In 1905 the Parisian typefounders Peignot & Cie. issued their Série 16. This clear roman with a large x-height and an italics soon enjoyed a great popularity. Coen Hofmann’s drawings made for the Seizième follow the original Peignot Série 16 as close as possible. The regular font has the original small caps, while all members of the family are enhanced, next to the ranging ones, with old style figures. Also superior and inferior figures are available. The original series did not have a bold version. This was, however, carefully drawn for this digital rendition. The Série 16 and its versions for the composing machines were much used for the type setting of scientific publications. That is why a comprehensive set of mathematical and sundry characters are added to the Seizième fonts. Next to the accented characters for the several West and East European languages the Seizième was also enhanced with a Cyrillic, also available in regular, italic and bold versions.

Polarity is a serif typeface with a touch of retro flair. It exudes a classic charm that effortlessly captures the essence of vintage typography. Its 2 styles, a roman and an italic compliment each other gracefully, each one with its own unique personality. While the roman is bold and modern, the true italic gives an elegant refined look for a perfect combination that’ll make your creations truly unique. Each character has been meticulously crafted to achieve a harmonious balance between smooth curves and sharp angles. Thanks to the numerous alternates, stylish ligatures and swash letters, the font family offers countless options and shows great versatility whether you're designing a logo, crafting a vintage-inspired poster, or creating eye-catching headlines. With 2 weights (regular and bold) and 2 styles - 4 fonts in total, the type family is equipped with various opentype features such as stylistic alternates, beautiful ligatures, additional symbols, old styles figures and multilingual support for major latin based languages.

Capital is a multifunctional super family with modernist roots. It is comprised of two distinct subfamilies: Gothic and Serif. Both share the same structure and proportions and come in seven weights – thin, light, regular, bold, extra bold and black, along with corresponding italics. Both Capital families are equipped with a full set of Cyrillic characters, making them a versatile choice for multinational use. All Capital fonts come with the following Open Type features: Small Caps, Old Style Figures, Fractions, Numero-sign & Ligatures.  Features specific for Gothic roman versions only are Circle Numerals, Titling alternate for the R character and Arrows. The Gothic italics have a Titling alternates feature where the true italic forms are omitted and replaced with simpler stroke endings. Both Capital gothic and Serif families are true workhorse fonts that can carry out almost any typographic task. Combine them both for the best results – multi-pack available for a no-brainer price.

The Roundup family was inspired by fonts from the late 19th century, though it is not based on any one of them. Roundup-Caps was the first of the group to be constructed. It has two sets of upper-case letters that have minor differences. It has reverse contrast, that is, the verticals are thinner than the horizontals. Unlike most of the "Old-West" fonts with reverse contrast, the serifs are not square but have an odd, rounded shape. Roundup-Regular replaced the second set of caps with lower-case letters. A bold style strengthens the vertical elements so that it no longer has reverse contrast. Both the regular and bold styles have matching oblique styles. Finally, there is a hollow version with a shadow to the lower right. This shadowed style has had its inside taken out, creating RoundUp-ShadowInside. The spacing is the same as RoundUpShadowed so it can be layered over RoundUpShadowed to easily create two-colored lettering.

By twisting and weaving separate strands of rope together, a stronger TWINE is created. The distinctive “valleys” that give the twine its twisted and wavy appearance is the result of the twining process. Similarly, TWINE the font, is an exaggerated representation of the calligrapher’s individual pen strokes that create a cohesive character which is enhanced with the stencil. Unlike other stencils, TWINE emphasizes calligraphic strokes, so you will find it very legible even in small point sizes. Check it out! Furthermore, twine is inspired by Plantin, an old-style serif typeface named after the printer Christophe Plantin, which is based on the 16th century Gros Cicero face cut by Robert Granjon. Twine is a great choice when you need a font that is timeless, contemporary and distinctive. Perfect for Advertising, Corporate identities and Packaging design, Museum display, Technology, Hospitality, Travel, and Retail applications. Twine is available in TWINE Regular, TWINE Italic, TWINE Bold, TWINE Bold Italic. It is a Stencil that is Distinctive, Contemporary, and Timeless.

Create a great combination design with this font family! Leophard font family is a modern slab serif that is inspired by sporty design and vintage style. There are 6 different styles that you can apply in your design projects. This font is made with tenacious basic shapes, the visuality of strength, old school movement, and modern minimalist style. - Regular style - good for your titles, sub-headlines or body text for readability. - Bold style - recommended for your titles, naming, labels or logos. - Bold inline style - is cool for your big typographic designs that are showing the precision of the shapes. - Outline style - good for your additional text, or minimalism design purposes. - Shadow style - suitable for vintage logos, minimalist effects, and titles. - Stencil style - inspired by street art and letterpress design. Recommended for design project which visualizes strength and movement. Make a great combination on your label designs, brand, poster headlines, movie titles, storefront, monograms, sport designs and merchandise design.

