SPECX This is my #11/12 Font a slabserif typeface. In fact it’s a very, very basic and extreme strong typeface! We gave this new Font a special touch by adding an extra family-member: a stencil-version of the SPECX. My inspiration for the SPECX is based on the cover of a 1955 French School-Notebook. Concept/Art Direction/Design: André Toet © 2017

Surakarta is a display face of western characters with numerous optional ligatures modeled after the graceful Javanese alphabet still taught in many schools on the island of Java in Indonesia, though it has been replaced by the latin alphabet for most everyday purposes. This is the second in Parquillian Design’s series of fonts inspired by some of the beautiful lesser-known native scripts of Southeast Asia.

ITC Bauhaus was designed by Edward Benguiat and Victor Caruso in 1975. They based it on a prototype face drawn by Herbert Bayer in 1925 while he was teaching at the Bauhaus School in Dessau, Germany. ITC Bauhaus has simple geometric shapes and monotone stroke weights. The rounded, open forms and quirky geometric gyrations of ITC Bauhaus will make contemporary graphic designs look both fun and stylish.

PiS Creatinin pro is based on a vintage ABC learning game for kids found in my grandparents attic. The narrow and high hand-drawn letters combine delicacy and chunkyness in a wonderful way, so it can be used both in huge display sizes and in small text sizes. PiS Creatinin pro - Makes you want to go back to school and learn the alphabet all over again!

KgStuttgart1930 -- Kunstgewerbeschule Stuttgart 1930 -- is based on a printed sample of a font designed in 1930 at the Stuttgart School of Applied Arts. Found in the book ABZ, more alphabets and other signs by J. Rothenstein and M. Goodings. I recreated the grid and kept some awkward letters of this bauhaus-era inspired design. I created the missing glyphs and added alternate versions of already existing ones.

SPECX Stencil This is my #11/12 Font a slabserif typeface. In fact it’s a very, very basic and extreme strong typeface! We gave this new Font a special touch by adding an extra family-member: a stencil-version of the SPECX. My inspiration for the SPECX is based on the cover of a 1955 French School-Notebook. Concept/Art Direction/Design: André Toet © 2017

Hello I'm really excited to introduce Die Hard with vintage and old school style font with three alternative! Die Hard perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. Feature Uppercase lowercase Number & Symbol International Glyphs If you need anything else just shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

This is an original typeface designed in the Arts And Crafts style. It is similar to Arts And Crafts GS, but with a more organic hand lettering style true to the Arts and Crafts movement. It is loosely inspired by the decorative lettering of Jessie Marion King, and the Scottish style of Charles Rennie Mackintosh of the Glasgow School, from which Jessie received her training.

BABYCAKES is a Fun Handbrushed Font. Babycakes is a cute and fun display font. It embodies playfulness and authenticity and is the perfect choice for any children activity or school project. Add this chunky lettered font to your designs and notice how it makes them come alive!. BABYCAKES also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

ITC Mattia is a typeface with an edge. It's nervous, tense, and a little disquieting, with twisted characters that are more scrawls than lettering. Designer Giuseppe Errico does not confine Mattia to a traditional baseline. When set in short blocks of copy, the design creates a tone of passion and candor. Not just another pretty face," Mattia is a rare and commanding communication tool."

Something bold, rounded, bubbly and cute is here! Yes, we have Wooles. As you can see, Wooles is a font with playful and fun style. The look of the font is cute yet firm. It suits perfectly for comic book, cartoon movie, school, children book, birthday card and another fun creative arts! We hope and be honored if Wooles can be the part of your happy moment. :)

Buddy Play is a Playful, Fun, and Cute Typeface. Come in 2 (two) styles (regular & slant) and is created with some alternate and ligature. Featured with Uppercase & Lowercase, Numeral & Punctuation, Multilingual Support, and Opentype Features Perfect for your design projects like Children or School Projects, Branding, Advertising, Product Designs, Magazine Designs, Book/Cover Title Designs, Art Quotes, Special Events, Labels, Product Packaging, and more.

