NeoScript Pro is a family of typefaces that leads Neoscript Pro Zero, a commercial script writing similar to those used in ads advertising the 40s and 50s, with fine lettering combinations of that time. NeoScript Pro is ideal for composing headlines and subheads and this is supplied four variations.

Fun and quirky yet highly legible, Peach Fuzz invokes a sense of playfulness to your documents or projects. The varying slant of the letters and its rough edges give it an energetic quality. Great for scrapbook pages or for those times when you want to communicate a casual feeling.

Charade is a soft, resonant design that beams of comforting warmths, joy and cosiness. It reminds of the 60ies and 70ies, flower power, party and having a good time. The outline and shadow styles are provided for special typographical expressions, for example for titles of films and videos.

A comic font with a twist of crunch! The Lie Detector font deserves headlines and comic lettering, but most of all it deserves long letters. Use Lie Detector next time you want to spice up your letter or invitation, and you'll be surprised by the powers in this font!

This typeface is inspired on Bodoni, but this is like his gross sister, because it has angles instead of curves. Is a typeface with personality, strong and robust but at the same time sweet with his italics. This typeface has 5 weights, regular, italic, bold, poster and poster italic.

NAURE is a vintage classy serif typeface, with a little roman soul on it. It comes with regular, condensed, and oblique style. It have a curve that give a unique yet elegant feel at the same time. The strong characteristic makes it suitable for attention grabbing design projects

Pleasure is the work of German designer Holger Seeling, a condensed open sans serif typeface featuring a shadow behind each character. Its geometric forms are flexible and best used closely spaced. Pleasure reflects no particular time or setting and is therefore ideal for a wide variety of headline applications.

Following up on the LP Saturnia, which is a modern interpretation of the classic Roman letterforms, comes the LP Saturnia Sans. While keeping the clear forms, this well-balanced Sans transports the original draft even further in the modern and at the same time preserves its classic character.

Do you like cats? We love them! Cats do so many crazy things, we thought it was time to design a font for cat lovers and their cat-loving friends. LiebeKitty is just right for greeting cards, birthday invitations and to add pretty details to your photo album. We have spent much time on cat-watching research and included over 50 cats and kittens for a wide range of creative applications. Happy cats, mad cats, bad cats, hungry cats, egyptian walk cats, and more. Plus‚ cats love fish, just like we do. Check out LiebeFish, one of our other popular fonts. And if you're looking for a typeface that perfectly fits the hand-drawn looks of LiebeKitty, check out LiebeErika, #1 Hot New Font in October 2010!

VTC Elmwood is a modernized blackletter font family from Vintage Type Company. What's old is new again. Elmwood comes in 4 styles, including regular, 8-bit, outline, and spurred. Drawing inspiration from calligraphic techniques of the past, Elmwood strips away any flourishes that would typically be found in a similar textura typeface, and offers a more modern, stylized old english font. The styles that come included save you a bit of time from having to stylize the regular version yourself, and allow you to tailor the font to more niche and customized projects. Saving time is good, and you're sure to love these options. VTC Elmwood makes the perfect font for branding & logo projects, package design, title design, print & e-publications, and the list goes on.

One of the charming features of vintage wood type is the unusual interplay of stroke widths or letter shapes that can vary from character to character. In today's world of digital perfection, a set of letters, numbers and punctuation marks must conform to rigid standards of uniform lines, balanced curves and other form-and-function rules that has often removed the human feel from the overall type design. While this is fine when applied to most text fonts and some modern display faces, Old Wood JNL is a simple throwback to an earlier time when type design was an artistic, not engineering endeavor. Modeled in part from vintage source material, this wood type design retains that charming imperfection of a time long passed.

