Introducing ND Kern, a contemporary geometric sans-serif font that blends classic elegance with modernity. This versatile typeface is perfect for branding, advertising, editorial design, and any project that requires a clean, stylish look. With its tall x-height and clean, modern letterforms, ND Kern is ideal for headlines, titles, and short blocks of text. Its sleek and minimalistic design, combined with unique details that draw inspiration from Cyrillic script, makes it a perfect choice for modern and sophisticated designs. ND Kern includes a full set of uppercase and lowercase letters, numerals, punctuation, and multilingual support for both Latin and Cyrillic scripts. The font family also comes with a range of OpenType features, including ligatures, alternate characters, and stylistic sets, which offer even more design possibilities. Whether you're creating a minimalist logo, a trendy fashion campaign, or an edgy editorial spread, ND Kern is the font you need to stand out. With its balance of classic and modern design elements, influenced by both Latin and Cyrillic scripts, ND Kern is a versatile choice that will add a touch of sophistication to any project.

Introducing Colamine, a modern, free-flowing, hand-drawn font. Colamine has THREE COMPLETE CHARACTER SETS including uppercase and lowercase letters with full initial and final swash sets, binders, and a Stylistic Set. Characters were hand-drawn and then carefully digitized to create this modern script. Use character sets as they are, or mix them up and use additional options to create authentic-looking handwritten masterpieces. There's one amazing set of capitals that's perfect for monograms and another set of capitals that looks more like block letters. Check out the preview to see what you can do. This script is perfect for wedding suites, social media, blogs, titles, magazine layouts, monograms, businesses and anywhere else you need a script that looks modern and free flowing. To access alternative glyphs, you'll need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and Corel Draw. Thank you Gatype Adobe Photoshop : https://helpx.adobe.com/photoshop/using/glyph-panel.html Adobe Illustrator : https://helpx.adobe.com/illustrator/using/special-characters.html

Introducing Pedroc – Display Typeface Future-Inspired Geometric Blocks Pedroc is a Future-Inspired Display Typeface, a captivating Display Typeface, is born from the inspiration of future technology, thus infusing an industrial touch into its design. Sleek and Futuristic Aesthetics Pedroc’s design is a testament to sleek and futuristic aesthetics. This makes it a standout choice for modern and tech-inspired projects. Versatility for Contemporary Design This font’s adaptability shines in various contemporary design contexts. As a result, it’s suitable for a range of creative endeavors, from branding to posters. Engaging and High-Tech Future-Inspired Display Typeface guarantees your content remains engaging and high-tech. Consequently, it captivates your audience with its modern industrial charm, ensuring your message resonates. In Conclusion In summary, Pedroc – Display Typeface is the font for those seeking a futuristic, industrial touch. Its sleek and versatile design ensures it fits seamlessly into contemporary creative projects. Whether it’s for tech-inspired branding, posters, or other modern designs, Pedroc is the font that keeps your content engaging and high-tech, appealing to a diverse audience with its modern industrial charm.

The Dickens's Fairytale – it's a new chapter of VVDS products - The collections of fancy display fonts which will include many typefaces that will be perfectly combined not only with each other, but also with other collections of this series. As a result, you will get a large collection of beautiful fonts and graphics that will help you create beautiful designs without having to look for anything else. All these collections are inspired by classic books design of XIX and XX centuries like Franklin's Library Classic Collection and modern publishing houses like Barnes & Nobel Collectible Editions. This collection is the first one and including 12 font files. The Serif presented in two styles - cutted and normal. The cutted style has two weights - Regular and Bold. Also, there are two types of shadows - block and offset. Plus decor for cutted serif. The cherry on top - curly calligraphic Script with Swirl calligraphy elements for decoration. The both of types has many Open Type Features as Oldstyle Figures, Fractions, Stylistic Alternates and ending lowercase letters for script. • OTF & WEB • Multilingual

Raqmi was designed as a serif like font with relatively uniform glyph thicknesses, perfect simplified straight lines and curves, and emphasized isolated letters. This font family supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes two weights: regular and light, each of which has normal and left-slanted Italic versions. The script design of this font family follows the Arabetics Mutamathil Taqlidi style utilizing varying x-heights. The Mutamathil Taqlidi type style uses one glyph per every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter of the Arabic cursive text. Raqmi includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Soft-vowel diacritic marks (harakat) are selectively positioned with most of them appearing on similar high and low levels—top left corner—, to clearly distinguish them from the letters. Tatweel is a zero-width glyph.

