This was created during experimentation with thin pencil lines and thus unremitting was created. This font works well with illustrations and gentle photography.

Sveva Versal is a light swinging art nouveau caps only headliner, with swash like alternates and lots of special combinations. It's well suited to set a short and fancy block or line of text. PDF Specimen

Fun packed comic style font. Especially made for commercial products such as all kinds of packaging, cereals, video games, candy, kids toys and alike. I added ligatures for double letters to avoid a repeating look. Enjoy!

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. “Justine Handwriting” is a beautiful typeface that mimics true handwriting closely. UseJustine Handwriting to create stunningly beautiful designs easily.

Just a straight and simple font with a character of its own: written with a HB pencil which is very recognizable in its appearance.

Reisar is inspired by the vintage sign of motels, automotive logos, and badges, mixed up with urban modern cross-culture of contemporary visuals and brutalism. It makes Reisar born with a fresh vibe combined with the past and future for your visual graphic design needs. Perfectly fit for your logo, branding, clothing, apparel, merchandise, music project, album artwork, cover, book, music video, serial title, movie title, poster, animation, stickers, event, festival, magazine, and many more.

Andrew Smith played with his pencil and scetched an alphabet with several strokes. and as he made come cross strokes it lokes like barbed wire.

54 audio dingbats scoured from pages of vintage aural enthusiasts magazines and fontified just for you… from tubes to amps, turntables, headphones and more.

Marvello a classy elegant stencil serif font is perfect for any project. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Here's yet another variation of the classic Futura Black Art Deco stencil form of display lettering. The inspiration for this typeface came from various images of the Blossom Dairy Co. restaurant, originally opened as an ice cream and sandwich shop located on Quarrier Street in Charleston, West Virginia. The restaurant first opened in 1938 as an outgrowth of the Blossom Dairy Co. itself, and existed under various ownerships until it permanently closed on Nov. 11, 2016. Digitally redrawn as Local Eatery JNL, it is available in both regular and oblique versions.

Architype Konstrukt is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals have helped to shape the design philosophies of the modernist movement in Europe. Due to their experimental nature character sets may be limited. Architype Albers draws on early grid-based attempts by Josef Albers, in 1926, to design an alphabet by reducing the forms to purely geometric elements – the square, triangle and parts of a circle – and in the process creating an unusual stencil effect typeface.

Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine the words Salaam and Shalom to the font family name. Salom’s sibling, Salom Sans, features the same letter proportions and therefore allows a rich spectrum of diverse typography, yet keeping the harmony between all styles. The sans has an additional light weight, while the serif comes with an expressive stencil style.

Kau is a quirky, sans serif display font in two weights. Its funky, stencilled outline bursts onto the page with in-your-face energy, just demanding to be noticed. Kau Black is big and bold, specially crafted for posters, headlines, ads and logotypes. Kau Light forms a perfect foil - clear, skinny and edgy. Use the two together, in a contrasting explosion of form, to create exciting contrasts and vibrant designs The font has all the features of a fully professional typeface. Language support includes all European character sets.

American type designer Christian Schwartz created this display and sans FontFont in 2005. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for advertising and packaging, music and nightlife, poster and billboards, software and gaming as well as sports. FF Oxide Solid provides advanced typographical support with features such as ligatures, titling alternates, case-sensitive forms, fractions, and super- and subscript characters. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Oxide super family, which also includes FF Oxide Stencil.

Oceanshore is a modern display sans typeface with stencil characteristics and based on geometric shapes. That when combined gives the font a retro-futuristic look and makes it ideal for big and catchy editorial headlines. The family includes 6 styles, from Thin to Bold, each of them in a wide variety of alternates and ligatures that provides the users with a number of choices when composing. Each font comprises more than 550 characters and supports over 200 Latin languages. Seashore is well-suited for headlines, short text, posters, flyers and so on.

Monera is a new elegant stencil & modern serif font featuring a regular,outline & italic version. Its luxurious lines will work perfectly for any sophisticated design project. Perfect for luxury product packaging, labels, branding, advertising & much more. Monera includes all standard glyphs plus a few essential ligatures as well as multilingual characters. Unique, playful and versatile serif family with 69 ligatures and 94alternates to beautify the design you like. This font is perfect for branding projects, Logo design, Clothing Branding, packaging, magazine headings, advertising, T-shirts, postcards and much more. Thank you, Skypia

Burgs - Multistyle Font is a versatile typeface that starts as a modern sans-serif font and expands into a diverse collection of eight alternative font styles. These variations include slab, stencil, display, sport, classic, serif, and decorative, offering a wide range of design options. Each font style can be combined with others or used individually, making it adaptable for a multitude of design purposes. Whether it's for logos, posters, packaging, branding, business names, stickers, headlines, or any creative endeavor, Burgs provides a wealth of options for your projects.

Sometimes type designs are set aside as one project takes priority over another and occasionally it becomes overlooked. One such example is a set of extra bold, sans serif stencil characters drawn out in 2017. Regrettably, as much time has passed, no backstory can be applied to this typeface. It was checked against existing releases in the Jeff Levine Fonts library and didn’t seem to have been re-worked for any subsequent release. With this in mind, Baggage Claim JNL makes its belated appearance and is available in both regular and oblique versions.

Architype Konstrukt is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals have helped to shape the design philosophies of the modernist movement in Europe. Due to their experimental nature character sets may be limited. Architype Van der Leck originates from the lettering that Bart Van der Leck created for ‘Flax’ magazine in 1941. The letterforms‘ restricted shapes and abstract, stencil-like forms reflect the strong geometric language of De Stijl and show influence from his abstract paintings.