“Byblos” is the name of a town in Lebanon and the name of a famous hotel in St. Tropez. Some time ago I discovered their original logo in an old french magazine, just 5 by 3 centimeters small without any text, address, telephone number not even a picture. They did not need that, that’s how famous the hotel and its old logo was. Well they abandoned their identity when the place was sold to a big chain – I think. But the logotype, just those five letters inspired me to this new font. It evokes times past and has a little Bauhaus in it – as well as a really modern touch, all depends on the way you use it. Your strange typedesigner Gert Wiescher

Yes it's true, from time to time those awfully nice chaps at Comicraft have been known to create fonts for artists simply because We Love Their Work. Affable HEROBEAR AND THE KID kreator, Mike "He's just like your Favorite Uncle" Kunkel was lettering his beautiful children's comic strip with a font used by many, many other comic strip creators. John "JG" Roshell put a stop to all that and created a font based on Mike's own unique hand lettering style and now we make it available to you so that you can bring a little bit of Mike's Magick to your own warm and fuzzy work... because the Mike Kunkel font will help you remember your childhood... pass it on.

Once I had a young, very eager and interested designer in my employ. We got into talking about where our letterforms come from and the habits in perception we are used to. He did not quite believe me. So I said, let's try to design a typeface where everything is just the opposite of what we are used to. We really had a hard time, our habits crept up on us all the time. But after a couple of weeks we finally finished this typeface and wanted to call it crazytype, but my young apprentice ­ who did most of the manual labor ­ said Contype sounded crazier. So it became Contype and it's really crazy, with a small asian touch to it. Yours very crazy Gert Wiescher

Fontology-E is an experimental font designed by Fabrizio Schiavi. It was created for the cover of the Fontology catalogue. Schiavi's need was to build an optical false modulation effect with versions of the logotype and typical rectangles of an empty font chart. The basic idea was to create a page that contained many rectangles in order to demonstrate the modulation. At the same time, it was important to understand that Schiavi inserted 8 versions of the same logotype each time the corresponding letter is digitized in e, a, d, f, g, h, c and b. The inside of the catalogue has the same layout and text, which is revealed by fanning the pages. Schiavi confess that Fontology-E is a highly experimental typefont.

Hello, Everyone! Ready to spark your project? Want font to make your branding bold? Looking for a fabulous, stylish, modern, and adventure font? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Milan-A Serif Font Family Milan is a package that will makes you super happy. We offer you a very best choice to coloring your branding or project. With this family you will get many options of weight to maximize your designs with stylish fonts. Milan is made in uppercase and lowercase that easy on the eyes and nice to look while it’s also easy to read. This font family is an excellent choice to ensure a great font match for your designs and projects! Perfect to create amazing headings, logos, menus, social media graphics, and many more. Features: Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

In Greek mythology, Argo was the ship on which Jason and the Argonauts sailed from Iolcos to Colchis to retrieve the Golden Fleece. The Argo Nova font is an adventure though geometric sans universe with a touch of humanistic feel, bringing a different look with curved vertical strokes and high contrast on thicker weights. Designed with OpenType features, it includes extended Latin support, fractions, tabular and old-style figures, ligatures and more. With no excess in mind, it came in 10 styles (5 uprights and is matching italics) and it is a font family ideal for text, branding, signage, editorial, print and web design creations. 5 weights: Thin, Light, Regular, Bold and Black Matching italics Lining and old-style figures with proportional and tabular spacing Ligatures on “f” Alternate characters for a, æ, g and ß Fractions Ordinals Extended language support, designed following the Underware Latin Plus character set, with 534 glyphs, supporting 219 Latin based languages (see https://underware.nl/latin_plus/languages/). * Some features require an application with OpenType support.

Vaudeville JNL started out as the re-drawing of an angular Art Deco font hand-lettered on some old publications for sale online. After completing the basic alphabet, it was realized that it just didn't look good -- so a more traditional letter form was adapted to represent the style and times.

Film Noir JNL is a classic Art Deco Alphabet from the brush of the late master sign painter Alf R. Becker, and appeared in Signs of the Times Magazine. Thanks to Tod Swormstedt of ST Media and the American Sign Museum for providing the reference material to make this font.

Welcome Home JNL gets its inspiration from metal letters and numbers affixed to homes, posts and mailboxes in the 1920s and 1930s. The block style of lettering that was silk screened onto enameled rectangles of steel was especially popular during that time period. This font has a limited character set.

