This connected and brush script is very impressive, but is also legible, so it is the best for package of sweets or breads, shop card, shop front and so on. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Gulfs Display Inspired by the 90's playful cartoon & comic books. This playful font comes in six widths; condensed, semi condensed, normal, semi expanded, expanded and extra expanded. This font can be used for modern and vintage designs, also can be easily paired with some graphic elements (Illustration, Photography) this font perfect for, Logotype, Branding, Title, and Packaging.

Artful Nouveau JNL was modeled from the hand lettering on the sheet music cover for the 1910 song "Gee, But It's Great to Meet a Friend from Your Home Town".

Ashley Crawford was designed by Ashley Havinden in 1930. Ashley Crawford is very lively and as such it is ideal for packaging and display purposes where fun is the theme.

Used in advertising posters for the Soviet state foreign trade company named 'Soyuzchimexort' in the early 1980s. Digital version was made for ParaType in 2007 with addition of light weight.

The bold hand lettered title on the 1940 sheet music for the band piece "Drexel Marching Song" was the inspiration for Drexel JNL; available in both regular and oblique versions.

Cooper Black, commissioned by Barnhart Brothers & Spindler, is the best known of Oswald Cooper’s typefaces. Bitstream has expanded the 1921 original into a complete series of round-edged text faces.

A 1940s-era package of "Herald Square" carbon paper sold by the F.W. Woolworth 5 & 10 cent stores offered up the hand lettered Art Deco design of Stationery Department JNL.

The cover title for a 1950s British glamour magazine called “Beauty Parade” was the inspiration and model for Stencil Edition JNL, which is available in both regular and oblique versions.

Showgirl JNL was inspired by a photo of a 1940s-era Minsky's Burlesque theater. The neon letters on the marquee spelling out the word 'burlesque' exuded a wonderful period look.

Inspired by a bold serif typeface used popularly in the 1960s, Reprint JNL is perfectly adept for handling any titling needs and will get the point across in short order.

Trafalgar Stencil JNL gets its inspiration from a set of lettering stencils manufactured by Reese and Sons in Great Britain during the 1950s as does its counterpart, British Stencil JNL.

Inspired by a series of handwritten menus produced in 1980, La Carte is a stylish but legible script that sets as well in body copy as it does in headlines.

Musician with the stage name of Pelle Piano, with an interest in irregular and informal lettering, 1950s style lettering, and a childhood influenced by Letraset sheets and a Letraset catalog.

The hand lettering of a piece of 1930s sheet music's title has once more yielded an interesting take on the popular "thick and thin" lettering of the Art Deco period.

Follies is the work of designer Alan Meeks. Its striking 1940s style is combined with an inline look. Follies is excellent for applications where a strong graphic headline is required.

The initial inspiration for CA Spotnik was the opening title of an early Andrei Tarkovsky movie. There was this very unconventional hand drawn “s” which drew my attention. Despite its strange shape, it felt totally natural in that context. So we made a few screenshots and started to sketch some more letters in order to catch the spirit that attracted us so much. The result is a grotesque typeface with a slight contrast, the proportions are rather wide with a large x-height. The bolder the weight, the wider it gets. In case you find the swirly “s” uncomfortable, there is a standard s included as well. The general atmosphere of the typeface, which could be described as “nerdy but friendly” doesn’t depend on this detail. It’s rather the sum of details derived from the original inspiration.

The hand lettered credits from the 1950 Humphrey Bogart film “In a Lonely Place” inspired the digital version called Screenwriter JNL, which is available in both regular and oblique versions. The font was named after the profession of the main character (Dixon Steele) who was a Hollywood screenwriter.

Sprint is a forward-leaning display face that was created by the noted Italian type designer Aldo Novarese. The font is a perfect match for 1970s era racecars, or 21st Century e-commerce start-ups. Get with the speed today, and try out Sprint in a headline or two.

Lettering on a 1927 menu by prominent poster artist Razzia provided the inspiration for this decidely Deco typeface. The restaurant itself was the setting for one of Georges Simenon’s many Inspector Maigret novels. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

In the 1970s, Face Photosetting in London was known as the preeminent typesetting house in London. Steve worked in the studio in Newman Street and Hanway Place. El Paso Pro is a family of typefaces based on a unique single font design from the Face Collection, called El Paso.

