Water Jump will be perfect for wedding lettering, beautiful frame for your home, book covers, greeting cards, logos, marketing, magazines or anything that requires cute handwritten lettering :) What's inside: Multilingual support Cricut support If you have any questions, please contact me directly or in instagram @superdizigner

Designed by Wilhelm C. Pischner, Neuzeit-Grotesk first appeared in 1928 with the font foundry D. Stempel AG. In 1966, Neuzeit S was introduced by Linotype-Hell AG, intended for large bodies of text and predecessor of Siemens corporate design. Neuzeit S is timeless, combining strength of form and objectivity and legible even on inferior papers.

A common creation: (to pass from one hand to the other): For the first time, various hand-signs from diverse sources are unified into one single visual style. This compendium is the result of 15 years of incubation and 7 years of creation. In his travels throughout the world, graphic designer Jean-Benoit Levy, principal of the visual studio AND, has collected pictures of multiple hand signage. Uncertain what to do with those signs, he kept them year after year until the idea came to unify almost 200 handsigns into one single family. In accordance with this entire collection, the name of the typeface is a mix: "h-and-s". A global collection: (To put in good hands): We all have one thing in common: Hand-signs are an international language, they are meant to be understood by all of us. Each of us regularly comes in contact with modern hieroglyphs such as the hand-sign-codes that are so prevalent in our daily life. This way of communication belongs to no one in particular and to all of us in general. Even if the sense of certain signs varies from one culture to the other, there is a common hand-sign language. We are surrounded by this language of handsigns each time we step in a store, we eat, open a container of milk, we clean up, use package of wash-powder, by shaving, when we work, use tools, at home, by tearing the envelope of a condom, by traveling, etc. When we encounter these signs, we all understand them easily. A visual connection: (To go hand in hand): This typeface is a global visual statement. Collecting, ordering, redrawing, unifying. Reconstructed and assembled into one original alphabet, H-AND-S is a unique and complex signs program. Our choice is based on daily gestures and global hand-codes. Logically this typeface starts with the "American Sign Language" and expands on two type-variations, each on two levels of keyboard. The international team of H-AND-S would like to send his special thanks to all of the anonymous graphic designers throughout the world who designed different hand-signage and who influenced and inspired to create such a sign collection into one unified family. We, the global nomad team of AND, hope that you will enjoy our H-AND-S. Additional Credits Production: Studio AND. www.and.ch. Concept, Idea & Creative Direction: Jean-Benoît Lévy, Switzerland / USA. Research & Sketches: Eva Schubert, Germany. Illustration, Graphic Design & Visual Fusion: Diana Stoen, USA. Transfer, Adaptation & Refining: Moonkyung Choi, Korea. Finalization & Checking: Sylvestre Lucia, Switzerland. Coaching & Technical Advice: Mike Kohnke, USA. Creative Energy & Implementation: Joachim Müller-Lancé, Germany / USA.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

DryBillows Font is unusual decorative font carefully designed and well looking with Latin Extended character set. It is good for Text and Headers with lowercase and uppercase letters both! DryBillows ideally works in luxury, fashion, cosmetics, wine and food areas. Please see the large preview images to see how it works.

A new gothic; great for books and magazines.

The Nov. 26, 1921 issue of “The Moving Picture World” carried an ad for the dramatic film “For Your Daughter’s Sake” (originally tilted “The Common Sin” and produced in 1920). Hand lettered in an Art Nouveau sans serif style, the ad copy inspired Movie Drama JNL, which is available in both regular and oblique versions.

An ad in the Oct. 27, 1919 issue of the trade magazine “The Moving Picture World” promoted “Princess Virtue” from Bluebird Pictures starring Mae Murray – The Adorable [as noted by the movie studio in the ad]. The Art Nouveau hand lettering emulated the style usually drawn with a round nib pen, but was given a specialized treatment for the ad. It was re-drawn in a more traditional ‘pen nib’ look for digital revival. The end result is Silent Movies JNL, which is available in both regular and oblique versions.

Decorative, Display, Headline, Serif, 1920s, Hand Lettered, Engraved, Incised, Bold, Extra Bold, Retro, Vintage, Nostalgic An ad in the July 27, 1928 issue of The Film Daily for FBO Pictures was an encouragement to all theaters to accept the emergence of 'talking pictures' and "Don't be Panicked by Sound". The headline text was hand lettered in an extra bold serif type face with engraved [incised] lines. The lettering has been redrawn as the digital type face Movie Usher JNL, and is available in both regular and oblique versions.