Warren Chappell named his font after the Roman emperor Trajanus, who ruled in the first century AD. The Roman capitals on Trajanus’ memorial combined with the lower case style from the time of Charlemagne formed the models for the font characters. Trajanus will give a text a classic, almost calligraphic, feel.

The Symbol PS font contains Times New Roman Greek capitals and lowercase, figures and basic punctuation together with a collection of mathematical signs and general purpose Pi characters. Use the Symbol PS font for setting mathematical and scientific work and as a complement to the symbols found in standard fonts.

Here's a simple little retro font that got its inspiration from a food vending truck pictured in a local newspaper's online article. Fun and retro, Food Vendor JNL evokes simpler times. The font is a basic character set, with a blank diamond on the equal sign keystroke for spacing or embellishment.

What's the hurry? Take your time! Take the first step with your Slow Foot and something (good) will show! :) A fun font with contextual alternates that leaves you with 6 different versions of each letter. That's really nice when you want to spice up the variation of letters as you write.

Albion’s old Masthead is inspired by traditional newspaper mastheads. A heavy Black Letter which brooks no argument, and can be emphatic and refined (emphatically refined?) at the same time. Ideal for signage with a ‘period’ feel, book covers, posters and banners. Why not add something solid to your latest project…

A popular caps-only type of late Victorian times was called Mural, brought out by Boston Type Foundry in 1890. We always liked it, drew a lowercase for it, and then strengthened it by adding a bit of weight. It now has a nice, understated retro look for paragraphs of copy.

The faces of IanSegoe were early attempts by IngrimayneType to construct medieval-looking faces. They drew inspiration from several medieval-themed fonts that were available at the time (1990). The upper-case letters are similar but not identical in the two faces but the lower-case letters are completely different.

If there s a back-story about the design inspiration for Modern Appliances JNL, it's lost to time. An unfinished design for quite a while, this clean sans with an Art Deco flair was recently completed, and the design quality should speak more for its appeal than any promotional blurb.

A Splashy font inspired by all things liquid and wet, the goal was to create a fun and realistic representation of water in the form of a letter. Water parks, Juice bars, your backyard pool party or your box of fresh squeezed orange juice, any time you need a good splash.

At one time very recently, serifs were lost to the design sinners of the world. Now see them found again. Unearthed and rediscovered. Retribution is not far off. We have been unchained from the belief that gothics have provided us no way back from a lack of variety and interest.

Palestina is a sans serif font designed for reading texts and inspired in the condensed Trade Gothic font, which features a strong influence from the time of metal foundry-based typography. The characteristic of its design is easily recognizable and very stable to use for titles and newspaper and magazine headlines.

Classy look font of Qanoar. a modern serif font family that drawn inspiration from elegant, modern, but classic at the same time. just have a look at this beautiful handcrafted serif typeface. Use it for logo, design, branding, and many more. Complete with ligatures alternates regular italic icon kerning multilingual support

CCS Monterio sans is a all-caps sans serif contemporary Art Deco typographic style , If you're into classic/vintage letter designs, then this typeface suits best for you. Packed with 300+ glyphs (alternate and multilingual characters included), now it’s your time to go crazy and explore the uniqueness of this typeface!

Udon Soupis my all time favourite Japanese food! I like it so much that I decided to name a font after it. Udon Soup font is a handmade script font, kind of messy, kind of weird, but very legible and useful. Comes with oodles of diacritics and double letter ligatures.

Hagenbeck is an old style font face with the intention to get really bold. It's a design from 2019, drawn during a rainy stay in the eponymous district in Hamburg, the designers ‘hood for a long time. There is the bold weight and a decorative stamped version of this font face.

The Bull Stand Victorian typeface is characterized by its intricate detailing, ornate serifs, and elaborate curves. The letters are designed with a fine balance between boldness and delicacy, capturing the essence of Victorian elegance. The typeface showcases the artistic craftsmanship of the time, reflecting the meticulous attention paid to typographic design.

Choc is the work of French designer Roger Excoffon, based on the traditions of Japanese brush calligraphy, thick yet graceful. Choc light was designed by Phil Grimshaw, who had to redraw many times in different weights before finding one that worked as a text face and remained true to the original.