PictiFont is an exciting new hybrid typeface that provides both graphic and written communication at a glance. Simply drop your graphic file - logo, symbol, photograph, drawing, whatever - into the open spaces integrated into the font characters themselves and you have created a unique visual. The sans serif font includes both open and closed typefaces. Alternative characters are reversed, allowing your graphic to “lock” them together. Each Buying Choice includes PictiFont - Plain , which features a complete character set (including lower case) for use with the decorative elements or on its own. PictiFont is easy to use and limitless in its versatility: Inventors: Howard & Melinda Boyle. US Patents No. D643,872 & D643,873

Here I am, once again digging up 60-year sign lettering and trying to reconcile it with the typography of my own time. The truth is I've had this particular Alf Becker alphabet in my sights for a few years now. But in the typical way chaos shuffles the days, Buffet Script and Whomp won the battle for my attentions way back when, then Storefront beat the odds by a nose a couple of years ago. Nevertheless, revisiting Alf Becker’s work is always a breath of fresh air for me, not to mention the ego boost I get from confirming that I can still hack my way through the challenges, which is something I think people ask themselves about more often as they get older. You can never tell what may influence your work, or in this case remind you to dig it out of dust drawers and finally mould it into one of your own experiences. On my recent visits to the States and Canada, I noticed that quite a few high-end steak houses try their best to recreate an urban American 1930s atmosphere. This is quite evident in their menus, wall art, lighting, music, and so on. The ambience says your money is well spent here, because your food was originally choice-cut by a butcher who wears a suit, cooked by a chef who may be your neighbour 20 minutes from downtown, and delivered by a waitress who can do the Charleston when the lights dim and who just wouldn't mind laughing with you over drinks at the bar later. So Steak is just that, a face for menus and wall art in those places that see themselves in the kind of jazzy, noirish world where one-liners rule and exclamation points are part of a foreign language. As is usual with my lettering-inspired faces, there is very little left of the original Alf Becker alphabet. Of course, the challenges present in bringing typographic functionality to what is essentially pure hand lettering gives the spirit of the original art a hell of a rollercoaster ride. But I think that spirit survived the adventure, and may in fact be even somewhat magnified here. This font is over 850 glyphs. It’s loaded with ligatures, swashes, ending forms, alternates, ascender and descender variations, and extended Latin language support. Steak comes in 3 versions. According to your taste you can choose Barbecue, Braised or Smoked. It’s up to you!

Bourton Text is a modern sans-serif typeface family perfect for both text type settings and display purposes. While it’s not a layering type family like its brother, Bourton, it come packed with features, extras and over 2,000 characters that make it stand on its own. HISTORY Bourton Text is a new take of the Bourton family that was one of the best-selling and favorite fonts of 2016. After countless requests for lowercase alphabet, or suggestions for a font pairing with Bourton, this new text setting family is based on the original shapes of Bourton. DESIGN & CREATION In taking Bourton Base was the starting point as they narrowest width and boldest weight. From there, lowercase shapes were designed that matched the aesthetic and details of the popular capitals. As Bourton was a heavy display font, some small tweaks were done to make it more fitting for smaller text settings, including reducing the letter-spacing and reworking some counters. Some areas needed complete reconstruction, such as the figures. The design of those began anew with a style that worked with the capitals and lowercase but also as a standalone set. Currency shapes were updated to match the numerals. Punctuation was also reimagined to work better in smaller type settings. Diacritics and extended language support was also updated and expanded to include full Latin plus language support for 219 latin based language spoken in 212 countries. Once the basic alphabet for Bourton Text Bold Narrow was formed, the font was expanded in both weight and width. Taking the weight from Bold down to Hairline, it allowed for more range in use. The typeface needed to be expanded in order to reach better as a book weight and width, in addition to a regular width, a wider version was create as well. FEATURES Once the extremes were set in place, small capital forms were designed for text and display purposes. These also allow for nested capital letters, lifted small caps and other display features offered in the typeface. One of the most popular fonts in the Bourton layering font family is Bourton Line. This led to an experimentation with rounded Bourton Text completely and thus a complete set of duplicated characters with rounded terminals. By using the Opentype Panel, a rounded font is a single click away. Every feature has been carefully thought out and updated across the entire font. In total, Bourton boasts over 2,300 glyphs, 42 font files with 3 widths and 7 weights in upright and italic.

