German type designer Yanone created this sans FontFont between 2009 and 2010. The family has 10 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries as well as poster and billboards. FF Kava provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Ciutadella Display is the extreme partner of the popular Ciutadella family for use in large sizes. The weight has been taken to the limit in both directions. It is available in Open Type format and includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. The type family consists of 12 styles, 6 weights (Thin, UltraLight, ExtraLight, ExtraBold, Black and UltraBlack) plus italics, creating an expanded and really flexible system. See also the original Ciutadella, Ciutadella Rounded and Ciutadella Slab.

Graphite was designed by David Siegel, who began thinking about the typeface in 1982, looking for an architect's handwriting with a chiselled pencil" look. The handwriting of San Francisco architect Anthony Celis LaRosa became Siegel's choice. With the assistance of David Berlow and Tom Rickner, Graphite was designed and released as a multiple master typeface with weight and width axes that allow for its use in a dynamic range from light condensed to black extended. Graphite is an upright script with simple lines, and is usable in a large variety of informal copysetting situations."

German type designer Hans Reichel created this sans FontFont in 1999. The family has 12 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design. FF Sari provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Laro this is a modern sans-serif font that includes nine weights from thin to black and nine weights in Italic style. This multi-purpose font captures a huge range for the design and creation of your project. Laro will perfectly cope with a variety of tasks and he will always look stylish and modern. With it, you can create logos, labels, use in advertising, packaging, branding, book covers and magazines, cosmetics, banners, posters, headings, descriptions and much more. This font is easy to use has OpenType features.

Kondolarge is a slab serif typeface developed from our successful Kondolar in 2011. Based on a simple skeleton, straight sides, gently curved horizontals and sturdy serifs, Kondolarge is a bit more geometric than the prior. It is suitable for both text and display. With a well-built character set including small caps and several numeral styles. The font comes in 9 styles, ranging from a delicate Thin to Black, with matching italics, resulting in a total of 18 weights. Kondolarge contains a set of 800 characters that support over 200 Latin-based languages.

Rough Riders Redux along with our Rough Riders font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s. I studied the design for one year before drawing the letters. Rough Riders and the Redux version are simply the most Wildest Western looking fonts you'll find. The Rough Riders fill font is not meant to be used as a stand alone black typeface, the fill font is designed to be layered behind the regular Rough Riders font.

Swiss type designer Cornel Windlin created this display and slab FontFont in 1995. The family has 9 weights, ranging from Thin to Black and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as poster and billboards. FF Magda provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with tabular lining and tabular oldstyle figures. This FontFont is a member of the FF Magda super family, which also includes FF Magda Clean and FF Magda Clean Mono.

Swedish type designers Örjan Nordling and Göran Söderström created this sans FontFont in 2009. The family has 12 weights, ranging from Thin to Black (including italics) and is ideally suited for editorial and publishing, logo, branding and creative industries, poster and billboards, software and gaming as well as web and screen design. FF Dagny provides advanced typographical support with features such as small capitals, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with proportional lining, tabular oldstyle, and tabular lining figures. In 2011, FF Dagny received the ISTD award.

Introducing Metria Street - Art Deco typeface Metria Street is bold, Art Deco typeface with 4 weights, ligature glyphs, alternates and multilingual support. It's a very versatile font that works great in large and small sizes. Metria Street is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation & Symbol Light Regular Bold Black Alternate glyphs Ligatures Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

🏆 Selected for Tipos Latinos 9. Dona is a non-boring sans serif. While very legible in text sizes, its friendly details really come to life on headlines, packaging and visual identities. To make it even more interesting, Dona Alt brings a different feeling with just a few different glyphs. The Dona type family comes in 5 weights, from Regular to Black, matching italics and an Alt version, totalling 20 fonts. If you need even more control, variable fonts are also available. Each font contains 528 glyphs and supports over 200 languages.

