Haarlemmer is a recreation of a never-produced Jan Van Krimpen typeface that goes one step beyond authentic: it shows how he wanted it to be designed in the first place. The original, drawn in the late 1930s, was created for the Dutch Society for the Art of Printing and Books and was to be used to set a new edition of the Bible, using Monotype typesetting. Hence the problem: fonts for metal typesetting machines like the Linotype and Monotype had to be created within a crude system of predetermined character width values. Every letter had to fit within and have its spacing determined by a grid of only 18 units. Often, the italic characters had to share the same widths as those in the roman design. Van Krimpen believed this severely impaired the design process. The invasion of Holland in World War II halted all work on the Bible project, and the original Haarlemmer never went into production. Flash forward about sixty years. Frank E. Blokland, of The Dutch Type Library, wanted to revive the original Haarlemmer, but this time as Van Krimpen would have intended. Blokland reinterpreted the original drawings and created a typeface that matched, as much as possible, Van Krimpen's initial concept. While Van Krimpen's hand could no longer be on the tiller, a thorough study of his work made up for his absence. The result is an exceptional text family of three weights, with complementary italic designs and a full suite of small caps and old style figures. Van Krimpen would be proud.

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed version , ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed version, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

Andes Rounded, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed versions, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

Bedontes is an unique handwritten brush font. Created with brush pen to give a great contrast between thick and thin curves. Drawn, Scanned & Vectorized from paper to screen. I wanted to create an authentic brush typeface leaving the texture and imperfections the way they are, but perfect for any awesome project that need hand writing taste. Comes with regular and italic, also support multilingual. This is suitable for branding, header, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more! Thanks for checking out this font. I hope you enjoy it!

Hi, Everyone! If you’re looking for a cute but elegant font to captivate your audiences or customers then we’ve got the font for you! Introducing Hustle Actlife - A Serif Font This typeface with elegant style looks very interesting for loads of different projects and promotions. It is perfect to be used on your website, for your social media branding, Pinterest banners, printed products, and more! This font is inspired by the classy style of women who are very luxury so it is perfect for a high-class business. Includes: Hustle Actlife (OTF) Features: Ligatures Alternates Multilingual Support PUA Encoded Numerals and Punctuation

Mix Basic is just your basic everyday handwriting. This was written initially on a post-it using a fine tip Frixion pen. The font was then digitized, cleaned up, and converted into a font. Since this is basically your everyday handwriting, it has a multitude of creative applications. Think label design, greeting cards, social media quotes, handwritten notes replication, and more. Use as you please! Mix Basic includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~•· ÷×+−±≈=≠≥≤[]<>:;’”,.\|/?{}“”‘’-–—_…©®‹›«»°¹²³¡¿₱¢€£¥§† ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜĤIÍÌÎÏĪĮĴŁŃÑŇ ÓÒÔÖÕŌŐØŒŔŘŚŜŠȘŤȚÚÙÛÜŮŰŬŪŲẂẀŴÝŶŸŹẐŽŻÞ áàâäãåăāąæćĉčçðđéèêëėēęĝĥıíìîïīįĵłńñň óòôöõōőøœŕřśŝšșťțúùûüůűŭūųẃẁŵýŷÿźẑžżþ Alternates/Ligatures for: & R a e i m o u y ee mm nn oo rr tt

Logotype lettering from 1896 for the Italian confection company Talmone provided the inspiration for this curvy, cuddly face. Warm up your headlines today with this antique charmer. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.

With Albafire, Jürgen Ellenberger has played with flames that come out of the exhausts from Michael Schumachers Ferrari, or the hot rod cars in America or at the tractor pulling contests. This gives this sans serif face a speedy and wavy flavour. It fits ideally for speedy headlines like for bikers couriers.

This typeface was created during the process of logo making. Simple and stylish design which can be used in pretty much any projects, especially in action themed projects. The sharp terminals in this typeface resemble the tip of "Katana", a Japanese weapon. Hagane means "steel" in Japanese, which is used to make Katana.

Easter Sweet is a fun, quirky, and sweet serif font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Monolite occupies a space of its own, ignoring the common rules dictated to it. At once simple to look at and complex to perceive, this font is solid and resilient, perfect for making a stand. This font speaks in the language of the Resistance fighting for their freedom, stubbornly opposing blind conformity.

Peanut Crumble is a Handwritten Font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion! This font only has allcaps letters. Enjoy the font! Feel free to comment or feedback! Thank you!

Summer Letter is a fun, quirky, and sweet outline display font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Smack game is a fun font with a cute decorative theme. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level!. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

The letterforms for this unusual display face were inspired by a 1930s ad for Tanguy Crepes, by an uncredited artist. Due to the ornate nature for this font, it has a limited character set, but does include all letters, numbers and punctuation for the Unicode 1252 Latin and 1250 Central European character sets.