Morton, another modern grotesque typeface which deliver a extraordinary unique within typeface with the style of condensed let you create more impact with your design. Morton Type Family available in nine weights, the Thin weight deliver you a simple hair line stem until you reach the bold weight, you will get more dynamic with three stem weights which give you a modern, old school look and feel.

Christmas Sheep is a modern and relaxed display font. It embodies playfulness and authenticity and is the perfect choice for any children activity, school project, Christmas, New Year, Birthday and many more. Add this playful font to your designs and notice how it makes them come alive! This font is PUA encoded which means you can access all of the cute glyphs with ease!

Yukas is a funky and sexy typeface where the proportions are based on the optical balance between black strokes and white shapes. Ideal to enjoy on a large scale. It takes its references from the psychedelic movement, old-school western movie posters, and mid-19th century American wood type with those big, heavy capital letters. Includes several Open Type alternatives to customize your design however you want.

ITC Kristen is the work of American designer George Ryan. He describes it as not your average text or display font." The inspiration for the design came from the handwritten menu at a neighborhood restaurant. With time, the forms moved away from the originals and towards something more like a child's scrawl. The result is singularly unique. ITC Kristen remains legible without losing any charm.

HU Makingfilm gives a solid feeling of a full module, and it is a font that adds softness by rolling the angled part.

Presenting to you Rushen. A vintage display sans serif with 5 styles. Designed with a bold weight that is awesome to be used for many purposes such as headline, branding, logo, apparel, logotype, cards, labels, poster, packaging, and many more. These fonts are all-caps fonts complete with multilingual support. Be Bold with Rushen! What you'll get : Regular: The basic one, with sharp geometrical shapes, formal and elegant look. Good to apply in Books, newspapers, letterhead. Curvy: Inky inspired from the old-school advertising, can be combined with your favorite fonts. Perfect for labels, posters, and short editorial. Stencil: The most explored with some adjustments that look good for a manly theme, urban style, military themes, brave, and youth. Shadow: The complement from all, but still can be stand-alone for western design, old school, and food themes. Distressed: The vintage-inspired with the neat ink effect and minimal anchor points to keep font still ergonomic. Thank you for your support!

VLNL Berlagebrug Designer Donald DBXL Beekman daily crosses the Berlage bridge spanning the Amstel river in Amsterdam. The Berlagebrug was built as part of the city planning project ‘Plan Zuid’ by H.P.Berlage and opened in May 1932. Its name, carved out of two granite headstones, sparked the design of this font family. The original lettering is attributed to Anton Kurvers in the early 19th century, and can be seen on many Amsterdam buildings and bridges. It’s typical lettering of the Amsterdamse School, the Dutch equivalent of the expressionist art deco architectural style, and mostly known for its extravagant brick work. VLNL Berlagebrug is a rounded display font that comes in three outline styles matching the building materials used in the bridge. Gietijzer (cast iron) is smooth, Zandsteen (sandstone) has a softly distressed outline, and Graniet (granite) is outspoken rough and crumbled. The capital letters in VLNL Berlagebrug are in the Amsterdamse school style, the lowercases are more straight alternate capitals, giving you more design options.

Spiraltwists is a family of 2 fonts giving assorted spiral shapes. In each font they're grouped in fours - the same basic spiral in 4 different orientations (N S E W almost), and Spiraltwists has solid lines making up the spirals, Spiraltwists Antique has dotted lines making up the spirals, giving them an antique or rustic appearance. Spiraltwists has heavier spirals on Upper Case, lighter spirals on lower case; plus a group of spirals with a straightened outer end and connecting lines so you get two spiral scrolls joined together by a long line at the top or bottom. (inputting UVWXYZ into the text-box on this webpage will show it). The big example on the webpage shows it all more clearly than any explanation. A fuller description, plus the above example, are included in the zipfile. Please note: for the avoidance of doubt, the font does not contain any letters, the text in these 2 examples is not Spiraltwists but Luzaine.