On the Town JNL is a reworking of Parks Department JNL, giving it a classic "solid black Art Deco treatment". The wide monoline font of the original design was inspired by hand lettering on a WPA (Works Progress Administration) poster. Art Deco typography and the streamlined style it embraced often conjures up images of New York City in the 1930s and 1940s, thus On the Town JNL is named for the classic MGM musical starry Gene Kelly, Frank Sinatra and Jules Munchen that was filmed on location in "the city that never sleeps".

One font family to cover it all. Resolve Sans is an extensive super family of 124 fonts: from compressed to extended, thin to black. Resolve Sans perfectly balances a universally neutral appeal with a distinct level of sophistication. Effortless to adapt to any contexts of use, Resolve Sans is both a workhorse and a display font with impact and flair. As expected, all Resolve Sans fonts come with clever Open Type features such as built-in small capitals and multiple numeral styles. Gladly use it for everything, all day, everyday.

German design agency MetaDesign created this sans FontFont in 1997. The family has 18 weights, ranging from Regular to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, small text as well as wayfinding and signage. FF Transit provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

It's spring time and this is our tribute to the wonderful city of Colonia! Bloemche is a warm-hearted display serif font combining a set of floral symbols with an extravagant semi-script style. It is perfect for blogging a revitalizing style into the loveliest season. Create floral typography dreams and socialise with the people around you. Enjoy yourself! -- Typeface Features 711 Glyphs 45 Stylistic Alternates 6 Styles: Regular, Medium, Bold, Extra Bold, Black, Flowers Full Latin Language Support Numerators/Denominators Sub- and Superscript Fractions Ordinals Standard Ligatures Slashed Zero

Born as a revival of an Egyptian typeface, this hand-drawn typeface is is perfect for headers and even as a body text. It manages to keep the neutrality required for a legible typeface and having slight details that makes it unique. All the details are hand drawn, and it comes in 3 versions: Santa 01 Black, with the original inked look Santa 02 Line, an sketch version of the font, Santa 03 Out, an outline version with subtle different strokes. A Santa Pack is available including all the 3 styles.

Enza is a display font designed by José José Villamizar. Its design stems from the typographic exploration for the realization of the identity of a company aimed at entrepreneurs in the millennium generation. It’s a family of five weights composed of 455 glyphs. includes Thin, Light, Medium, Bold and Black styles. It also includes stylistic alternates, fractions, and ligatures. Its use is recommended for titles, semicondensed texts or short, and elements of visual communication large phrases. It is also ideal for creating logos, in packaging, signboards and poster design.

Working on a Star Wars project? This font is in the main Star Wars written language of Aurebesh, and contains all the additional letters found in the language as glyphs. Designed to be a blocky workmanlike font that has the roughness commonly found in Star Wars related visuals. All numbers are also included as well as central punctuation symbols. The name is a very obscure reference to the old Star Wars expanded universe, when a force-sensitive droid self destructed in order for Uncle Owen to purchase R2-D2.

Aceh is a geometric sans serif font family, we make it in sharp and soft shapes, in the form of Upright with matching Oblique. Aceh consists of 9 weight, Black is the most appear strong and powerful, while thin looks more clean and modern. Aside from being a text font, we also intend this font for branding purposes, appearing more elegantly dynamic and reflecting a dynamic lifestyle. Modern, Clean, Readable and powerful are the basic concepts of this font. With a choice of 36 fonts, we believe your brand will stand out

Schuss Sans CG Poster Extrabold 1 upright OTF Font Latin extended, Cyrillic and Greek. Specially developed for headline poster display sizes. A Sans Serif Extrabold Headline-Font in addition to the Schuss superfamily. The heights are optimized for big sizes, different to the text fonts of the Superfamily Schuss. The character set is slightly different to the non poster styles too, but comparable to Schuss Sans CG Poster Black. No italic, no additional figures, no tabular figures, no small Caps. But with maximum manual kerning. Ligatures: fi, fl, ff, ffi, ffl. No special OpenType features.

Pittsbrook Family, a pack of classic typefaces that inspired by the letters used in old advertisement and packagings. Its rigid shape gives you strong, sharp and blocky feelings, no curves were harmed in the making of these typefaces. Comes in three styles; Sans, Serif and Outline, all of them are consistently mouse-crafted characters, we spent a lot of attention to every details. Suits best for any classic/vintage design project, such as E-Sport logo, liquor/food label, packaging, headline, space-filler, logotype, typographic quote writings, etc.

