Please welcome, Alkaria. Fun and casual vintage retro decorative font. The definition of real versatility and flexibility. You can rock on both vibes, retro and modern by using a single font. Yes, just like your favourite day-to-day sneakers. Wide variety of Stylistic Alternates and Ligatures in every single letter to elevate your design game to the next level. And it comes in 3d Shadow version too. Cut the process more because it should be easy. Perfectly fit for the visual project such as logo, branding, poster, food and beverages, social media content, website, UI/UX design, youtube thumbnail, CV, mood board, wedding, you name it.

Railhead is a revival of an 1870s type style that was originally available from both the Bruce foundry in New York and James Conner's Sons type foundry. The Redux version is the original design but only the uppercase and punctuation were ever created the rest of this font design including numbers, accented characters and lowercase are of my own design. Looking at the original font the inside rails reminded me of a railroad so I created a new version by adding horizontal lines in the lower portion of each letter which resemble railroad ties and Railhead seemed to be the most logical name for this old revival.

Let the ink flows and create your elegant design with Reghina font. This font is PUA encoded. PUA stands for “Private Use Areas”. When a font is PUA encoded it means that you can access all special characters such as Alternates, Swash, stylistic and ligature Playing with alternate glyphs is the same thing by playing combinations according to your taste. Coupled with ligatures to reinforce the natural feel, lowercase swashes at the beginning and ending make your design framed in a flexible flow This font is great for digital signatures, photographic text, website banners and brand logos. Unique and flowing naturally makes this font worth having

In September, 2003 I was contacted by MTV for the restyling of mtv.it I started from the beginning to work on a radical simplification of its visual elements, to achieve a better usability. It didn't take me so much to realize the basic design I attempted would have called for a notable reduction of the rich imagery distinguishing MTV's visual identity. As a visual aid to help me in this process I designed Virna, a headline "op-art" inspired face with the ability to create both vertical and horizontal ligatures between single words among two text lines, with the same ease of linking letters in handwriting or a linked script typeface.

Herculanum is a part of the 1990 program “Type before Gutenberg”, which included the work of twelve contemporary font designers and represented styles from across the ages. Herculanum is a work of Swiss typeface designer Adrian Frutiger. It takes its name from the city of Herculaneum, an ancient Roman resort town destroyed by volcanic pyroclastic flows from Mt Vesuvius in 79 AD (the same eruption that destroyed the nearby city of Pompeii). Herculaneum's ruins are located today in the commune of Ercolano, Campania, Italy. Ancient Roman writings of the 1st century influenced the font's design. Herculanum is distinguished by its broad characters with narrow strokes and its willful character.

What I needed in my projects was a solid oldstyle serif typeface with impact for heads. I had an old engraving font, which I’d never really finished. It happened to be built on the Minister/Diaconia base drawings I used to create Biblia Serif, so I took a shot at it. It’s wide enough to minimize the large solid ink shapes of many of the bolder display headline faces. It’s not readable, but it’s very legible. This is exactly what I needed for headlines, callouts, and special subheads. It uses the same vertical metrics of the Biblia Serif book Production Group It helps keep fiction designs comfortable

Aviano is an extended titling face with influence from the power and timeless beauty of classical letterforms. Aviano features extended characters for a formal feel, sharp, powerful looking serifs and geometric and consistent letterforms. Use Aviano as an alternative to Trajan. Aviano includes a number of advanced OpenType features including alternates, 40 unique ligatures and old style figures. The Aviano family was updated in 2008 to include a light and black weight. Be sure to check out the rest of the Aviano series, including Aviano Serif, Aviano Sans and Aviano Slab. Aviano is named for a small town at the base of the Alps in northern Italy.

Rama Slab is an antique slab serif designed inspired by 1800s-style wood type. All glyphs have been designed carefully to be retro-looking to fill the viewer with nostalgia. This condensed font family with 18 styles is a great solution for posters, titles and anywhere you need impact. To complete your work perfectly, Gothic Extras family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model. Incidentally, -r- has its alternative glyph that can be used with OpenType salt feature. Be sure to check out the sans serif style of this Rama series named Rama Gothic.

I came across an old book called ‘Studio Handbook Letter And Design For Artists And Advertisers’ by Samuel Welo. Samuel Welo was an American advertising calligrapher, typographer and lettering artist, who was most active during the roaring twenties. Lenox Avenue is my version of a set of letters in that book. It was handmade (just like Welo had done). I only had an ABC/abc to work with, so I designed all the remaining glyphs myself. I changed some of the original (and quite quirky) letters to a more contemporary form. The font is named Lenox Avenue, once home of the famous Savoy Ballroom. Comes with all the bells & whistles.