Alt-Gotisch Verzierte is a typeface of decorative initials that is Victorian in style and bears a close family resemblance to the many ornamental tuscans cut throughout the nineteenth century by British foundries. Instead of the bifurcated terminals of the archetypical tuscan (see Figgins Tuscan by HiH or Stereopticon by Dan X. Solo), these letters display what Nicolete Gray might call a “wedge and bite” design -- as if they started with the wedge serif of a latin form and someone came along and took a perfectly round bite out of the wedge. We need not dwell on the lack of teeth marks. The calligraphic curls and flourishes are often graceful, sometimes a bit contrived, but always complex. There is a busyness that marks the style of the period. If you ever see an old photograph of a well-appointed Victorian parlor, you will recognize that same quality of busyness. Overdone is a word that frequently comes to mind. Alt-Gotisch Verzierte means “adorned or decorated old gothic.” The typeface is attributed by Alexander Nesbitt to an unidentified German foundry of the nineteenth century (Decorative Alphabets and Initials, Dover, New York 1987, plate 92). The designer is unknown. Our font is supplied with a lower case that is similar to the upper case, but is 15% shorter and is simplified by the omission of the decorative vines. For the lower case, alternate letters A, E, & T; and ligatures LE, OT & LY have been supplied. In addition, a few small decorative vines were planted here and there for optional use. An accented upper case is not part of the original design and is not here supplied. This design is also seen under the name “Sentinel” -- as always, it is worthwhile to compare the completeness of the character set and the faithfulness of the rendering. We believe you will agree that we provide a balance of quality and value that is unmatched in the contemporary marketplace. Alt-Gotisch Einfach is a simplified version of Alt-Gotisch Verzierte. The vine-less lower case of the Verzierte font is the upper case in Einfach. For a lower case for Einfach, the letters were further simplified by stripping away the three-dimensional outline, down to the bare bones and bites, as it were. Einfach, in fact, means “simple” or “plain.” It is interesting to note that this bare bones & bite lower case bears (I have a special license to use two homonyms in the same sentence) a striking resemblance to the 15th & 16th century ornamental letters from Westminster Abbey shown in Plate 47 of Alexander Nesbitt’s Decorative Alphabets and Initials (Dover, New York 1987).

Ledare is a dynamic sans-serif typeface. Created by Mans Greback between years 2019-2021, this expressive font leads the way of your message with confidence and determination. It has a soft, easy-going outlook, yet is formal and rigid. The Ledare family consists of 14 fonts: Thin, ExtraLight, Light, Medium, Bold, ExtraBold and Black, with each weight as italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Introducing NEWGATE, a trendy font that is both retro and contemporary, is now available. Its thick curves give it a 70s groovy vibe, while the serifs return it to tradition. NEWGATE fits right in with those vintage moodboards and logos. It has separate lower and uppercase letters, as well as numbers, punctuation, and multilingual letters. The Ligature fonts will come in handy for anything your imagination can dream up! 5 Weights (Light, Regular, Semibold, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it. Check out Leonardo Sans which is a great pair for Newgate.

The first design of Elensans consisted of 4 styles that are including two weights and their italics which I designed in my student years in 2002. It was designed with a little Art Nouveau style touch with inspired by classical geometric based fonts such as Friz Quadrata and Eras. It was updated with according to the orientations of the day in 2012 and eventually it took its final form with actual touches in 2020. The family has 18 weights, ranging from Thin to Black in normal styles and including their italics. It is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Garvo is based on old Hollywood movie posters, vintage film credit designs and pays homage to Herb Lubalin's Serif Gothic font & lettering. This is why Garvo is named after the acclaimed international actress Greta Garbo. The Garvo family comes in 6 weights (from Thin to Black) and includes 2 different subfamilies: Garvo and Garvo Poster. Garvo is perfect for short readable texts, such as advertising and packaging designs, while Garvo Poster brings a wide range of contextual alternatives which makes it perfect for high impact pieces. Both styles increase the overall family flavor with discretionary ligatures, small caps figures. The 12 styles of Garvo are perfectly well suited for branding projects, album covers, audiovisual related designs, magazines and layouts, among other uses.

Welland is a modern and elegant serif font family. The combination of modern and vintage elements renders an elegant design. The variety of weights provide a range of choices that will help you find the best typographic colour for your project. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines. The available stylistic Ligature and Alternate offer a number of different characters that give your project design or logo a unique look. 5 Weights (Light, Regular, Semibold, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Alternates & Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... OTF file format Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Everybody loves black colour, strict stylish and elegant shapes. We strive to be perfect. Right? But... Do not you think that we have lost something? Maybe child's spontaneity? The Beebzz Rounded font brings you back to those perfect times, when there was no need to be serious, when the whole world was not so serious. Beebzz Rounded is an original font family designed for headlines, titles and subtitles. It has his own unique style in expressive, perfectly condensed forms, inspired by child calligraphy and strong geometric typefaces. Beebzz Rounded is a font family that is ideal for display, text, print, branding, signage, and also for user interfaces, mobile devices, especially web design creation, with a set of optimal characters for your design in any layout.

