Another variant of Bayer’s Universal Alphabet, resembling ITC Bauhaus in design, ITC Ronda in proportion and fit, prepared by FotoStar in the mid 1970s.

Manas is the name of the epic of the Kyrgyz Turks. The font family is also designed with serifs to reflect the characteristics of the epic from which it is named. This typeface, which is a serif, consists of three families: ▪ Manas: Font family containing Latin letters ▪ Manas Pro: Font family including Latin, Arabic and Hebrew alphabets ▪ Manas World: A family of typefaces including Latin, Cyrillic, Greek, Arabic and Hebrew alphabets

SK Gothenburg is a double-weighted sans serif font designed with inspiration from the blending of the historical structure of the city of Gothenburg with its modern life. It contains all the typographic elements you will need. It offers full support for the Latin alphabet, and includes basic characters in Cyrillic and Greek alphabets. SK Gothenburg contains 48 different fonts and 34,176 glyphs. It includes a free version for you to experience.

CoreBori is a soft Serif font. The Korean alphabet is designed into ovals, and it is also reflected in English alphabets. With oval shape and condensed width of initial and final consonants are distinguishing factors in hangul. Supported codepages are MS Windows 1252 Latin1 and MS Windows 949 Korean consisting of 11,172 Korean letters and Symbols except Chinese. We Suggest to use this font to fairy tale books, t-shirts, posters, logos and other items.

Manas is the name of the epic of the Kyrgyz Turks. The font family is also designed with serifs to reflect the characteristics of the epic from which it is named. This typeface, which is a serif, consists of three families: ▪ Manas: Font family containing Latin letters ▪ Manas Pro: Font family including Latin, Arabic and Hebrew alphabets ▪ Manas World: A family of typefaces including Latin, Cyrillic, Greek, Arabic and Hebrew alphabets

Manas is the name of the epic of the Kyrgyz Turks. The font family is also designed with serifs to reflect the characteristics of the epic from which it is named. This typeface, which is a serif, consists of three families: ▪ Manas: Font family containing Latin letters ▪ Manas Pro: Font family including Latin, Arabic and Hebrew alphabets ▪ Manas World: A family of typefaces including Latin, Cyrillic, Greek, Arabic and Hebrew alphabets

Fleurons Initials is a set of elegantly decorated blocked initials, reminiscent of old Jazz and Circus Posters. I have added one set of flat underlays and one of blocked underlays, so you can easily add a little colorful touch here and there. Easy because those underlays have the the same spacing! Have fun. Your elegant designer, Gert Wiescher

From the same page of a vintage German lettering textbook entitled “50 Alphabete fur Technikur und Fachschulen” (loosely translated to “50 Alphabets for Technicians and Specialized Schools”) that inspired Trippy Hippy JNL comes Eleckatrical Banana JNL. It’s another novelty, free form Art Nouveau hand lettered alphabet that works well in recreating 1920s period pieces or for designing a retro-inspired rock and roll concert poster reminiscent of the 1960s. The name of the typeface is from a line in the 1966 pop hit “Mellow Yellow by Donovan (Leitch), and his extended pronunciation of ‘electrical’: “…E-lec-a-tric-cal’ banana is going to be the very next craze…” Caps only Fonts. Eleckatrical Banana JNL is available in both regular and oblique versions.

Guinevere Pro is a typeface designed by Icelandic art director Sigurdur Armannsson. It started in 2001 as simple hand-drawn sketches of a few letters built from modules, then became an experiment with four goals: - Construct an original alphabet from a specific set of predetermined modules. - See how certain letter forms built without said modules would behave within the totality of the module-constructed alphabet. - See if certain letters would actually enforce their own shapes to be drawn a certain way within the totality of the typeface. Likewise, see if the totality of the alphabet demands that individual letters be drawn in a specific way, and if so, how much room for variation would there be? - See how all of the above reacts/changes to implementing the alphabet across different weights. The experiment was finessed and re-worked over many years of technology changes, and Guinevere Pro is the final outcome, ten years later. The Guinevere Pro set is four cross-platform Open Type fonts, with built-in small caps, alternates, ligatures, and support for a wide range of Latin-based languages.

Andrew Smith played with his pencil and scetched an alphabet with several strokes. and as he made come cross strokes it lokes like barbed wire.

An all-caps titling font designed by the Monotype Drawing Office in 1934, based on an alphabet designed by Veronese calligrapher Felice Feliciano in 1463.

Chinese characters have simplifed and more complex, "traditional" variants. Zenith imagines what an un-simplified, traditional version of the Latin alphabet might have looked like.

A special effect type from the French foundry of Beaudoire & Cie. We changed a couple of characters to improve the overall harmony of the alphabet.

Vehicle JNL is a condensed block font similar to that found on many state auto license plates.

A triple threat, Letteria Pro is a typographic trio designed for branding and packaging. With the soul of a broad nib pen and the grace of a brush, it has five weights and a lot of style. In order to achieve a pragmatic contrast between a composition’s communication levels, we have created a mechanical typeface with only capital letters in sans and slab versions that elude to a De Stijl style. Ligatures and swashes provide a plethora of options, including Thin, Light, Regular, Bold and Black weights, while its companions offer a single weight. Together, this Latinotype original covers more than 200 languages within the Latin alphabet. Yet another powerful tool for your arsenal of fonts that command consumer attention.