Voluta Script is the work of Austrian designer Viktor Solt, created for use in a guide to the Austrian Gallery at Castle Belvedere. A volute (Latin voluta") is a spiral or scroll-shaped ornament used in the Baroque architecture of Castle Belvedere, similar to the swashes in this typeface. The castle was the historic residence of Prince Eugene of Savoy, one of the great military commanders of the 18th century and a prominent figure in Austrian history. When asked to create a typeface based on the calligraphy of the period to illustrate Eugene's epic, Solt turned for inspiration to Kurrent writing, a cursive blackletter style. Solt created a hybrid style that embodies the rhythm and basic forms of its ancestors, with large capitals, dark vertical strokes, and flourished beginning and ending characters. The typeface was designed to be used in sizes of 24 points and greater. Voluta Script allows designers to evoke the Baroque era or to lend a hint of majestic grace to contemporary typesetting."

The Bilcase font family is a layered condensed font family that comes from vintage logos, labels, packages, and signage. This collection of styles has 5 type layers and vintage scrolls, panels, and ornaments. Combine these to create label designs, headlines, logotypes, signage, posters, greeting cards, letterheads, T-shirts... the applications are endless. This font family is available in 2 styles. Bilcase has font layers with contextual, stylistic alternates and ligatures. You will get special capital letters when you activate the contextual alternate feature. Bilcase Extras is the expanded version of the main font with panels, ribbons, and ornaments. You can access the ornaments by activating the ligature feature. Type the letter “p” for the panel, “r” for ribbon and “o” for ornament and add numbers to each code, e.g. “p1, p2, p11, r2, o2”. Complete information is in the pdf file. http://bit.ly/2OClGjY. You can also try it in the font tester below.

Notebook BH Black was inspired by the block lettering we used to draw on our school binders. Notebook is a unicase design, with the lowercase drawn to the cap height, and each "case" having a distinctly different flavor. The fun and seemingly unlimited combinations of the upper and lowercase forms make it difficult to stop typing innocuous phrases and, if you're mobile, can even make boring lectures tolerable!

A techy, sci-fi condensed typeface that is inspired by the mixture of futuristic and athletic vibes into one out of this world headline typeface. This headline font best fits in large scale design when you want to immediately capture the attention of the viewers. This also fits with school-related, athletics, sports, future and science themed designs. *This font includes letters, numbers, multi-language, and all essential marks needed.

Introducing Northas the vintage stencil font inspired by the old-school signage and military design. This font has a bit condensed letterform that gives a strong look and dignified. Perfect for many themes such as sports, military, urban, wildlife, vintage, and more! Fonts featured : Uppercase Small caps Numbers Symbols & punctuation Accented characters Alternates Catchwords: in, out, the, with, de, of, at, and, etc. Thank you for your support and happy designing!

The “Kiez“ is an old school style font designed by Elena Albertoni in 2016. Inspired by shop and bar signage of the sixties and seventies, which can still be found today in the so called “Kiez“ in Hamburg St. Pauli or in one or another “Kiez“ in Berlin, which means neighborhood here. It also has a cinematic touch, again: think of the sixties and seventies or your favorite b-movie.

Introducing West Carabao, a versatile vintage font that effortlessly blends modern and old-school aesthetics. With a range of styles from thin to bold, including italics and a captivating shadow effect, this font offers creative freedom for various design projects. Its multilingual support makes it a global choice. Perfect for posters, marketing materials, titles, T-shirt designs, games, art, and more. Elevate your projects with the timeless charm of West Carabao.

Vintage Browner is an exquisitely designed vintage-inspired typeface. Meticulously crafted with an original hand-drawn design, it exudes an old-school charm that is ideal for designs requiring a classic touch. This font is truly a perfect fit for vintage themes, including vintage logos, logotypes, packaging, storefronts, prints, t-shirts, decals, labels, and countless other possibilities. With its special characters, you can create your very own vintage aesthetic designs!

Kelpie is a hand-drawn typeface based on informal writing and includes 2 styles: regular and monoline. It is a full of energy font with the irregular look and slightly scrawled letterforms with long ascenders and descenders. Kelpie can look casual, open and friendly or even add an eerie undertone to your text. It is recommended to use for display titles and small amount of text, words or short phrases.