Alpha is a modern Sans Serif design, very elegant and readable but still also economic. Alpha is offered in regular, bold and italic, with the bold italic still in the works. Alpha is strikingly clear and without any flourishes. Its pretty large x-height guarantees excellent readability, and the design is easily recognized.

Spectre is an allcaps display font. With bold and sharp shapes, this font is able to bring a fierce and bold impression to your designs. Spectre is perfect for editorial projects, Logo design, Music Album, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

is a font from the sans serif family that is bold and bold and has character, an update from the previous “Akira Monoletter” font. This font was made to support the languages ​​of countries that require a dialogue arrangement of letters that have special marks. thus forming this special font. thank you

Introducing Prosa GT is a condensed sans serif which has styles from thin to black to make your design more variative and unique. Good for bold branding, titling and headline who has come to be seriously and fun. This typeface can be so serious, fun, and bold it depends on for what purpose.

Nugetto is a font with a groovy theme. This font has bold, pointed, and circular strokes so it looks very bold but still has a lot of flexibility. This font is very suitable for non-formal writing such as party celebrations, Halloween, food, holidays, and is also suitable for writing on logos...

Mooncrack is a brush-style font with bold, masculine strokes. This typeface captures attention with its thick and bold letterforms, making it an ideal choice for design projects that require a strong visual presence. It is suitable for various design projects such as logos, branding, posters, quotes, packaging design, labels, and much more!

Introducing Throne Serif Typeface: Unleash Masculine Elegance Experience the epitome of masculine sophistication with Throne Serif – a font designed to embody strength and refinement. From commanding headlines to timeless logos, its bold serifs exude confidence. Elevate your designs with a touch of masculine charm – explore Throne Serif and make a bold statement today.

Gremlin is a modern sans-serif font designed with an extended width for a bold and impactful presence. Its clean and sleek lines contribute to a contemporary aesthetic, making it suitable for a variety of design applications. The bold weight of Gremlin ensures that your message stands out with confidence and authority.

Matroos, translated as "Full" in English, is a new bold Arabic typeface created to be used for bold titles. It comes in two weights in a display way to make it legible for contemporary use in various creative projects including branding, headlines and posters. Features 25 bonus stickers in the glyph set.

Madison 01 is a bold, powerful and sporty font, perfect for sports logos, branding, posters, clothing designs with a bold and confident look. and also suitable for editorial / web titles. by adding some very detailed illustrations, of course this is very helpful to add elements to the design that you will make.

Escato is a modern sans serif font family with a simple design and a little break-rule, consisting of 5 styles ranging from Regular, Bold, Round, Bold Round, and Outline. Escato is suitable for products with simple but sophisticated and equally creative designs, such as magazine, book look, business card, logo, branding, etc.

Introducing a new Layered bold script called Stonekids. Stonekids inspired by handlettering, bold script logotype and kids fonts. Stonekids comes with open type features and multilingual accent good for logotype, poster, badge, book cover, t-shirt design, packaging and any more. Multilingual accents: ŽžŠŒšŸÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ Features: - Uppercase - Lowercase - Number - Punctuation - Multilingual - PUA Encode - Opentype

Rigide is a clean, contemporary, geometric, condensed font family. There are 6 fonts in the Rigide family, Rigide Light, Rigide Light Oblique, Rigide Medium, Rigide Medium Oblique, Rigide Bold and Rigid Bold Oblique. The Rigide fonts are ideal for headlines, titles, branding, small blocks of text or wherever a fresh font is desirable.

This typeface has its roots in the Egyptienne-family which became popular in the beginning of the 19th Century. To make the family more unique and personal, ”twists” have been crafted throughout the design. All together a family of 6 weights, including: Medium, Medium Italic, Bold, Bold Italic, Black and Black Italic.

Fable is an elegant, hand-crafted typeface that evokes the magic of fantasy weddings, of castles and wizards, of dragons and dungeons. Among others it combines elements that are suggestive of Greek mythology, of runic scripts, of Scandinavian tales and of the stories of King Arthur. Difficult to categorise, Fable effectively combines features of uncial, calligraphic and script fonts. It will enhance the appearance of advertisements, wedding invitations, headlines and posters. It contains a full character set and is professionally letter-spaced and kerned.

