Please note: the wispy effect in the illustrations were applied to characters from the font but is not part of the font itself.

Blinked is a stylish handwritten script font. It is suitable for your crafting projects, but also for logos, quotes and so much more.

Hello Farmer is a handwritten font in Cute, Bold and Child style. It is suitable for promotional designs, labels, packaging, branding and logotype.

Scat Dingbats from Laurie McCanna is a set of eclectic icons originally offered with the Scat typeface but useful as general purpose symbols.

PT Spaghetti is a display font inspired by Spaghetti Western films but with a playful twist given by big serif and high contrast.

RiptCure is a futuristic, but usable typeface for everything from logotypes to magazine headlines. Several weights are included, including an interesting Ultra Light.

SG Rogibogy is a playful font, suitable for your design that needs a cute touch. There are several alternative choices of letters available.

Desk Jockey JNL features the same font found in Jeff's Levine's Mailbox Letters JNL (based on self-adhesive lettering), but without the rectangles.

JoeHand was one of the first scripts by JOEBOB graphics. A complete character set with numbers and most (but not all) special signs.

This font is studded with sparkles but is still completely readable. Perfect for the holidays or for anything requiring a touch of glitz!

This cute, neat handwriting font is perfect for a variety of uses. The font features genuine handwritten flair while still maintaining complete readability.

Sea is a versatile sans serif font that works well in a variety of sizes and applications. It's friendly, but robust and professional.

This is a wild and vivid choice when you want to effortlessly make your designs stand out with a remarkable clearly crafted handwriting.

The Tebal font is funny font style. It's be nice if you application for cute, funny, happy, cartoon, comic or something abut funny.

Deco Pimp is a trashy, handwritten font with a deco-look to it. It has some unusual letters, but is very legible nonetheless.

Morris is a four-font family produced by HiH Retrofonts and based on the work of the very English William Morris. William Morris wanted a gothic type drawn from the 14th century blackletter tradition that he admired both stylistically and philosophically. He drew from several sources. His principal inspiration for his lower case was the 1462 Bible by Peter Schoeffer of Mainz; particularly notable for the first appearance of the ‘ear’ on the g. The upper case was Morris’s amalgam of the Italian cursive closed caps popular throughout the 12th through 15th centuries, a modern example of which is Goudy’s Lombardic Capitals. The gothic that Morris designed was first used by his Kelmscott Press for the publication of the Historyes Of Troye in 1892. It was called “Troy Type” and was cut at 18 points by Edward Prince. It was also used for The Tale of Beowulf. The typeface was re-cut in at 12 points and called “Chaucer Type” for use in The Order of Chivalry and The Works of Geoffrey Chaucer. Morris' objective is designing his gothic was not only to preserve the color and presence of his sources, but to create letters that were more readable to the English eye. ATF copied Troy and called it Satanick. Not only was the ATF version popular in the United States; but, interestingly, sold very well in Germany. There was great interest in that country in finding a middle ground between blackletter and roman styles -- one that was comfortable for a wider readership. The Morris design was considered one of the more successful solutions. Our interpretation, which we call Morris Gothic, substantially follows the Petzendorfer model used by other versions we have seen, with the following exceptions: 1) a larger fillet radius on the upper arm of the H, 2) a more typically broadpen stroke in place of the foxtail on the Q, which I do not like, 3) inclusion of the aforementioned ear on the g and 4) a slightly shorter descender on the y. We have included five ornaments, at positions 0135, 0137, 0167, 0172 and 0177. The German ligatures ‘ch’ & ‘ck’ can be accessed using the left and right brace keys (0123 & 0125). Morris Initials One and Morris Initials Two are two of several different styles of decorative initial letters that Morris designed for use with his type. He drew from a variety of 15th century sources, among which were Peter Schoeffer’s 1462 Mainz Bible and the lily-of-the-valley alphabet by Gunther Zainer of Augsburg. Each of the two initial fonts is paired with the Morris Gothic lower case. Morris Ornaments is a collection of both text ornaments and forms from the surrounding page-border decorations.