As a font designer for films Henning Brehm delivers fonts with a whip-sharp eye for precision. His latest Vette Letters release, VLNL Agitka is a Cyrillic-inspired (and including) alphabet with both feet rooted in Soviet Union-era propaganda posters. Its design is constructivist (look Mom, no curves!) geometric and strong. Like Russian vodka. Aside from the Regular, Light, Bold and Black weights, Agitka comes in four Neon styles as well. For a dazzling design effect, layer those neons over a regular weight for a star struck embossed-letter effect. We would also like to point out the usage of VLNL Agitka in the Bourne Ultimatum movie, for which Brehm designed neon signage for a scene at a Russian supermarket. За здоровье – Za Zdarovje!

Giga Sans is a modern sans serif font with a clean and elegant geometric touch. Consists of 9 uprights and 9 matching italics ranging from Thin to Black. Besides being suitable for strong headlines, Giga Sans can also be used for long paragraphs such as news content, magazines, brochures, catalogs, logotypes and more. Giga Sans also has OpenType features such as stylistic alternates, old style figures, tabular figures, fractions, localized forms, superscripts, subscripts and also supports Cyrillic alphabets. There is no doubt that Giga Sans will make it easier for you to mix and match typography in graphic design, website, motion graphics etc. It would be more interesting if you pair this font with our script fonts like Hokyaa, Windtalker or Garris.

This is the definitive standard African font. It combines wonderful readability with tremendous panache. The fact that it has a full character set (UPPER and lower case), all punctuation and all special characters, means that it can be used in just about any African design context. If you had only one African font in your arsenal, it would have to be Aarde Black. The name "Aarde" means "earth" and refers to the gutsy, earthy character of the letterforms. It includes a full character set: characters for English, French, Italian, German, and Portuguese. The numerals are mono-spaced, and are very readable so that they will line up correctly in columns of figures. The letters of the alphabet are correctly kerned so that they appear correctly in text.

Solen this is a modern sans-serif font that includes nine weights from thin to black and nine weights in Italic style. This multi-purpose font captures a huge range for the design and creation of your project. Solen family will perfectly cope with a variety of tasks and he will always look stylish and modern. With it, you can create logos, labels, use in advertising, packaging, branding, book covers and magazines, cosmetics, banners, posters, headings, descriptions and much more. This font is easy to use has OpenType features. Full alphabet with Uppercase and Lowercase A-z Numbers, fractions Punctuation and symbols Alternates for Uppercase "A, E, K, M, N, U" Alternates for Lowercase "a, g, k, t, y" Multilingual support

This font was patterned after a few characters on a genuine old 1913 small portable typewriter. It looks like those early typescripts, rough, irregular and eroded, suggestive of mythical famous authors, such as Hemingway, as well as “serie noire” movies or anonymous state employee working in a gloomy Kafkaesque office. It is a complete alphabetic full font. It can be used as web-site titles, poster design, or book editing. It may be preferable, if possible, when printing, to choose a pale color a little rather than condensed - dark grey instead of heavy black, for example - to give the best appearance and to benefit from the full details. The old typewriter character size is 11 to 12 points, but this font easily supports enlargement.

Sutro Deluxe is a bold slab serif with a double drop shadow. It was originally conceived as a simple black and white display alphabet. But it seemed unfinished, begging for something more. I decided to try adding a couple layers of fill and detail to try and make it interesting. The result is this five-layer chromatic font family. The Primary Font is the Main Font. The other fonts ( Fill, Inline Fill, Inline and Shaded Inline) only exist to support the Primary Font.There is some color trapping going on.To make sure you are laying the fonts on top of one another in the optimum order, I recommend the free PDF User Manual. The downloadable PDF Sutro Deluxe User Manual is in the Gallery section for this family.

These are the letters I doodled in the margins of my high school notebooks. As it turns out, a man named Milt Glaser doodled them first. He doodled a lot of other amazing things too. Mr. Glaser called his blocky alphabet Baby Teeth. I think the type looks better when it says Surfside, so that's what I called my incarnation. This version has been digitized and expanded, and is available for Mac and PC. These letters remind me of the 80s and the 90s, of Gotcha shorts, Ocean Pacific shirts and fluorescent windbreakers. Surfside matched my Airwalks. They're big and bold. Clunky and funky. Spices up words. Makes 'em look great! Surfside is cool and available for a low low price... scoop it up today!

Monthly Calendar JNL is a companion font to Calendar Blocks JNL, and features classic wood type lettering and numerals from the 1800s. A set of large numbers are on their own keys, while the numbers 1-31 reside on the A-Z and a-e keys respectively. The days of the week are on the lower case “f” through “l” keys, while the names of the months are found on the “m” through “x” positions. An open rectangle is on the lower case “y” key, and a solid black rectangle is on the “z”. For those who wish to use the 23/30 and 24/31 configurations, they can be found on the left and right parenthesis.