Miss Donna - contemporary, powerful, versatile and casual. Curvy, sassy, fast-talking, and utterly useable, she takes you into the world of movie posters, decor ads, fashion posters and tags, greeting cards and invitations. Her lines are bold, clean and legible. The Miss Donna family comes in four styles: - REGULAR - clean good lines and generous curves - for decor ads, greeting cards, copy - NARROW - slim (more compact), and elegant with contained curves - for greeting cards, invitations, copy - BLACK - bold statement, round, generous curves - for movie posters, fashion posters - BLACK CAPS - especially designed for "all-caps" printed text. Use for headings & subheads. Miss Donna Black Caps contains capitals in two sizes and this gives you the ability to generate text of two types: - a correctly spaced and kerned upper case, OR - a TRUE Small Caps -- as opposed to the false Small Caps produced by a well-known word processing application. In a correctly proportioned Small Caps the stroke width should not be reduced in the same proportion as the letter height is reduced. The stroke width of the small capitals should rather be equal or close to the stroke width of the corresponding upper case characters. Note: When using script fonts it is NOT usually advisable to use text in ALL caps. The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. BUT, Miss Donna will still produce excellent results with all caps if you are using an application that supports kerning. If you are using upper and lower case then it is not necessary to use kerning, although it may make a slight difference on occasion. Miss Donna contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Introducing "Wasleyton," a vintage ephemera font that weaves the elegance of a bygone era into your modern design projects. Drawing inspiration from the timeless charm of elegant signage, gold leaf craftsmanship, and the artistry of old label products, Wasleyton is more than just a font—it's a journey into the aesthetics of the past. Unleash the power of nostalgia as Wasleyton offers a plethora of alternate characters, ensuring your designs are not just eye-catching but also uniquely authentic. The versatility of this font makes it a perfect choice for a range of applications, from authentic logos and elegant headings to the artistry of sign painting and captivating posters. Infuse your projects with a touch of vintage sophistication as Wasleyton lends its charm to letterheads, branding materials, magazines, album covers, and book covers. Watch as your designs come alive in movies, apparel, flyers, and label designs, each one telling a story of craftsmanship and timeless style. Combine Wasleyton with other fonts, be it a script for a touch of fluid elegance, a serif for classic appeal, or a sans serif for a modern twist. Add a few effects, and suddenly, your project transforms into a masterpiece—classic yet contemporary, elegant yet bold. Elevate your design game with Wasleyton's ability to transport your audience to a different era. Whether you're working on product packaging that demands attention or creating an atmosphere on a movie poster, Wasleyton brings that touch of vintage authenticity that turns your project from ordinary to extraordinary. In summary, Wasleyton isn't just a font; it's a time machine to the aesthetics of yesteryears. Perfect for logos, signage, posters, branding, magazines, album covers, and much more, Wasleyton is your key to infusing a timeless vintage charm into the modern design landscape. Add it to your toolkit, and let your creativity unfold in a tapestry of nostalgia and elegance.

Inka is the name by which the closest-ones called my partner. Inka is also the name of a text typeface – in its form very friendly and welcoming. The same way as relationships develop through the life, text typefaces develop, too. I had started the work on this typeface about the same time as I met Inka, while reaching the final output has been a long and progressive process. Inka is a modern serif typeface with wide universality in functions (various editorial usages as books, magazines, annual reports…). The concept and the scope of the complete type family are based on the principle of optical sizes of the typeface designed for the particular use of the size of typesetting. Inka consists of several drawing variations for the typesetting of small sizes (Small), text typesetting (Text), larger typesetting sizes (Title), and headlines sizes (Display). Two constructive alternatives, differing in the height of the construction of the font signs, further extend the variability of the usage of the typeface. Inka A has classical proportions ideal for book typesetting. Inka B has lower ascenders and descenders, lower uppercase glyphs and numbers. Typeface with such construction allows us to use the typesetting efficiently while using tighter leading and still looking more contemporary. Each of the font set (Display, Title, Text, Small) consists of four weights (Regular, Medium, Bold, Black), each has wide character set and a lot of OpenType features. “Inka is dedicated to Inka.”

The characteristic ‘French face’ was originally made in 1899 under the supervision of Joseph Pinel. Thus, what was originally French 10 pt. Nº 2, got its present name. The Frenchman Joseph Pinel called himself a "typographical engineer", but was at the time employed as a type draughtsman at the Linotype Works in Altrincham. It appears that this and some other faces that he supervised, were, except for use on the Linotype, also meant for manufacturing matrices for the Dyotype. This composing machine was an invention of Pinel. The Dyotype was a rather complicated machine and consisted, like the Monotype, of two separate contraptions, a keyboard which produced a perforated paper ribbon and a casting machine which produced justified lines of movable type. Unlike the Monotype which has a square matrix carrier, the Dyotype had the matrices on a drum (in fact two drums, hence the name of the machine). A Pinel Diotype company was founded in Paris and a machine was built with the help of the printing press manufacturer Jules Derriey. As is often the case, a lack of sufficient capital prevented the commercializing of this ingenious composing machine. Coen Hofmann digitized the font from a batch of very incomplete, damaged and musty drawings, which he dug up in Altrincham. He redrew all characters, bringing up the hairstrokes somewhat in the process. The result is a roman and italic, while the roman font also includes Small Caps