Rohn Rounded is a rounded version of Rohn. This family is a modern squarish typefamily with a large x-height and soft feeling. Its letterforms are based on the shape of square with rounded corners. With particular details and large x- height, it is more legible at small sizes both on screen and paper. It has seven weights from Thin to Black with corresponding oblique styles and each weight includes ligatures, fractions, old style numbers, case-sensitive forms and more. Rohn Rounded is ideally suited for branding, logo, packaging, magazine, poster and editorial design.

Introducing Inure Typeface - 6 weights Inure is bold, vintage typeface with 6 weights and multilingual support. It's a very versatile font that works great in large and small sizes. Inure is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Hairline Light Regular Bold Extra Bold Black Ligatures Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

German type designer Ole Schäfer created this slab FontFont in 2001. The family has 10 weights, ranging from Regular to Black (including italics) and is ideally suited for editorial and publishing. FF Zine Slab Display provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Zine super family, which also includes FF Zine Sans Display and FF Zine Serif Display.

Sava is a calligraphic capitals and small capitals design by Jovica Veljović. Available in six weights--light, regular, medium, semibold, bold and black--it includes support for most western and central European languages, as well as for Greek and many Cyrillic languages. Typographic features include a series of non-standard ligatures and a large collection of specialized Byzantine ornaments. Influenced by the forms of medieval calligraphy, Sava is named after St. Sava, the first Archbishop of Serbia, who was famous as a peacemaker, and for his educational and charitable works.

Anicon Slab font consist of 18 weight: from Thin to Black with each weight paired by italic. Also including Latin & Cyrillic language support with more than 35 languages. Anicon is a fonts superfamily, semicondensed sans serif and slab serif with humanistic forms of characters. This font was crafted with the intention to present a clean, legible, multipurpose font family that is easy to read wether it's on screen or print. Fit for all purposes; text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other application and medium.

There are very few Western-style stencil digital fonts available, hence Overland Stage JNL. In the days when stage coaches, wagon trains, the Pony Express and the first transcontinental railroad crossed the landscape of this country, merchants shipped their goods any way possible to the growing territories and states. Picture wooden cases filled with dry goods, hardware or foodstuffs marked in hand-cut stencil lettering and nailed shut for their cross-country journey. Companion fonts to complement this design are Frontiersman JNL (Western lettering with an inline engraving) and Frontiersman Black JNL.

Straight Angles is a precisely designed three-dimensional font with a clean and futuristic look. The predominant angles are 90 degrees and 180 degrees with parallel and perpendicular lines. Each character is surrounded by a crisp black border of even thickness throughout the font. Upper- and lower-case letters are the same, providing a constant maximum top height while the stems extending below are allowed to show off their distinct personalities in order to spice things up. The 3D extrusion effect makes text appear to stand out from the page.

HYPOP is a strong and condensed sans serif font family with a nostalgic vibe. Combining retro and minimalist elements resulted in an elegant design. The different weights give you a lot of options when it comes to choosing the right typographic color for your project. 5 Weights (Thin, Light, Regular, Medium, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures glyphs Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Waldo is a bold, stencil-focused display typeface loosely based on a 1973 science fiction movie poster for "The Battle For The Planet of The Apes". Narrow rectangular slots cut into heavyweight forms create a stylish and energetic font ideal for apparel, books, film titles, packaging and posters. Included in the font are over 400 characters with four unique styles; Black, Stencil, Outline, and Shadow. Opentype features consist of digital numerals, tabular figures, numerators, denominators and fractions. Other features cover alternate lowercase f and r, with language support for Western, South and Central Europe.

Glotona's Black & White are four modernist typographies written by hand and combinable with each other by layers to create multi-colored typographic headlines. Glotona is my tribute to Bodoni fonts, revolutionary fonts when they appeared in the S XVIII and still in force today. The great contrast between antlers, give foot to the design maintaining the elegance of the modernist typefaces, the manual writing and the roundness of the serif and antlers bring freshness and empathy, the careful configuration of the kerning and the proportions give maximum readability to these fonts.