Pixelart Halloween is a crafty and distinctive decorative font. With a combination of pixel-art and scary horror themes, this font has the potential to bring each of your creative ideas to the highest level! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

This engaging headline face is based on a rather pudgy typeface named "Bullion Shadow", which was originally released somewhere on the cusp between the hippie and disco eras, and was equally at home in both. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Octagon is a basic sans serif font. This font showing a simplicity in design and readable. One of the feature is the optical kerning precisision, that supporting ellegantly in the writting result Hope this font will be fit on your next design project. If you have any question please feel free to contact.

Stigma Halloween is a crafty and distinctive decorative font. With a combination of pixel-art and scary horror themes, this font has the potential to bring each of your creative ideas to the highest level! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Our old friend Carl Holmes, in another offering from his ABC of Lettering, takes the blacks to the max with this commanding face. A perfect choice for can't-miss headlines. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

In 1980, Peter Malutzki, Heidi Hübner-Prochotta and Manfred Prochotta founded the FlugBlatt-Presse and began producing broadsheets, which they called FlugBlätter and which also gave their press its name. They were mostly woodcuts or linocuts, combined with hand-set typography. When they finished the series in 1984 there were 67 FlugBlätter. During a Frankfurt Book Fair in the 1980s the collector Rob Saunders acquired FlugBlatt No. 37 along with other prints. Later they became part Letterform Archive, a non-profit museum and special collection library in San Francisco, which Rob Saunders founded in 2014. In 2021, Letterform Archive posted the FlugBlatt No. 37 on social media, where type designer Lena Schmidt saw it, immediately fell in love with it, and developed the plan to bring it into the digital world. After contacting Peter Malutzki – who is still working as a book artist today – and in close consultation with him, Schmidt translated the letterforms into a font series, Malutzki Initials. The three fonts can be used for black (single-color) text using the Regular style, or for multicolor text by applying different colors to the Letter Layer and Figure Layer styles.

This family was inspired by the set of fonts used in the end of 1800s by the famous J. H. Geiger, printer in Lahr (Germany), especially these used to print an almanac for the year 1883. It is a Fraktur pattern, with two styles, as a few others incomplete fonts also used for this work were Blackletters from other patterns. Both were used in two size, for titles, subtitles, main text and notes. This font contains standard ligatures and German historical ligatures (German double s, long s, tz, ch, ck...) and diacritics. 1543 German Deluxe Initials may be used in complement this family.

Minoris is a Geometric font in the sans serif category with 10 styles or 5 weights with Oblique, this font is also included in the Variable font, so you can adjust the size according to the weight of this font according to a certain variable range using software like Adobe, I made it by drawing geometric shapes in every letter that has a minimalist and simple impression, is perfect for helping you create minimalist-style editorial designs, this font is also suitable for making typography designs, posters, logotypes, and many other designs that you can make with this font

“Innovation” best describes Naghi Naghashian’s new Decora Two font. It is a “Liaison amoureuse” between the Sans Serif typeface and English manuscript style. Decora Two is the second of a series of typeface that enables graphic arts professionals the flexibility to use modern initials. It enables, moreover, the use of this typeface for decorative headlines and is a boon for manipulations of both vector-based and pixel-based graphic programs. Typographers worldwide, whose alphabets derive from the Roman one, depend on such innovations in order to meet increased demands of modern communication. This typeface enriches the possibilities for typographical design, which in turn increases the delight in such design. It gives me great pleasure to present this series of new typefaces to my creative colleagues worldwide!

California Starlight is a monoline signature font. Look like natural strokes using a roller pen. This is an upright font with a gently stroke follows the flow of the text. The uppercase size is higher, it's intended for a unique and prominent impression when used for 'branding', Tall and prominent yet integrated in the gentle flow of the lowercase. We propose this font for branding, logotype, photography caption, wedding invitation cards and merchandices, quote writing, craft projects, and various other unique prints. Stylistic Set Alternate (SS01 and SS02) is a swash at the beginning and end of the lowcase, also equipped with ligatures to add a unique impression and natural strokes. modern, sophistics and natural make this font a must have.