The hands on the clock tick inexorably on... the numbers on the digital display roll inevitably toward zero... time is tight, the fuse is getting shorter and the beads of sweat on your forehead are glistening in the red light of the LCD... you have come to a place where the only thing you feel are loaded guns in your face... can YOU handle the DREADED DEADLINE DOOM?!? TICK TICK TICK TICK TICK TICK TICK TICK TICK THRAKAKAKATHOOM! Uh oh… you blew it. Deadline Remastered features 18 static weights, including the new nearly square "Block", each with complete Western & Central European language support. Use the Solid & Open Variable fonts to access unlimited width and angle options.

Contains 4 clock designs in quarter hour increments totaling 192 clocks.

Geiger is a geometric typeface inspired by type found in the intros of Commodore 64 games, its attention to the grid and its limited set of building blocks. The design of Geiger respects these criteria to create a sturdy alphabet without diagonals, and loosen its grip on the classic limitations to produce a complete character set worthy of today`s high-resolution displays with a retro touch. The properties of classic computing platforms, like their limited memory and low-resolution displays, required that the designers and programmers of the time devise and use certain techniques to produce interesting visual results. These platforms offered limited sets of default building blocks from which to build more complex graphics and type, and some skilled coders would work around these limitations to produce the unexpected. One of the areas that saw experimental digital type flourish is the Commodore 64 intro scene. The Geiger family includes four styles (regular, oblique, bold and bold oblique), all include common ligatures (fi, ff, ffi, fj, fl, jj, tt, Th, TT) and a few stylistic alternates (K, L). A particular attention was paid to the pattern created by the vertical stem and negative spaces of tightly set text, especially for Geiger Bold. Geiger produces good results at a size of 30pt or more, but we suggest using it at higher display sizes.

The "Tichy" typeface is intended for use in titles, headlines and in short text blocks, like citates. However, the typeface is legible even in larger text blocks. It's strong appeal allows the typeface's usage mixed with other graphic elements of the layout without compromising it's readability and it's presence. The typeface's simple initial module (double braked at 135 degrees straight line), the strict rules of forming the letters lead to an unique typeface - masculine, strong and still legible. The Cyrillic glyphs are influenced by the work of the great Bulgarian typographers Boris Angelushev, Vassil Yonchev and Alexander Poplilov, who developed Cyrillic further in 60-s and 70-s of the XX century. Western, East European, Cyrillic, Baltic and Turkish codepages are supported. The font file contains all the basic ligatures, alternate glyphs and kern pairs. It can be used both on Windows and MacOS based computers. The history of "Tichy" typeface began many years ago with a project for logotype design for a small company. It was a kind of designer's game to try making some letters just using one single module. Development of the other glyphs of the latin alphabet was for many years a mandatory exercise for the young colleagues in our studio. Suddenly we realized that this project matured and creation of a new typeface started.

ReneFont is strong, heavy design which looks quite technical. Originally planned as a caps-only, Breil changed his mind and also drew the lower case alphabet.

Take a classic hand lettered Art Deco alphabet, add in a treatment of dual straight vertical lines and the resulting typeface is Double Line Deco JNL.

Solomonk is a hand-drawn script with extended latin. • All European languages are supported. • Basic alphabet has alternates. (a→α) • Solomonk can be connected and disconnected

A tool for cross-stitch creators. A highly readable backstitch alphabet font to be used in a word processor, especially useful for long, or centered text.

Fidel Black Essential is a heavily weighted, condensed, sans-serif typeface with a large x-height. Ideal for short, high-impact headlines, its design is inspired by Russian Constructivism and old Cuban communist posters. Variants include Fidel Black, Fidel Black Italic and Fidel Black Stencil. Fidel Black Essential is an excellent choice for headlines, subheadings, posters and logotypes. Languages: Basic Latin, Euro, Mac OS Roman.

I am pleased to present you an excellent futuristic font "Futurism" in modern graphic style! The font supports the Latin alphabet and Cyrillic alphabet. It is recommended to use it at long intervals between letters, but you can customize it perfectly for your own design, use it to create logos, emblems, posters and posters. Futurism is very stylish, it ideally suited for a space mood, future tech and innovative products! Uppercase and lowercase english letters Uppercase cyr letters Numbers

Getman is a light Gothic typeface. It made all the rules and traditions of classic Gothic typeface, but it has lightweight shapes, making it easy to read and understood. Getman is based on the works of type masters 1910s. This font has all 104 European alphabets, all Slavic alphabets, OpenType features (ligatures, oldstyle numerals, fistorical forms, localized forms, fractions, ordinals and others). Getman has an historic beauty of the medieval Germanic national script. Glory to the Germans!

This font was inspired from the medieval Dances of Death patterns, as a modest tribute to the famous engraver Hans Holbein's Alphabet of Death. We have tried to keep the spirit of the time -- its sarcastic humor mixed with its objective and frozen realism. The font, consisting in two complete capital alphabets: Initials and caps, and a lot of separate figures added, is especially improved by strong enlargements, 72 pts and more, and has very good results when printed.