A lobby card for the 1929 movie musical “Broadway Melody” features the bulk of the film’s title hand lettered in a playful sans serif style. This design is now available as Movie Musical JNL, which is available in both regular and oblique versions.

The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.

Movie Night JNL was modeled from one of a number of ceramic home movie titling kits on the market that were popular during the 1950s and 1960s. The camera buff would set up the letters against a colored background and photograph clever titles to describe their 8mm home movies of vacations, sightseeing or their darling children (or grandchildren).

The hand lettered opening titles from the 1944 Laurel and Hardy comedy “The Big Noise” served as the inspiration for Movie Screen JNL, which is available in both regular and oblique versions.

A 1926 trade ad for the silent comedy “The Nut-Cracker” starring Edward Everett Horton has the film’s title hand lettered in a decorative bold sans serif design complete with highlight lines and accent dots. This festive type face is now available digitally as Movie Matinee JNL in both regular and oblique versions.

In the June 18, 1929 issue of “The Film Daily”, the curvy and casual hand lettering found within the ad for the movie “Such Men are Dangerous” belies that this was actually a pre-code drama. Digitally redrawn as Movie Arts JNL, it is available in both regular and oblique versions.

The Nov. 13, 1915 and Nov. 27, 1915 issues of Moving Picture World carried ads for Jesse L. Lasky Productions in which the titles of the upcoming films were hand lettered in an elegant Art Nouveau spurred serif style. This stylish alphabet is now available digitally as Movie Producer JNL in both regular and oblique versions.

A set of cling vinyl letters and numbers for titling home movies or slides is the basis for Home Movies JNL. The set was made by the Clingtite Letters Company of Chicago and retailed for $2.95. It was advertised in many photographic publications of the 1950s.

The hand lettered title on the poster for the 1929 film comedy “Why Leave Home?” inspired Movie Set JNL, which is available in both regular and oblique versions. A classic “thick-and-thin” design with early Art Deco influences, this condensed typeface is perfect for any period projects.

Double Feature JNL reworks the classic Huxley Vertical into an elegant trilinear Art Deco display face.

The Love Movies is a quirky love font with 7 different versions of the font, the difference between each version is in the shape of the heart decoration. This font is basically soft and fun, and coupled with heart decorations of various shapes and choices, will make this font suitable for the projects you are working on, especially those themed on love, valentine, children, babies, weddings, etc. In addition, this font is also suitable for invitation cards, greeting cards, logos, branding, posters, crafting, stickers, social media, packaging, headers, merchandise and others. This font is also support multi language.

A 1920s magazine featuring behind-the-scenes stories about the motion picture industry had its name [“Shadowland”] lettered in an Art Nouveau sans serif style. This has been recreated digitally as Movie Nouveau JNL, and is available in both regular and oblique versions.

A 1911 movie poster for a film called “How Bella Was Won” from the Edison studios had the name “Edison” hand lettered in a bold, spurred sans serif design. These few letters became the basis for Movie Show JNL, which is available in both regular and oblique versions.

Decorative, Display, Headline, Sans Serif, 1930s, Hand Lettered, Monoline, Retro, Vintage, Nostalgic, Stylized, Elegant Some beautiful and stylized Art Deco hand lettering found in the Jan. 6, 1934 issue of the British movie fan publication Picturegoer Weekly inspired Movie Palace JNL, which is now available in both regular and oblique versions. This monoline design adds a touch of elegance to any retro projects.

Midnite Movie JNL was inspired by the hand lettered title credits from the 1961 Hammer Pictures film "Curse of the Werewolf" and is available in both regular and oblique versions.

Inside the pages of the August, 1930 issue of “The New Movie Magazine” is an ad for Warner Brothers-First National Pictures – hand lettered in a bold Art Deco sans. This was the basis for Movie Production JNL, which is available in both regular and oblique versions.

A 1967 ad for Aurora “Monster Scenes Custom Builder Kits” featured the drippy, gooey hand lettering long associated with science fiction and horror movies. The letters in the ad were auto-scanned and additional characters were completed with the end result being a horror-themed font with sharper angles and lines instead of drips. This is now available as Monster Movies JNL, which is available in both regular and oblique versions.