Ramkoers means ‘Collision Course’ in Dutch. I made this font with a bit of salvaged plastic and thick black paint. I carved a wedge out of the plastic and used it as a spatula to apply the paint to the paper. Ramkoers is a bit of a rough & ready grunge font with some jagged edges and wobbly stems. Comes with an abundance of diacritics.

In 1894, Linn Boyd Benton finished a commission for a new text typeface with the American periodical, Century magazine. Century is typical of the neorenaissance movement in typography at the end of the 19th century. Morris Fuller Benton drew a number of versions of the font for the font foundry, American Typefounders, and Century was later taken up by the firms Linotype, Intertype and Monotype.

Shortly after the preparation of the original Century, the two Bentons (father Linn Boyd and son Morris Fuller) prepared a wider version for De Vinne’s press and called it Century Broadface. In 1900 ATF released the design for general use as Century Expanded, one of the most popular and effective of typefaces, to this day the text face of the New York Daily News.

Fitzgerald was inspired by the carved and gilded lettering seen over the entrance of a bar in Dublin. The result is a lovely piece of neo-Victorian fun that brings back the joy of 19th century shop-signs and flamboyant design ethos. Fitzgerald is ideal for poster work and signage, or anywhere that you want to bring back the joy of high Victorian design ethos.

To blend a handwritten style with a graphical aesthetic, Monotype designers paid attention to the balance between the two, hence harmoniously combine their qualities like a mix of tradition and modern. M Felt Pen references the unified stroke thickness and rounded terminals of rounded Heiti typefaces, imitating the fluidity of marker writing. The linked strokes are vivid and suggest the presence of the human hand.

Zenon is a compact text font in four weights. Zenon is a sum of different styles, from Francesco Griffo to Granjon, from modern typefaces to the first sketches of Times New Roman. Zenon is an apparently Renaissance revival with modernish proportions. A closer look reveals that it is a typographic potpourri. Zenon was design as part of the MATD program at the University of Reading.

This font is the result of many years of research between full and empty. The combination of capital letters is very powerful while remaining in the traditional art of an ancestral Zen style. AWAX is perfect for your titles and logos and can also be used in paragraphs. You have to go very very closely to admire the detail work done while scrupulously respecting legibility and balance.

Typefaces designated as Latins were popular during the last half of the nineteenth century. One of the styles that continued to be popular into the twentieth century is the bold condensed typeface Latin. Readily identifiable by its triangular serifs and sharp terminals on the strokes of some of the lowercase letters, Latin Condensed makes an interesting display type and its condensed proportions easily solve copyfitting problems.

Fighting American and all around Superman Ed McGuinness joins our Masters of Comic Book Art with a font inspired by his gamma ray saturated handwriting! Ed is officially a friend of Comicraft and a big smile in Hulk form! Now a small slice of this Jolly Green Giant is available as an alphabet waiting for puny humans to arrange in words of no more than two syllables.

Verner, the script brother of Verna, is a versatile contemporary script font. Verner has a set of automatic ligatures, swash characters and a selection of ornaments and a couple of alternate characters that you can easily access in any Opentype savvy program. Ornaments are placed in Stylistic set 1 but you'll also find them from the glyph panel. For the best price purchase Verna together with Verner.

Titling Gothic FB is an immense series of nearly fifty styles inspired by that century-old favorite ATF Railroad Gothic. Led by the Los Angeles Times and Gentleman’s Quarterly, U.S. publications are using David Berlow’s series to unify the structure of headlines from its wide spectrum of options. Titling Gothic FB started as a relative of Berlow’s Rhode family, but took its own direction; FB 2005

DF A Bit is made for screen display which is the final form of a lot of information nowadays. But there is more in this BIT... in display sizes it unfolds it’s skin, a beautiful ink on paper structure caused by the letterpress printing of copper lines. Analogue BITS indeed. With all the wealth of the ‘non perfect’, to please the eye and to satisfy the mind.

This lettering style is unusual in that combines aspects of several lettering styles. It is essentially a Germanic Blackletter but with many romanized capital letters and also features an italic slant along with some italic lower case traits. It is evocative of “old world” craftsmanship and early 20th century romanticism. The font was developed based on the logo of the Lakin Company of Buffalo, NY circa 1900.

