While working on our Macs late at night, Our Eyes beheld an Eerie Type: It's called The Mash! It's called MONSTER MASH!

Gizela shows her personality with a feminine, sensual, seductive and art deco vibes. Perfect for late December invitations and New Year's cards.

A bold, playful typeface named after my late and much-missed grey cat, Freddie, who was my best buddy for 18 years.

CircusKS is a new, original typeface based on carnival and circus posters from the late 1800s. Extended Character set for multilanguage support.

An unusual angular vertical script. In late Victorian times it was seen mostly in advertising work, seldom in social stationery and announcements.

The typeface EURO Icon Kit is designed at 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. The display font is inspired by the here and now. 763 glyphs incl. icons, dingbats & symbols. Decorative extras like arrows, emojis, ornaments, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (20 stylistic sets) + sign of the zodiac. Have fun with this font & use the DEMO-Font (with reduced glyph-set) for FREE!

Calendula is a humanistic font with low contrast and one-sided serifs. There are eight styles: four regular of different weights from Light to Bold and corresponding italics. The main set of regular styles is close to upright italics, so the font is percieved as informal and friendly. However, Calendula allows you to combine business with pleasure by switching the stylistic set, and turns into a calm text font with traditional upright forms. The font was designed by Natalia Vasilyeva and released by Paratype in 2017.

Prossima Moda is a font that radiates modernity and fashion-forward style. Its sleek and contemporary design evokes a sense of sophistication and elegance, while its contrasting lines add a touch of visual interest and intrigue. The font exudes a cool and sweet vibe, creating a captivating and alluring atmosphere. With Prossima Moda, each letter is meticulously crafted to showcase its unique beauty, creating a harmonious blend of form and function. The font's smooth curves and clean lines give it a polished and refined look, reflecting the precision and attention to detail that are synonymous with the fashion industry. This font not only captures the spirit of the latest fashion trends, but it also embodies a sense of individuality and self-expression. It is a font that speaks to the modern individual who seeks to make a statement and stand out from the crowd. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Mans Greback is the innovative designer behind the captivating Prossima Moda font. Hailing from Sweden, Mans has established himself as a prominent figure in the world of typeface design, renowned for his diverse and versatile portfolio.

Livory is a serif type family of four fonts including small caps, 25 ornaments & 50 ligatures in each style. It was designed by Hannes von Döhren & Livius F. Dietzel between 2005 and 2010. Livory is influenced by the French Renaissance Antiquas from the 16th century. It has an organic look with a warm touch and was especially developed for long texts. With its melted corners and individual serifs, Livory has also a smooth and handcrafted appearance in display sizes. With almost 780 glyphs in each font, Livory is equipped for complex, professional typographic work. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes small caps, fractions, old style-, lining-, tabular numbers, scientific superior/inferior figures, ligatures, ornaments and a set of arrows.

Single Ladies are sexy handwritten fonts with varied basic lines, designed to convey elegance and style, clean and lightweight. Perfect for logos, magazines, menus, books, invitations, wedding / greeting cards, packaging, labels, t-shirts, etc. All of your designs will have an amazing homemade touch with Single Ladies. Single Ladies are coded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows to attach your favorite text editor / application. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. and there are additional ways to access alternatives / swashes, using Character Maps (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs such as PopChar (for Windows and Mac).

Bayttrun is a modern script font with a smooth base line, trendy and feminine style. This font fits on T-shirts, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for use in ink or watercolors. Includes initial letters and terminals, alternatives and multiple language support. File includes: Bayttrun Script.OTF To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. There are additional ways to access alternatives / swash, using Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs like PopChar (for Windows and Mac). How to access all alternative characters: https://www.youtube.com/watch?v=Go9vacoYmBw https://www.youtube.com/watch?v=XzwjMkbB-wQ https://www.youtube.com/watch?v=x1A_ilsBsGs https://www.youtube.com/watch?v=xFlMwARHusY

Family Holiday are sexy handwritten fonts with varied basic lines, designed to convey elegance and style, clean and lightweight. Perfect for logos, magazines, menus, books, invitations, wedding / greeting cards, packaging, labels, t-shirts, etc. All of your designs will have an amazing homemade touch with Family Holiday. Family Holiday are coded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows to attach your favorite text editor / application. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. and there are additional ways to access alternatives / swashes, using Character Maps (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs such as PopChar (for Windows and Mac).