Modulus Pro, the extensive update to Modulus. This update was built around the original Modulus Font. This rounded sans-serif has a larger glyph set which covers many languages. Modulus Pro now comes in 8 weights from Extra-Light to Black. This updated version was designed with the designer in mind, you have many stylistic alternates to get creative with and make some really cool customised typography. A large range of examples have been designed to show just how versatile and creative you can get with this font family. It's fun but has a cool, edginess to it at the same time. Modulus Pro is not just another rounded sans-serif, you are going to want this in your font list.

This is Berka, a low contrast hybrid typeface which combine grotesque typeface traditions with geometry and a little touch of humanistic . This font family comes in 7 weights from Thin to Black with matching italics. Each family member of Berka also equipped with useful OpenType features such as Ordinals, Superscripts, Subscripts, Stylistic Alternates, Stylistic Sets, Proportional Lining, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 490+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Berka will be suitable for many creative projects. With its versatility, Berka typeface will be suitable for logos, posters, presentations, headlines, lettering, branding, quotes, titles, magazines, headings, web banners, mobile applications, art quotes, advertising, packaging design, book title, and more!

Elegance flows through Couturier Poster soul. The new cousin of early launched Couturier, brings higher contrast and an extended family, perfect for big sizes. Inspired by the didones from the 18th century, its design its heavily influenced by contemporary ideas makes it suitable to use for almost anything you can think of. Equipped with swashes, ligatures, small caps and alternates, this typography is very versatile and allows you to set a big range of compositions with discretion or personality. Couturier Poster comes in six weights and matching true italics, from thin to black. It's a good choice to pair with Couturier for smaller sizes and Couturier Poster for the big titles. It has a set of 1248 characters that cover more than 200 languages derived from latin.

Many current poster artists like to reference the graphic type styles that were popular in the ’60s and ’70s. Zaftig is a contemporary font that takes the geometric and blocky inspiration from that era but then steps off in a modern direction. At first glance, it may appear that the capitals of Zaftig all take up the same amount of space, but certain letters have been designed proportionally for a better flow. Zaftig contains the basic character set and will work for most European languages. If you like your OpenType fonts with more features, Typeco also offers Pro version of Zaftig that includes Tiling Alternates, Stylistic Alternates, Small Caps, Small Cap Figures, and support for most languages that use Latin, Central European, Cyrillic, and Greek scripts.

Marceaux is a sophisticated font with a touch of elegance and modernity. The letterforms are sleek and slender, with clean lines that give this font a refined and graceful appearance. Whether you're creating a logo, a book cover, or a website, Marceaux will bring a touch of class to your project. Marceaux features a complete set of small caps, uppercase, and lowercase letters. The font has been developed in six weights, from light to black, with corresponding true italics and oblique letters, and two styles (serif and sans-serif) for a total of 24 styles, making it versatile enough to use in a variety of design applications. Marceaux includes an expanded character set that supports over a hundred latin-based languages.

Displace Serif is a continuation of my Displace fonts. Adding serifs allows you to see the font in a new way. There is a more pronounced charm of Italian monumental fonts, but in an expressive way. The appearance of the serifs allowed the font to move to the antiqua class, but this is purely a formal matter. The proportion of serifs changes markedly from weight to weight, allowing the font to retain its decorative character. In the Light drawing the serifs are barely visible and delicate, while in the Black they are in superposition. The font is catchy, noticeable, which makes it suitable for graphics requiring instantaneous spectator emotions. Displace Serif is suitable for editorial design, as despite the modern image it retains the classic concept.

GASCO is a collection of natural handwritten letters inspired by the retro style of the 70s and 80s, the style seems to take us a little back to the manual era, this type of letter is very unique, you can change from modern to retro or vintage style with a combination of a collection of alternates so it is ready to help To make your design look elegant, in the image shown you can see what this letter can do. There is a condensed version and an italic version of the font included 9 Upright and 9 Italic weights, ranging from Sheer to Black, all coming in 1 Outline style. This font also comes with 1 more elegant display style.