Karben 205 is inspired by the classic, no nonsense DIN, and has a form that follows its highly legible function. Based on a lozenge, it has a clean and pure geometry with even stroke weights. Karben 205 is available in a family of five weights, and is also available with character variations as Karben 105. There are also monospaced variants of both Karben 105 and Karben 205 and a stencil version. All of the Karben fonts feature an extended character set, including accented characters for Central European languages.

Towards Minimalis Stencil Our latest product inspired by the famous logo is simple but classy, made with precision and measured. very good for combining your design work with a clear line and a circle with several different weights that are very comfortable in the design area you are easy to read and as a title on a blog or magazine page Towards Elegant Sans Family has symbols and punctuation and unique alternative letters perfect for logos & branding, photography, invitation, watermark, advertisements,product designs, stationery, wedding designs,label ,product packaging.

Militia Sans is the sans-serif version of Militia. A heavy sans serif with very distinct stenciling, Militia Sans is ideal for strong designs that settle for nothing less than total obedience. A few alternates are sprinkled throughout the character set. Militia Sans comes in all popular font formats, and offers a full range of Latin support, including Western, Eastern and Central European languages, as well as Baltic, Celtic/Welsh, Cyrillic, Esperanto, Greek, Maltese, Turkish, and Vietnamese. The Open Type font is entitled Militia Sans Pro, and contains class-based kerning.

This is not a stencil font. At least it isn't intended to be. The foundation for the entire font comes from a progression in experimental rules on stroke intersections (pinching, separating) while maintaining proportions and elements from a more conventional typeface. More latitude was given to the unicase "Fat" face but still retains the overall flavor of the original. The end result is a typeface that's hard to categorize as any one personality. Most likely a good candidate for logo, display, or headline work, the applications for Encoder are yet undeciphered.

Karben 105 Mono is a monospaced variation of Karben 105. The clean and pure geometry of Karben 105 makes it highly suitable for adaptation to this monospaced variant. It has an even look and retains its legibility at very small sizes. Karben 105 Mono is available in a family of five weights and includes an extended character set to include accents for Central European languages. Karben 205 Mono is also available as a monospaced variant of Karben 205. There is also a stencil version of Karben 105 available.

Reed is a refined calligraphic font based on humanist italic. It contains two weights and a high-contrast Display style for extra large point sizes. Two unusual stencil styles add zest to the type family. The character set includes lots of swashes and contextual alternates. This makes text set in Reed look very close to live calligraphy. Reed works perfectly in labels and packaging of confectionery, cosmetics, perfumery and sparkling wines, as well as greeting cards and event design. Reed was designed by Isabella Chaeva and released by Paratype in 2020.

A set of self-adhesive poster board letters once made by the E-Z Letter Stencil Company and sold under the name "Quik Stik" was the model for School Project JNL. Ironically, the line was discontinued because they did not stick very well - the weight of the cardboard caused the letters (which used a rubber cement type of glue) to pull away from the surface they were mounted to. Unlike vinyl self-adhesive letters (which were formulated for indoor or outdoor use) these cardboard sets were relegated to indoors only; further restricting their usability.

The Kimchi font had its starting point in the making of the film "Cloud Atlas", based on the novel by David Mitchell and directed by Lana & Andy Wachowski and Tom Tykwer. A first version of Kimchi was created for "Papa Song" – an underground fast food restaurant in a futuristic Neo Seoul in the year 2144. It was used for the menus, advertisement and packaging. Kimchi was later further developed to become a useable typeface: it works for headlines, street art stencils and of course as logo font for korean fast food restaurants.

Introducing Remopid typeface, stencil display font with a strong personality. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Four interchangeable all-caps typefaces, made specifically for designers to layer and play with. Here’s more at the designer’s site. It combines hard and soft, geometry and pattern. Layer and mix styles within a single word, retaining coherent visual tone. Havelock Solid operates as a background layer, Multiline sits nicely atop it, Inline frames Multiline’s center strokes, and Stencil lets details peek through. If you’re working with translucent color, the blending can be gorgeous. Please note, if you're also looking at Havelock Titling: both collections are included in Havelock Complete for a lower price.

Goldana is a display layered font inspired by art deco. The base layer is regular; add an extrude and extrude shadow to create a dimensional look. Several of the styles can be mixed and matched together to create different style details. There are several fonts with a stand-alone style and script. The Script fonts are also equipped with OpenType features. (The shadow, drop shadow, drop stripe and stencil styles are not meant to be layered.) Play with the extras collection to create badges with a vintage feel and an art deco style.

Foundry Fabriek was inspired by the concepts behind industrial fabrication, where and how parts of materials or structures are united. The systematic grid, formed by stencil shapes, is indicative of the work of Wim Crouwel, consultant on the development of this typeface. The compact character widths of Foundry Fabriek are consistent over the five weight progression, giving flexibility for a variety of applications. The characteristic letterforms have an extra dynamic in large scale, perhaps in cast concrete or laser cut metal, to form integrated components in architectural or signage projects.

Caché is a stylish, condensed sans serif font family in 3 versatile weights (Light, Medium & Bold) with an extended Latin character set. The typeface features economical letterforms with distinctively sheared terminals and occasional stencil characteristics. Designed as a practical all-rounder, it really does live up to its name, providing legibility along with added panache to any heading or copy. In practice, its surprisingly adaptable to most projects; and as usual with ‘ArtyType’ fonts, there are several alternate characters available via the glyph palette, providing that extra dimension when personalising your design projects.

Karben 105 is inspired by the classic, no nonsense DIN, and has a form that follows its highly legible function. Based on a lozenge, it has a clean and pure geometry with even stroke weights. Karben 105 is available in a family of five weights, and is also available with character variations as Karben 205. There are also monospaced variants of both Karben 105 and Karben 205 and a stencil version. All of the Karben fonts feature an extended character set, including accented characters for Central European languages.