Out of a lifelong inner struggle, Philip Bouwsma unleashes a masterpiece that reconciles classic calligraphy with type in a way never before attempted. Maestro takes its cue from the Italian chancery cursive of the early sixteenth century. By this time type ruled the publishing world, but official court documents were still presented in calligraphy, in a new formal style of the high Renaissance that was integrated with Roman letters and matched the refined order of type. The copybooks of Arrighi and others, printed from engraved wood blocks, spread the Italian cancellaresca across Europe, but the medium was too clumsy and the size too small to show what was really happening in the stroke. Arrighi and others also made metal fonts that pushed type in the direction of calligraphy, but again the medium did not support the superb artistry of these masters or sustain the vitality in their work. As the elegant sensitive moving stroke of the broad pen was reduced to a static outline, the human quality, the variety and the excitement of a living act were lost. Because the high level of skill could not be reproduced, the broad pen was largely replaced by the pointed tool. The modern italic handwriting revival is based on a simplified model and does not approach the level of this formal calligraphy with its relationship to the Roman forms. Maestro is the font that Arrighi and his colleagues would have made if they had had digital technology. Like the calligraphic system of the papal chancery on which it is modelled, it was not drawn as a single finished alphabet, but evolved from a confluence of script and Roman; the script is formalized by the Roman to stand proudly in a world of type. Maestro came together on screen over the course of several years, through many versions ranging widely in style, formality, width, slant, weight and other parameters. On one end of the spectrum, looking back to tradition it embodies the formal harmony of the Roman capitals and the minuscule which became the lower case. On the other it is a flowing script letter drawing on the spirit of later pointed pen and engravers scripts. As its original designers intended, it works with simple Roman capitals and serifs or swash capitals and baroque flourishes. The broad pen supplies weight and substance to the stroke which carries energy through tension in balanced s-curves. Above all it is meant to convey the life and motion of formal calligraphy as a worthy counterbalance to the stolid gravity of metal type. The Maestro family consists of forty fonts distributed over two weights. The OpenType version compresses the family considerably down to two fonts, regular and bold, each containing the entire character set of twenty fonts, for a total of more than 3350 characters per font. These include a wide variety of stylistic alternates, ligatures, beginning and ending letters, flourishes, borders, rules, and other extras. The Pro version also includes extended linguistic support for Latin-based scripts (Western, Central and Eastern European, Baltic, Turkish, Welsh/Celtic, Maltese) as well as Greek. For more thoughts on Maestro, its background and character sets, please read the PDF accompanying the family.

Pull up your Jackboots and check out this Teutonic title font designed by Richard Starkings for Rob Liefeld's controversial relaunch of Marvel's CAPTAIN AMERICA.

The font is made in the direction of Tribal aesthetics. He is restrained, but at the same time very cityistic, has an aggressive mood.

An elegant sans serif typeface with style. Fashionable, classy but still modern! Designed and shared by Vikers | RerdSystems. Perfect for logos, posters and more.

Colaneira is handwritten font. Will be nice if you application this font for cute, special moment, beauty, tees, simple word quotes, wedding party, invitation.

Degaule is handwritten font. Will be nice if you application this font for cute, special moment, beauty, tees, simple word quotes, wedding party, invitation.

Mummbler is your tiny, crunchy and lovely serif font with tall ascenders and deep descenders. Romantic, perhaps - but definately worth your next print project!

Furry is a collection of 35 cute farm, wild and pet animal illustrations. All illustrations are drawn by hand and of the highest quality.

A hand lettered font with quirky style Specifics: Cute style with average high of uppercase Numerical, Punctuation, Multi language included Hope You enjoy it.

Bold yet distinctive, Capstan is a stand out slab serif ideal for signage, headlines, branding and other applications intended to convey strength and character

Try out one of the most distinguished text faces for free! Andron is a new design inspired by the best of classical Roman typefaces.

Pukupuku is a cute round font. This font is designed based on the shape of clouds and beans, which looks somewhat like handwritten letters.

Earth days is a font duo inspired by earth day and features an incredibly fun and cute feel! Get inspired by its childlike charm.

Eight was desinged to be heavily geometric. The main lines were intended to be entirely comprised of lines of eight different but set angles.

This font is a vivid choice when you want to effortlessly make your designs stand out with a remarkable clearly crafted and dynamic handwriting.

Illinoise is a mutation of one of the most beautiful screen fonts ever. But, there are no straight lines. Everything is shaking. Let's party!

Thistle Borders are yet another "trouvaille". Great borders made out of thistles, teasles and flowers from the meadows of Victorian times by Gert Wiescher

The Swing Bill font was designed as a display face for sport material or pop music posters, but has also been seen on TV.

Ratumba font create with carefully. Can be use for wedding party, invitation, cute, tag, memorable moment, love story and many more with special moment.

Decorative border, spacer and ornamental elements comprise the bulk of Print Enhancers JNL, with a few extra goodies included to round out the collection.

The swooshy swirls of the uppercase paired with the simple lowercase creates a very useful title font. Romantic and girly but still perfectly legible.

This teacher-friendly polka-dotted font is perfect for kids and teachers. It is fun but still perfectly neat and legible for little readers.