Introducing the Puffypuff - A new experimental display typeface inspired by the pillow and cloud shape and behavior. Interpreted into a bunch of letters, so it can be a font that you can't resist to have. Usage tips: Play with strokes to give bold comical and vintage vibes. Duplicate the word and make it all black for the back one, and slide it down a little bit to make a shadow effect. Mix the letters with other fonts in one word to make such an experimental visual concept with it (see 3rd poster). Perfectly fit for logo, branding, poster, music project, album cover, cover artwork, events, y2k concept, graffiti concept, brutalism, modern aesthetic, graphic design project, fashion, apparel, merchandise, and many more.

Say hello to Grande Sans—a geometric typeface that features highly stylized capitals with sharp corners, circular forms and generous proportions. Specifically created for visual impact—use Grande Sans when you want your words to stand out from the rest of the crowd. The concept is modern, futuristic and non-traditional. Perfect for display text, logos and headlines. The development of Grande Sans started in 1997, inspired by Alex Kaczun’s best selling grotesque font family called Contax Pro. Grande Sans is specifically introduced here as a black weight, but Alex plans to expand the design to include many weights, styles and alternative design treatments. Stay tuned! If you like Grande Sans—check out Alex Kaczun’s Decrypt fonts as well as all of Type Innovations fonts here.

Meet Proda Sans, a humanist typeface with geometric construction inspired by the humanist-style sans serif faces that were popular in the mid 20th-century. Its calligraphic influenced letterforms have been adjusted to have geometric’s low-stroke-contrast for better legibility. The medium x-height give it a warm and delicate appearance, and keep your page bright. It's a family of nine weights plus matching italics. The thin and the black weights are great for display purposes. The light, book and regular weights are well suited for longer paragraphs and smaller texts.​​​​​​​ Proda Sans is developed for advanced typography needs. The OpenType fonts have an extended character set to support 200+ latin-based languages. For full presentation please visit my Behance post.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Rooney is based mainly on old-style serif construction principles, such as the angle of stress, the open letterforms and the medium contrast, which lends the typeface a serious feel. Nonetheless Rooney is equipped with rounded shapes and soft curves that add a warm and smooth overall impression. Rooney combines these two different approaches: It has distinctive, original letterforms, but remains very readable and versatile. It includes six weights from Light to Black and Italics. The Rooney family comes with a Pro version, which is intended for professional designers. It contains lots of OpenType features such as small caps, ligatures, different figure sets and alternate glyphs. With around 840 glyphs, Rooney Pro is a powerful tool for any kind of typographical task.

It is spurless, minimum contrast with vertical cut terminals, and it is called Algera. It sounds strong and wild, doesn't it? This font family comes in 9 weights from Thin to Black with matching italics. Each family member of Algera also equipped with useful OpenType features such as Ordinals, Superscripts, Subscripts, Stylistic Alternates, Stylistic Sets, Proportional Lining, Standard Ligatures, Fractions, Localized Forms, also Numerators & Denominators. Each font has 490+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Algera will give you a different touch to your creative projects. This typeface will be a great choice for logos, posters, presentations, headlines, lettering, branding, quotes, titles, magazines, headings, web banners, mobile applications, art quotes, advertising, packaging design, book title, and more!

Danish type designer Ole Søndergaard created this display FontFont in 2011. The family contains 3 weights: Book, Bold, and Black and is ideally suited for advertising and packaging, film and tv as well as music and nightlife. FF Signa Stencil provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system. This FontFont is a member of the FF Signa super family, which also includes FF Signa, FF Signa Correspondence, FF Signa Serif, and FF Signa Serif Stencil.

Slovenian type designer Mitja Miklav?i? created this serif FontFont between 2008 and 2010. The family has 14 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, poster and billboards, small text as well as web and screen design. FF Tisa provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2007, FF Tisa received the TDC2 award. This FontFont is a member of the FF Tisa super family, which also includes FF Tisa Sans.

Javiera is a geometric sans-serif typeface with humanist attributes. One of its main features is its small x-height, which makes ascenders and descenders look longer. The contrast gives the font a more stylised look, typical of humanist fonts. Curves and rounded terminals make Javiera a smooth, friendly and versatile typeface, well-suited for branding, magazines and publishing projects. User can take more advantage of the versatility of the font by enabling alternative characters included in the set. Javiera comes in 6 styles—from Thin to Black—plus matching italics, giving a total of 12 fonts. The font’s extreme weights are perfect for display use. Javiera family contains a set of more than 400 characters and supports over 200 different languages.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.