D Hanna Soft is a sans serif type family of 9 weights plus matching italics. It is inspired by the geometric style sans serif faces with a mix of rounded shapes and a little bit of black in some corners. The medium weights serve very well in body text, while the thinner and bolder styles make an excellent choice for headlines . D Hanna Soft is equipped with a complete set of opentype features including alternative glyphs, fractions, ligatures and many more. It is perfectly suited for highlighting lettering, magazines, web, interaction design, advertising, logotypes, etc.

German type designer Ole Schäfer created this sans FontFont in 2001. The family has 10 weights, ranging from Regular to Black (including italics) and is ideally suited for editorial and publishing and sports. FF Zine Sans Display provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with proportional lining and tabular lining figures. This FontFont is a member of the FF Zine super family, which also includes FF Zine Serif Display and FF Zine Slab Display.

Egon Sans is a geometric sans serif typeface family built in ten styles (extra-light, light, regular, bold and black weights all in roman and italic). Egon Sans is an extension to the Egon (Slab Serif) family, designed in 2008. The typeface is designed with industrial and architectural flavor, as homage to Egon Eiermann, one of Germany’s great architects of 20th century. Egon Sans is ideal as text and display font for publication use. Egon Sans is released as OpenType single master with a Western CP1252 character set.

Le Blanc is a strong and condensed sans serif font family with a retro vibe. Combining vintage and minimalist elements resulted in an elegant design. The different weights give you a lot of options when it comes to choosing the right typographic color for your project. 5 Weights (Thin, Light, Regular, Medium, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures glyphs Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Twisted Halloween typeface embodies the chills and mystique synonymous with a moonlit October night. Out of the norms, its characters undulate freely, rejecting a fixed baseline, giving each word a personality tinged with a blend of spooky and retro allure. Imagine letters that dance like shadows cast by a flickering candle, seemingly sketching tales of witchcraft, mystery, and the eeriness found in episodes of the Twilight Zone. Use asterisk * to make a Halloween cat, or multiple asterisks to make different symbols like pumpkins, demons, skulls. Example: Witch*Craft & Black******Magic

It is difficult to classify a typography that is made from different line fragments but precisely that is what makes it stand out from the rest, a construction that took months and multiple corrections that now make up a set of glyphs with is own identity based on the game between blacks and whites, standing out especially in large formats, posters, headlines, logos and titles. Playmax is a typeface with which you can find endless forms of customization, from its basic structure to the number of effects it supports.

Force is a contemporary sans serif ultra-black family designed by Ricardo Esteves. There are 4 font styles: Force Regular, with a upright roman structure; Force Italic, with more cursive lowercase forms; Force Shadow, that can be used alone or as a second layer to Force Regular; and Force Dingbats, containing some pictograms. Each font file has some OpenType features: discretionary ligatures, fractions, subscript and superscript. The Force family is suitable for big-size high impact situations like posters, headlines, titles, magazines, packaging and many others you may creatively think of.

Garnison, is a contemporary take on the humanist sans serif from Eric Gill with readability and craftsmanship at its core. Specially designed for editorial and publishing purposes. Garnison blends Eric Gill’s humanist sensibilities with a younger, more versatile attitude with 74 variations ranging from lightest hairline to heaviest black, the family features an extensive set of weights and optical sizes, matching true italics and lots of cool OpenType features. The variation in stroke width and letterforms help it achieve great scalability while still retaining its character. For inquiries please contact ozfoundry@gmail.com.

My affection for Slab Serifs began in the early 1960s in Kansas City with Rob Roy Kelly and his fabulous collection of wood type. In the 1970s tried to re-create a Nebiolo Egiziano for Roger Black. Again for Roger, in the 1980s I designed a Slab Serif logo for Newsweek Magazine. Finally, in 2003, designed the Sutro Family. There were things I didn't like about it, so when I did Version 2 for Open Type, I changed it around a little, making it a much nicer Sutro.