Designed by Dave West and released in 1960, the name Barnum associates this face with the famous nineteenth-century traveling American circus and showman P.T. Barnum. The wood-cut influence of the letter makes the PL Barnum Block font ideal for posters, signage and creative titling and packaging.

Piano Lesson JNL comes from the hand lettered title on a 1940s-era piece of sheet music called "The Adult Explorer at the Piano". The mix of both regular and irregular character shapes makes for an interesting font that's Art Deco influenced, yet has its own individual personality.

PL Benguiat Frisky is a script face designed by Ed Benguiat in 1960. It has an irregular x-height adding to its informal appeal. The PL Benguiat Frisky font is useful for books and posters and invitations for fun or informal events and also works well for packaging.

This typeface finds its inspiration from hand-lettering by Albert Roller for Ver Sacrum magazine in 1903, made famous by its revival on many psychedelic posters of the 1960s. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

This casually elegant typeface is based on an unnamed offering from Pen & Brush Lettering and Practical Alphabets, published by Blandford Press, Ltd., London, in 1929. Good taste dictates that, because of the ornate and unusual letterforms of the uppercase letters, the font never be used as all caps.

A font design of Paul Zimmermann, first released by Ludwig Wagner, Leipzig, in 1960, now revived and extended by Central European, Baltic, and Turkish character sets and their small caps. This font contains both lining and oldstyle numbers. To get access to all ligatures, it is recommended to activate both standard and discretionary ligatures.

Lettering in a 1923 ad for Piera Nova, designed by Hernando G. Villa, inspired this delightful Deco offering. Like its namesake, this font is a talented teller of tales, both elegant and entertaining. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Lettering on a package of Gibson guitar strings from the 1950s provided the inspiration for this font-on-the-go. If you want to set headlines on a bias, you can rotate the text 20° for best effect. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

I designed a Morse-Code font in the mid 1990s, but when I decided to update it, I found enough problems with it to completely redo it. I hope I got all the mistakes out. There are two fonts in the package. One of them shows the letter key with the Morse Code equivalent.

This font has a lovely roundish shape and gives us cute and relax impression. But because it is upright, it has a well-ordered atmosphere. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Sniplash is a lively font inspired by cartoons and comics of the 1960s and '70s. Casual and organic, this font features curly lines and irregular weights in Regular, Light and Bold styles. This design defies serious analysis and offers a fun attitude for lighthearted design. Excellent for parties, retro packaging or any number of uses.

A travel poster from the 1940s for Mexican tourism provided the inspiration for this voluptuous font with a strong architectural feel. A few unexpected idiosynracies in the letterforms add to its charm. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Createland is a bold display font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. Createland will look outstanding in any context, whether it�s being used on busy backgrounds or as a standalone headline!

Almarose is a geometric sans serif OpenType font designed by Fanny Coulez and published by S&C Type. Functional with a little distinctive touch, Almarose comes with 9 weights with italics, from Thin to ExtraBlack, and was designed for all uses like texts, web or headlines. Merci beaucoup.

Interweave is a square display face with rounded corners, inspired by beefy fonts from the 60s and 70s such as Bullion and Deutsch Black. An alternating criss-cross effect is borrowed from Hunyady Gothic, the opposing lowercase a, e and s providing a basket weave or parquet floor appearance.

Introducing Summer of '76, a nostalgic multi-line font inspired by the 70's aesthetic. Perfect for big eye-catching headers. Сan be used for text blocks also. Includes two styles: solid and multi-line (regular). This font could be the perfect solution if you want to give a lovely retro touch to your designs.

State Of Love and Toast is a retro typeface reminiscent of the early 90’s. It’s certainly the Seattle of fonts. The font features auto ligatures for duplicate letters, quite a few graphical elements & shapes which can be accessed by shortcuts (lowercase letter + number form 0-9) and smallcaps (alternate versions of the lowercase letters).