textures. MyCard comes in three weights Regular, Bold and Black.

3D Cursive is an extruded cursive family with multiple styles. The 3D Cursive font is extruded in delicate outline. 3D Cursive Stencil is an alternate style in bold black. 3D Cursive Simple provides a perfectly matching, yet non-extruded style. 3D Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Skorid is a geometric condensed sans serif font family, constructed only out of straight lines. Coming in 7 weights, regular and italic, from thin to black, you have a wide array of possibilities of using Skorid for any purpose you need. Skorid speaks around 70 languages, including Cyrillic. Contains a lot of alternative letters to boost your creativity.

Introducing Cendra, a cutting-edge typeface meticulously crafted to seamlessly blend functionality and personality into a harmonious masterpiece. Elevate your design projects with Cendra, boasting an impressive range of 8 weights, from the delicate Thin to the commanding Black. Embrace the synergy of upright and matching italics versions, ensuring your designs exude a dynamic and cohesive aesthetic.