Meet the successor of our bestselling design kit 'Chameleon': Perron. The concept of designing multiple contrasting designs under the same name was first introduced by Fontforecast in TyfoonSans and TyfoonScript. Two font families that were designed to complement each other. And that's exactly what this new release does. With the three designs in Perron, which means 'platform' in dutch, you will be able to take your design projects where ever you want them to go. This flexible kit consists of 7 fonts in three basic designs, and when combined Perron No1, No2 and No3 reïnforce each others charm. This offers great potential for creating lively layouts for many different projects, e.g. invites, menu's, magazines, brochures, packaging, greeting cards, T-shirts, etc. Perron No1 is a serif display font with large and small Caps. This font requires an Opentype savvy application to reach its full potential. Turn on contextual alternates and beginning and ending characters are replaced by their alternative versions, as you type. Stylistic sets and swashes offer even more variations. Perron No1 comes in two versions: No1 and No1 Shade. They can be used separate or layered for a colorful or shaded effect (if your application allows you to stack text frames). Perron No2 is a charming handwritten font, with slightly rough contours, that was added for an extra personal touch. It comes in regular and Italic. Perron No3 is a clean, tall and very skinny font family. It has large and small Caps and comes in three weights: Light, Regular and Bold. Because of its clean appearance No3 adds a modern touch to the design kit.

Used Cars JNL is based on one of the many unique alphabets created by the late Alf R. Becker for Signs of the Times magazine from the 1930s through the 1950s. Special thanks to Tod Swormstedt of ST Media (who is also the curator of the American Sign Museum in Cincinnati, Ohio) for providing the reference material for this design

ITC Kallos is the work of British designer Phill Grimshaw, a text typeface family with traditional calligraphic flair. It is the result of Grimshaw's first experiments with text typeface design. The long ascenders and descenders of the lowercase alphabet lend them a look of sophisticated elegance. The capitals display the unmistakable influence of the pen and the proportions of classic inscriptional forms.

The original version from this display sans-serif typeface was Van Condensed, published during 2004 (Latin, Greek and Cyrillic). Van Condensed Hebrew is the last script update, where the Hebrew characters follow the same design approach from the Latin characters (geometric structure, round corners). The only big difference between the Latin and Hebrew characters is the contrast, Hebrew letterforms contain reverse contrast.

Wyoming Macroni is the split-serif (or Tuscan) version of the Wyoming series. The Pegged version adds a horizontal spike through the middle of the stems, which has been a popular variation of this style. Included in the family are two shadowed versions. The ShadowedInside styles can be used in layers with the Shadowed styles to easily create two-colored letters.

The font design is inspired by the long autumn evenings in London. Those "fast brown foxes" ran along the streets. Camden smelled delicious. And she was as beautiful as a queen.

Sonrisa is a design that evolved from my sketches of the skeletal structure of Jakob Erbar’s Koloss, trying to discover its underlying essence without all the contrast and bulkiness of the original design. Sonrisa Thin was the resulting font, from which the other weights of the family were developed. Gentle curves, open counters, generous x-height, and sleekly tapered terminals give Sonrisa a very legible, modern, elegant appearance. When she saw the first draft of this typeface, the smile on my friend Jennifer’s face gave me the idea to call it “Sonrisa” (Spanish for “smile”). Jennifer, a clinical psychologist, described Sonrisa’s personality as: "happy, clean, clear, open, joyful, spacious, playful, calm. I can see it being used for body product lines such as oils and lotions. Can see it being used in home/travel magazines or even Architectural Digest. Yoga magazine, definitely." Sonrisa is what some foundries call a “Pro” typeface family with all the bells and whistles that provide typographic versatility: true small caps, oldstyle numerals, arbitrary fractions, discretionary ligatures, and other powerful OpenType features. All fonts in the family, except Sonrisa Titling, support most European languages, including modern Greek and languages that use the Cyrillic Alphabet. (Cyrillic glyphs designed in consultation with Ukrainian type designer, Sergiy S. Tkachenko.) Sonrisa is available in the original Thin, monoline version as well as six weights (Light, Regular, Medium, Bold, Extra Bold, Black), and a Titling font that is essentially a display font construction kit. If you enjoy using Sonrisa even half as much as I enjoyed creating it, then I know you will have a “sonrisa” (smile) on your face!

The courageous Russian author of the best seller Anastasia, Vladimir Megre, once said that this remarkable woman would inspire creative people around the world to produce their best work. Since I consider myself a creative person who has been deeply touched by her story, I sincerely hope that this will be true for me also. Anastasia talks a lot about God, the wonders of the natural world and how all things have been created so perfectly. This belief in universal perfection, however, is not confined to mystics alone. Many great mathematicians and scientists, including Albert Einstein, were of the same opinion. Having read Dan Brown’s The Da Vinci Code, I became quite fascinated with the so-called Fibonacci series; "a sequence of integers in which each integer (Fibonacci number) after the second is the sum of the two preceding integers; specif., the series 1, 1, 2, 3, 5, 8, 13, . . ." (Webster’s Dictionary). These mysterious numbers, which are said to give divine proportions, are found throughout nature in everything from a rose to a spiral galaxy. Many believe that this reinforces the argument that there is a divine intelligence back of creation. With that in mind, I thought it would be interesting to see if I could somehow create a font using these numbers in the design process. If I have succeeded - even partially - in attaining these mystical proportions, it will definitely have been worth all the hard work. And, I sincerely hope that many will enjoy using this font in producing their own best work.