For the font design project, I had decided to make a typeface which would reflect the style architectural of Zaha Hadid. My purpose was the presentation of a font to her as Zaha Hadid was alive during my project process. But nearly at the end of the project we unfortunately received the death news of her. Her life wasn't long enough to see the project completed.

On the sheet music cover of the 1931 song "When the Autumn Leaves of Life Begin to Fall", the title is hand-lettered using a round tipped nib pen. The combination of both an Art Deco lettering style and the rounded ends of the characters creates an exquisite, yet simple type design digitally preserved as Deco Roundpoint JNL; available in both regular and oblique versions.

African Patchwork was inspired by my observation that many traditional African patterns have strong similarities to the patterns of the American quilting tradition. I chose one of the patterns from the African Pattern Font 04 - Mali (based on traditional bogolan mud cloth designs) that reminded me of quilting patterns and superimposed it onto the Zim Black characters, to create a fusion of African and American design.

This rather quirky typeface is based on a design by Collette and Dufour, originally called "Independant", for the Maison Plantin foundry of Belgium. Ultramodern (by 1930s standards, at least) and ultrabold, it takes up a lot of real estate, and commands a lot of attention while doing so. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

To blend a handwritten style with a graphical aesthetic, Monotype designers paid attention to the balance between the two, hence harmoniously combine their qualities like a mix of tradition and modern. M Felt Pen references the unified stroke thickness and rounded terminals of rounded Heiti typefaces, imitating the fluidity of marker writing. The linked strokes are vivid and suggest the presence of the human hand.

Desk Drawer JNL is a collection of twenty-six images representing the kinds of small items lying around inside a desk at any given time… From a thumbtack to a spring clip… from a postage stamp to a roll of tape… even some shirt pins or some gummed labels… the center drawer of a desk can house just about anything that fits inside it!

Malbeck is a script which is both as elegant as it is unique. Very playful typographic treatments can be produced using the large selection of alternate characters. This 2007 version of Malbeck is now available in OpenType format to expand possibilities of use with lots of alternates when used with OpenType-aware applications such as InDesign. Designed by Koziupa and digitized by Ale Paul.

Our most up-to-date Futura adapted to the new times. Its peculiarity lies in the curved endings of three of its letters (“j”, “l” and “t”), which gives the typeface a more dynamic and modern look, making it easier to visualize on small and low-resolution screens. The original designs of these characters are also included. Futura is a Trademark of BauerTypes SL

Lomatic Celtic typeface is a captivating font inspired by the enchanting world of Celtic art and symbols. With its beautifully crafted knots and intricate patterns, this font brings a touch of ancient mysticism to your designs. Perfect for projects related to mythology, folklore, or any Celtic-inspired theme. Embrace the magic of Lomatic Celtic typeface and let your creativity weave mesmerizing tales of the Celtic heritage.

Blomfer is a simple, yet dynamic Graphic Typeface based on the chamfering of a simple block font. The design element of the chamfered corners also expresses as the opposite, protruding seraph like corners and angled terminations to ascenders and descenders. It is available in four weights all of which contain many glyphs that includes accents, ligatures, and mathematic symbols to meet the needs of most latin languages.

Flavium is the reconstruction of the typographic character used in the engravings of the marble street name sign of Rome from about 1970 until the end of the eighties. It is an uniquely uppercase Roman font whose letters are confined within the space between the baseline and the caps line. Its style is severe but elegant, very useful for expressing authority and officialdom with simplicity.

Everflow is the third typeface family by Andrejs Kirma. Coming from the background of creating a large amount of geometric icons, he set the goal of creating geometric typefaces in a variety of styles and consequently exploring new opportunities in typeface design. A modern, geometric serif typeface in seven weights Everflow was created to serve the modern designer that appreciates precision, versatility and simplicity.

Cabarga Cursiva is the work of the father and son team of Demetrio E. Cabarga and Leslie Cabarga, both New York designers. The details of the sharp strokes almost give the impression of a knife blade, whether straight or curved like a scimitar. The capitals should be used only as initials and are complemented by a robust lower case alphabet as well as alternate forms and ligatures.