Kustomtype's 'Annexxus' font is a serrif font family with a regular & oblique version. It contains all upper & lower cases. The 'Annexxus' family is coordinated into letterforms, metrics, and weights to work better together. Why still looking for old school types for your posters, text, design, artwork, headtext, editoral design, magazines, etc.? Dress up your graphic work with 'Annexxus! A good font does not have to be perfect to be wonderful!

Linoscript was designed in 1905 by Morris Fuller Benton and displays the strong stroke contrasts of broken letter and the flowing quality of handwriting fonts of the 17th and 18th centuries. The font suggests a school book typeface common at the turn of the 20th century. Linoscript is suited for middle length texts and headlines, while its capitals can also be used as initials mixed with other alphabets.

For decades - until the advent of affordable computer-generated signage - die-cut display letters were used for many applications. Stores, theaters, schools, charities and religious organizations would have their local sign shop design attractive posters and show cards utilizing these sturdy cardboard letters and numbers, giving a three-dimensional effect to the message. Sign Department JNL recreates one of the many styles of letters available at the time.

Derived from the world famous Rennie Mackintosh Font, the Scotland St. version gives an outline form of the genius of Charles Rennie Mackintosh. The "Scotland St." name comes from one of Mackintosh's most famous architectural works - the Scotland St. School in Glasgow, Scotland. This wonderful legacy of Mackintosh's genius can be visited daily FREE OF CHARGE, as it has been classed as a museum by Glasgow City Council.

Kustomtype’s “Integra Chic” font is a sans serif font family with a regular & oblique version. It contains all upper & lower cases. The “Integra Chic” family is coordinated into letterforms, metrics, and weights to work better together. Why still looking for old school types for your posters, advertising, text, design, artwork, headtext, editoral design, magazines, etc... “To banish imperfection is to destroy expression, to check exertion, to paralyze vitality.” John Ruskin

Scary Ghost is a cute and fun quirky font with a messy style. T his font is perfect for your playful designs, such as for halloween designs, school projects, kids designs, and more. Or just use it for your business, book covers, stationery, marketing, magazines and more. This font is ideal for creating, branding and decorating your projects. FEATURE : All capital Numbers & Punctuation Multilingual Language ligatures Happy designing. Thank you!

Skulebuk is a decorative typeface ideally created for use on edgy/street/urban or sports related design projects. Reminiscent of the early 90s scribblings in the back of my old school books (we all remember right!) instead of doing real work! The two weights available Regular and Heavy will help balance designs that want to over use the typeface i.e Heading and body text. 80s-90s is very now!

If you're old enough to remember having a lettering stencil in school, then you might have tried to save all of the waste paper punched out of the letters and numbers; hoping to do something with them later on. Jeff Levine took his Tramp Steamer JNL stencil font and gave it the look of those waste paper pieces - lined up to form erratic characters with a personality all their own.

The inspiration for Home Room JNL was a 1950s-era package of die cut cardboard letters and numbers manufactured for educators by the Mutual Aids Company of Los Angeles, California. Pre-cut lettering was popular with teachers who used them in their classrooms for posters, bulletin boards, displays and flash cards. These bold, blocky letters are great for headlines or for recreating the look of school days past.

The P22 Bauhaus Set includes three type faces designed by Herbert Bayer, including the famous Universal font most commonly associated with the Bauhaus school. A collection of 72 graphic elements inspired by various Bauhaus works rounds out this collection. This set is authorized by the Herbert Bayer Estate. For more typefaces from the Bauhaus, see our Josef Albers set. © 2021 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

An online image of a grid page [circa 1930s] showing teachers how they and their students could create cut-out letters and numbers inspired Poster Project JNL. The typeface is available in both regular and oblique versions. A crude, yet charming simplicity to the lettering can help replicate old time school bulletin boards and posters, or simply provide a less formal typographic approach when that is needed for a project.