The award-winning Conrad was created by Japanese type designer Akira Kobayashi. Its design was based on the fifteenth-century type by Conrad Sweynheym and Arnold Pannartz, two German printers active in Rome at that time. They produced a unique, slightly unbalanced yet attractive type. Kobayashi says of his typeface, “I have designed a couple of typefaces inspired from the past, but this time the original print acted merely as a reference. The distinctive lowercase ‘a’ and some other letters were inspired by Sweynheym and Pannartz’s second roman type, but I revived the type in a more informal way. Here I used the historical type as a springboard. The resulting type looks different, taking on a rather temporary and lively look. I assume that the Conrad is the first revival of the Sweynheym and Pannartz type, though it does not closely resemble the original.” Conrad won first prize for the text typeface category in Linotype’s Third International Typeface Design Contest (2000) as well as the Certificate of Excellence in Type Design from the Type Directors Club (2001).

AmpleNu is a display type family derived from the Ample typeface. It has optical mono-linear stroke and a bit squarish form in nature. It has a seamless stroke movement instead of sharp angles formed by the junction of two strokes, which is a prominent feature of its design. It is designed to be a little eye-catching yet legible. It has clear and distinguishable letterforms, which helps to elaborate and emphasize the message. It is graphically strong and commands the viewer's attention. The overall appearance of type is suitable for setting and using it as heading, title, headline, logotype, etc. The type family consists of sixteen styles which include eight upright weights and their italics. AmpleNu has a bit more squarish counters and angles than Ample typeface, it even has straight terminals while Ample typeface has a slight curve. In addition to this, few characters have some major or minor changes and the letter ‘g’ plus ‘y’ and their respective diacritics have alternate style variations. AmpleNu is designed by Aakash Soneri during the period between 2018-2020.

Belinda New is an updated version of the original Belinda which I designed in 2011. Belinda New is a smooth and lining brush script font with a vintage and retro feel. It has two sets of uppercase and many alternates for lowercase letters. It is a good choice to use in logos, headlines and packages. You can also match it with a serif or sans serif fonts and use it as a secondary font in web design, magazines and branding.

Quan Pro is new redesigned version of Quan(2013) – one of the most popular font families of Typesketchbook foundry. This new family has refreshed structure, corners, and a new shape of glyphs. It is developed in 8 separate weights ranging from Thin to Black, each coming with Rounded and Slim version, which is well suited for a variety of typographic applications such as headlines and small texts. Quan Pro font family supports multiple languages and is available as both webfont and desktop font.

Crassula is a versatile display font. Like the plant of the same name (Crassula, jade tree, money plant), which has thick juicy leaves, the font is distinguished by rounded contours and smoothed out forms of elements. Stylistic Alternates offer more traditional letter shapes and make Crassula more readable in long texts. Six weights allow a broad range of applications - from informal book and magazine headlines to emotional marketing ads. The font was designed by Natalia Vasilyeva and released by ParaType in 2018.

Dark Crow is a true brush script font, hand-painted in 2020. Its top quality design with multiple ligatures combined make the lettering truly realistic. Use it for a poster, a product headline or in any context where you need an original, dynamic and eye-catching phrase. Provided as upright and italic, and as a bonus a swash font. It has an extensive lingual support, covering all European Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Revolucion has a boyish mood compared to other fonts of Prop-a-ganda series. It has short legs and large head, but because of its simplicity, it is legible font. Perfect for all of display. In 2012, Extended and optimized for multipurpose font family named Revolution Gothic which has lowercase, multi-language accents, five weights and italics can be available from Dharma Type.

Banret is built using simple geometric shapes. It is mostly the result of my experiments on the other font I made earlier in 2016, called Inventor. Font is inspired by old fonts of the beginning of the 20th century. Capital letters are built with one to four proportions. The font has four weights: normal, and bold, and two alternatives: ribbon, and flag. As far as it is a decorative font, it is not designed for large amounts of text. But it is perfect for creating branding elements, logos, slogans and posters.

Samuel Welo’s “Studio Handbook for Artists and Advertisers” contained dozens of hand-lettered alphabets used as inspiration for both the sign trade and for graphic designers. Intertitle Nouveau JNL – available in both regular and oblique versions – was originally an alphabet produced by a round lettering nib, and was first shown in the 1927 edition (later reprinted in the 1960 edition). It is reminiscent of the lettering used on intertitle cards of the silent film era. This font marks an amazing milestone - the 2000th release by Jeff Levine Fonts since its inception in January of 2006.