A new take on the classic font Bodoni, revealing the structural elements of the font, and adding a little sparkle with a pseudo-stencil treatment. The font is named in honor of its original designer and also the undisputed king of the two-chord song. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

Milanette is a set of 74 original vignettes designed by calligrapher Lyudmila Mikhailova. These light, graceful, dynamic flourishes -- tiny graphic compositions -- present visual replicas of her emotions and realize her innate love for intrinsic beauty of the world. The font can be used in book compositions, especially for poetry and historical fiction, in magazines, in package design of jewelry, perfume, cosmetics. Released by ParaType in 2011.

Funny Nature is not a typeface but a collection of small, comic-like symbols. Lüdicke used to work often for a supplier of gardening equipment etc. He had to come up with new, original and vivid ideas for the design of catalogues and ads. He designed Funny Nature, a wonderful collection of illustrations. Can you hear the humming and buzzuing, can you smell the flowers?

In the middle of 18th century Leibniz Fraktur appeared in German print shops. This blackletter font with its great x-height preserved the then fashioned trunk in many of its uppercase letters. It was a cast font of Genzsch & Heyse, Hamburg. Leibniz Fraktur contains a bunch of useful ligatures, and by typing 'N', 'o' and period plus activating the Ordinals feature you get an oldstyle number-sign.

Quick Meal JNL is a ‘hand lettered’ interpretation of Morris Fuller Benton’s 1905 design “Miehle Extra Condensed Title”, no doubt named for [or on behalf of] the manufacturer of printing and die cutting presses that were used for years within the printing industry. The type face is available in both regular and oblique versions. Quick Meal JNL is a pun on the pronunciation of ‘Miehle’.

It is necessary to keep the memories of our ancestors alive. Although the languages and cultures of the past societies were different, in my eyes the ancestor of our humanity is. Having to experience everything in that world, no matter where in the world it is. This font is a Runic member. It is a kind of variety that belongs to different geographical regions.

It’s jaunty and flaunty and up to no good! It’s a child born of fairly odd parents and always looking for the good kind of trouble. It'll get you out of the red and into the pink like a panther pawning diamonds! Comicraft’s John Roshell has slipped his hands into the gloves of the Phantom Font Finagler and there’s HighJinks ahead to be sure!

Karaoke JNL is one of the many alphabets created by the late Alf R. Becker that was showcased in Signs of the Times magazine from the 1930s through the 1950s. Thanks to Tod Swormstedt of ST Media (and who is the curator of the American Sign Museum in Cincinnati, Ohio) for providing Jeff Levine the research material from which this font design was modeled.

A 1920 Dutch poster for Public Placement Services by Johan Dijsktra provided the inspiration for this crisp geometric typeface. Instead of the normal underscore (_), this font features a set of parallel lines flush to the tops of the caps and small caps, which offers some intriguing design possibilities. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Unleash a wave of nostalgia with Mint Dayz, the font that seamlessly blends retro charm with modern legibility. This font captures the essence of yesteryears, infusing a sense of vintage elegance into your designs. Also Mint Dayz places a premium on readability and legibility. Each character is carefully crafted to ensure your message is crystal clear, making it suitable for a wide range of design projects.

Qoronfull is an exuberant industrial display typeface, full of curves that create neat alignments. and it's our second collaboration with Hey Porter! Qoronfull means clove, (a dried flower buds spice tree native to Indonesia), Qoronfull's esthetics, curves, and lines are representing the flowers, leaves, and stems of clove, applied on a strong base of Arabic Kufi calligraphy style, with a big group of type compositions and ligatures.

Vast is a variable sans serif with a range of styles from thin to black and from normal to extra wide. This versatile font family of both of a serious and friendly nature can be used for various purposes, such as text, logos, headings, and branding. Vast was designed by Manvel Shmavonyan with the assistance of Alexander Lubovenko and released by Paratype in 2021.

Algoria is a functional sans serif that includes open character openings, a uniform distribution of white and black, and excellent readability. The general neutrality of the font patterns is not without elegance, and all the details of the typeface are crafted with mathematical precision and love. Typographic designs are developed for the widest possible range of tasks that any quality corporate font must accomplish.

Introducing "ZT Monstion," a fusion of sans and grotesque styles, both in bold weight, radiating an essence of simplicity and modernism. Crafted meticulously, this typeface embodies the purity of sans-serif aesthetics while embracing the boldness of grotesque forms. Its carefully refined x-height and expertly smoothed angles create a mesmerizing balance, where minimalistic design meets commanding boldness. With each character empowered by the weighty black typography.