Gerard Unger’s new typeface Alverata is a twenty-first-century type-face inspired by the shapes of Romanesque capitals in inscriptions of the eleventh and twelfth centuries, without being a close imitation of them. It is additionally based on the early twentieth-century model, but tweaked so as to prevent blandness and monotony. Alverata performs beautifully in both screen and on paper, delivering excellent legibility. Its letters are open and friendly in small sizes and lively and attractive in large sizes. They are robust, and show refinement in their detail. Unger’s Alverata is an extensive type family, with versions for both formal and informal applications, and with Greek and Cyrillic relatives. Alverata consists of three different fonts: Alverata, Alverata Irregular and Alverata Informal, that vary in form and width, but maintain the same spirit. The Irregular version is particularly inspired by the Insular letterforms, the uncials, and their constantly changing positioning. Alverata strikes a balance among Europe’s diversity of languages, combining contemporary typographical practices with features of medieval letterforms, from the time when Europe came into being. Visually, some written languages, such as Czech and Maltese, differ quite strongly from languages like English and German, notably because of their many accented characters. While other typefaces will show this difference, Alverata removes it. As a result, Alverata enables harmonious convergence of languages.  For the development of the Greek letterforms, Unger collaborated with Gerry Leonidas (University of Reading) and Irene Vlachou (Athens), and with Tom Grace on the Cyrillic letterforms.

Relax. Deep breath. And step away to font nirvana with Cabrito Semi. Like its Cabrito relatives, Semi’s handwriting-inspired feel is mellow and care-free. But don’t misunderstand us. Even with its fun-loving peculiarities, this free spirit will command whatever party you invite it to. It’s a perfect blend of unique and functional. So what’s the secret of this little one’s strength? It’s pure balance. Cabrito Semi’s energy surges from deep within the relaxed, balanced tones of its humanist structure and calligraphic crafting. The 36 fonts of this well-crafted semi serif originate from the popular Cabrito, an insigne design slab serif developed for the kid’s book, The Clothes Letters Wear. Along with its other amigos, Inverto and Sans, Cabrito Semi rounds out this easy-going household of fonts. The four fonts play well together on anything from meals and candy to toys and cars. With the support of the other three, Semi makes a great choice for titles and moderately long text like you would use for websites, flyers, and packaging. Semi’s complete pack of alternates is accessible in any OpenType-enabled system. This kiddo has loads of alternates, swashes, and alternate titling caps to add a bit of sweetener to the balance. Also bundled are swash alternates, old style figures, and compact caps. Preview any and all of these features in the interactive PDF brochure. This font members of the family also consists of your glyphs for 72 languages. So who says you can’t love quirky? Take a look at Cabrito Semi--and any of the other members of the Cabrito family. You’re bound to find yourself loving fun all over again.

he Storia Lettering Serif style is absolutely perfect for editorial headings. The full font type upright and italic makes it easy for you to use the 2 styles in many projects. This font is complete with symbols and is multilingual. This font style is bold, bold, and sleek, featuring Swash,n Ligature and Stylistic Alt & Stylistic Set features. making it perfect for editorial, web, posters, t-shirts and magazine covers. . etc. Including: Storia Lettering & Italics Uppercase Letters, Numbers, Punctuation & Symbols. Multilingual Support More about this source text Source text is needed to get additional translation information Send feedback Side panel

One look at the font Wanted brings to mind swinging saloon doors, double shots of whiskey and sheriff's badges. It belongs to the so-called Italienne typefaces which began to appear at the beginning of the 19th century. The distinguishing characteristic of such typefaces is the robustness of its serifs, which exceeds that of the base strokes. Wanted looks almost as though it were stamped on paper. Small white flecks appear in some of the strongest black strokes just as they would in a stamp which did not get quite enough ink...or are they perhaps the work of a sharp shooter? Wanted is best for short headlines and perfect for anything which should have the look and feel of the Wild West.

The Narsinh Series (from the 1940 Gujarati Type Foundry of Bombay, India) is a modular metal font comprised of 32 basic shape pieces which would be assembled into any configuration to form various letters and numbers. Examples of the alphabet and numerals were set in an Art Deco, condensed sans serif and were the basis for this type revival. Strongly resembling a stencil design, the typeface was named after the revered 15th-century poet-saint of Gujarat, India Narsinh Mehta, and the foundry itself gets its name from the language and script of Gujarati [spoken by the Indo-Aryan residents of the Indian state of Gujarat]. Divided Highway JNL is the digital version of this design, and is available in both regular and oblique versions.