The Kimchi font had its starting point in the making of the film "Cloud Atlas", based on the novel by David Mitchell and directed by Lana & Andy Wachowski and Tom Tykwer. A first version of Kimchi was created for "Papa Song" – an underground fast food restaurant in a futuristic Neo Seoul in the year 2144. It was used for the menus, advertisement and packaging. Kimchi was later further developed to become a useable typeface: it works for headlines, street art stencils and of course as logo font for korean fast food restaurants.

Relic forest island III, This is the newest font from the previous generation, Relic island I and Relic Island II, this design comes with a more detailed touch with very charming carvings, comes with several families that you can make your best design choice for later this year and in the future, with several monograms and families that you can choose according to your design, this design will add inspiration to your project, and see, how it will work for you, and make this font your best choice thank you very much

David Berlow undertook the revival of Frederic W. Goudy’s Village family in the early ’90s as the first real step in the successful redesign of Esquire magazine. Goudy originally cut Village No. 2 in 1932 to bring early ideas up to date, adding the italic a year or two later for his own satisfaction. Font Bureau expanded Village, the model for Goudy’s mature style, into a ten-part series designed for Esquire’s use in text and display; FB 1994

In 1938, Frederic W. Goudy designed California Oldstyle, his most distinguished type, for the University of California Press. In 1958, Lanston Monotype issued it as Californian. Carol Twombly digitized the roman 30 years later for the University of California; David Berlow revised it for Font Bureau with italic and small caps; Jane Patterson designed the bold. In 1999, assisted by Richard Lipton and Jill Pichotta, Berlow designed the black and the text and display series; FB 1994–99

Service with a smile. Fifties style. Retroscript BF is sure to please. Inspired by handlettering for a headline on a 1940’s furniture ad, it’s got a cool Forties and Fifties flavor; and gee whiz, the capital letters of this script font even go together well! Retroscript BF contains a number of ligatures and contextual alternates. Enable these features in OpenType-savvy programs (such as InDesign CS+, Illustrator CS+ and QuarkXpress 7 and later) to enhance your typography.

Virtuosa Classicis the 21st century OpenType re-release of a classic Hermann Zapf design, his very first script typeface, Virtuosa. Based on the same sketches that would inspire Zapfino 50 years later, Hermann Zapf developed Virtuosa in 1948-49. It was originally released in metal in 1952. Virtuosa nova is an English copperplate script with character. The font includes two form variants for each capital letter, and there are a number of lowercase alternates and ligatures, too.

The typeface DIY Fantasy Stamp is designed in 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. The display typeface is inspired by the crafts of 20s and 40s. The basis for this authentic stamp font was a letter case with a rubber stamp from Simplex. This analog character set of 85 stamps, was digitally extended to 500+ glyphs. 5 font-styles (Sharp, Dirty, Rough, Invert, Heavy) with 546 glyphs (Adobe Latin 3) incl. decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (4 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: DIY Fantasy Stamp ■ Font Weights: Sharp, Dirty, Rough, Invert, Heavy + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Glyph Set: 546 glyphs (Adobe Latin 3) ■ Spe­cials: Decorative extras like arrows, emojis, ornaments, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as Open­Type Fea­ture. dlig) and stylistic alternates (4 stylistic sets) ■ Design Date: 2020 ■ Type Desi­gner: Manuel Viergutz

Blob Vole is a bolt font designed by Daily Studio. Specifically developed to be suitable for logos, headlines, titles, branding, visual identity, business cards, and posters. This typeface includes full lowercase, uppercase, numbers, punctuation, and standard multilingual letters. With more than 200 glyphs and file in OTF format.

Rabid is an inky, messy, super distressed display font. It's part charcoal, part chalk strokes, add a splash a of red and it starts to look like blood. Why SO Serious? It has about 200 glyphs including all those extra pesky foreign features. O Hope you like it.

Punctured Bicycle is a true grunge font. It comes with more than 200 ligatures - to be precise 235! That includes both double letters, double numbers, unique accented characters and a huge number of common letter combinations! You will need to use OpenType supporting applications to use the autoligatures.

Magr is a modern and powerful sans font designed to elevate your sports team and athletic designs. With its sleek and dynamic appeal, Magr brings a professional touch to your projects, leaving a lasting impression. Unlock your creativity with Magr's six styles and twelve fonts, including both upright and italic options. Stand out from the crowd and make a bold statement with this versatile font that complements your sports-themed materials.