Those footsteps you hear as you walk down that dimly lit Victorian street...? That flapping of leathery wings in the air...? The howl of some kind of Wolf-man in the countryside...? Those sounds that chill your spine and triphammer your heart are the sounds of unspeakable, terrifying terrors.... some might say horrifying horrors, scarifying scares... hammering, uh, hammers and now there's a font to capture them... a font that wants to suck your blood. Custom made for Ian Churchill's Awesome comic, THE COVEN.

Polli Sans is a sans serif geometric font, designed with both proportional and fixed-width styles in mind. Polli is great for large scale display purposes and small scale copy. The proportional’s curvy form makes it super useful for title type, and the detailed technical fixed-width sub-family is perfect for any informative body of text. Polli is designed as an homage to common type practices of the early 21st centric corporate America. Borrowing from friendly styles you’ve seen before but with contemporary challenging elements.

Ridiculous is a complete whack-a-doodle sans-serif font inspired by the titling sequence from the 1964 film, "Yours, Mine, and Ours". Fun and full of personality, it is a lettering style that is completely insane. With ligatures enabled, the font will auto-substitute between cases for an even more random appearance. With a pseudo unicase character set, and offbeat letter weighting, Ridiculous is pure lunacy to typeset with, with ligature combinations that are quirky surprises. You’ll find this font will live up to it's name.

Jeck Lady is a cool font with a thick body style and attractive texture. It's a modern logo style, made with a calm mind and is quite manly and beautiful. Jeck Lady also has a lot of alternatives, and an underlines bonus that can be used in each sentence. It will look perfect in every design. Jeck Lady is suitable for use in title designs such as clothing, book tittles, stationery designs, quotes, branding, logos, invitations, greeting cards, t-shirts, packaging designs, posters and more.

Himawari means ‘Sunflower’ in Japanese. It was raining while I worked on this font, so I needly something to cheer me up - like bright yellow sunflowers! Himawari Script is a nice and neat handmade font, which was (more or less) inspired by an older font of mine, called mama Bear and, like the font it was modeled on, was made with a bamboo pen and Chinese ink. Himawari Script comes with some swashes and a cute smiling sunflower (just enable Stylistic Alternates and hit *).

Traveling through the central and southern parts of Mexico a number of years ago, I couldn’t help but be impressed with the amazing architecture of the indigenous peoples. From the giant pyramids of Teotihuacan to the extensive and impressive layout of Chichén Itzá to the smaller-but-spectacular Monte Alban ruins in Oaxaca, creativity abounds. One of the things I most enjoyed were the carved stone friezes that ran around many of the more complete buildings. Oaxaca calls to mind those beautiful carvings and, strangely, Chinese writing.

Paul Grotesk Stencil is a new Version of the modern, clean, minimalist grotesque typeface Paul Grotesk, with delicious detail. Created and published in collaboration by Fargus Meiser and Lukas Bischoff. It comes in 8 stylish weights and 3 are free to try. Designed with powerful opentype features in mind. Each weight includes extended language support, fractions, arrows, special numbers and more. It fits perfect for graphic design, editorial, corporate and any display use. Also check the webfont to create a nice responsive interface design!

SoftMaker’s Chandler Pro is a flamboyant brush script face. Originally designed with a certain far-Eastern touch in mind, it is great for casual typopgraphy. Chandler Pro contains OpenType layout tables for sophisticated typography. It also comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, and separate sets of tabular and proportional digits.

Sometimes you just want to have fun, and "Boys on mopeds" will take you there! Boys on mopeds are a simple-minded serif font with a fun and loose twist. I've added several versions of each lowercase letter: you have 4 different versions to choose from. Enough to make your invitations, diary, posters, postcards, novels, stickers ... ahhh ... the list is long - and the use of Boys on mopeds is almost endless! Comes with a bunch of international letters, so fun is available in many languages! :)

Smack, from American designer Jill Bell, is oriented toward a young generation who does not want to mind the rules. The font invites unconventional and playful use. The figures seem to be almost coincidentally shaped. Letters alternate between thin and thick strokes alternate and are accompanied by fine dots which almost look like accidental drops of ink on the paper. Smack is an illustrative font with unmistakable handwriting character and is perfect for cartoons, comics and anything else which is not supposed to take life too seriously.

Spacia is a unique & modern Sans-Serif typeface specially designed for headlines, big text, branding, logotypes & display usage. The typeface could be the perfect choice for logo/logotype design, branding, marketing graphics, banners, posters, signage, corporate identities as well as for editorial design that can bring freshness and professionalism. Please see the examples shown above to get an idea of the capability of this typeface. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support including Western European & Central European sets.