Csorna is a script typeface with a monoline style. Perfect for your next creative project like Logo Type, printed quotes, invitations, cards, product packaging, headers, letterheads, posters, clothing designs, labels and more. The name Costa itself is taken from the name of a city in Hungary and this name already has special permission

Helvetica’s 50-year anniversary celebrations in 2007 were overwhelming and contagious. We saw the movie. Twice. We bought the shirts and the buttons. We dug out the homage books and re-read the hate articles. We mourned the fading non-color of an old black shirt proudly exclaiming that “HELVETICA IS NOT AN ADOBE FONT”. We took part in long conversations discussing the merits of the Swiss classic, that most sacred of typographic dreamboats, outlasting its builder and tenants to go on alone and saturate the world with the fundamental truth of its perfect logarithm. We swooned again over its subtleties (“Ah, that mermaid of an R!”). We rehashed decades-old debates about “Hakzidenz,” “improvement in mind” and “less is more.” We dutifully cursed every single one of Helvetica’s knockoffs. We breathed deeply and closed our eyes on perfect Shakti Gawain-style visualizations of David Carson hack'n'slashing Arial — using a Swiss Army knife, no less — with all the infernal post-brutality of his creative disturbance and disturbed creativity. We then sailed without hesitation into the absurdities of analyzing Helvetica’s role in globalization and upcoming world blandness (China beware! Helvetica will invade you as silently and transparently as a sheet of rice paper!). And at the end of a perfect celebratory day, we positively affirmed à la Shakti, and solemnly whispered the energy of our affirmation unto the universal mind: “We appreciate Helvetica for getting us this far. We are now ready for release and await the arrival of the next head snatcher.” The great hype of Swisspalooza '07 prompted a look at Max Miedinger, the designer of Neue Haas Grotesk (later renamed to Helvetica). Surprisingly, what little biographical information available about Miedinger indicates that he was a typography consultant and type sales rep for the Haas foundry until 1956, after which time he was a freelance graphic designer — rather than the full-time type designer most Helvetica enthusiasts presume him to have been. It was under that freelance capacity that he was commissioned to design the regular and bold weights of Neue Haas Grotesk typeface. His role in designing Helvetica was never really trumpeted until long after the typeface attained global popularity. And, again surprisingly, Miedinger designed two more typefaces that seem to have been lost to the dust of film type history. One is called Pro Arte (1954), a very condensed Playbill-like slab serif that is similar to many of its genre. The other, made in 1964, is much more interesting. Its original name was Horizontal. Here it is, lest it becomes a Haas-been, presented to you in digital form by Canada Type under the name of its original designer, Miedinger, the Helvetica King. The original film face was a simple set of bold, panoramically wide caps and figures that give off a first impression of being an ultra wide Gothic incarnation of Microgramma. Upon a second look, they are clearly more than that. This face is a quirky, very non-Akzidental take on the vernacular, mostly an exercise in geometric modularity, but also includes some unconventional solutions to typical problems (like thinning the midline strokes across the board to minimize clogging in three-storey forms). This digital version introduces four new weights, ranging from Thin to Medium, alongside the bold original. The Miedinger package comes in all popular font formats, and supports Western, Central and Eastern European languages, as well as Esperanto, Maltese, Turkish and Celtic/Welsh. A few counter-less alternates are included in the fonts.

All 6 fonts use the characters A - K and a - k to show two planets/stars/moons moving across each other. Nice and simple. There's a different number of points on the stars, or they're different sizes, and some appear to pass left-to-right, and some appear to pass the other way. Just type in ABCDEFGHIJK or abcdefghijk and you'll see. Two fonts have all the characters on the same level, (All-Black and Black+White). The Offset font has the 'sun/moon' with one slightly above the other and in black and white, and Half has them all-black. Partial has them even further separated in 2-tone. NearMiss is a very close shave. Comma, hyphen, and full stop/period give just a single symbol; there's a Space, and that's it.

ITC Cyberkugel is the work of British designer Timothy Donaldson, who occasionally likes to write with an extra-fine ballpoint pen. I like the spindly scrawny forms that it gives me when I follow all the usual 'italic' writing conventions", he says. And there lie the origins of ITC Cyberkugel, although the creative process was moved from pen and paper to software and a Wacom tablet. "I like the fact that people will be buying it to give them a 'human', 'organic', 'non-digital' look, and yet no ink has soiled paper. Although the movements of the hand are still the essence, the whole thing was created in cyberspace." The name comes from combining cyberspace and Kugelschreiber, the German word for ballpoint pen. ITC Cyberkugel is a fresh interpretation of traditional calligraphy."

A solid powerful Bold condensed face great for headlines and sub heads and in some cases even as a text face. High Intensity will definitely get your attention.

Elegant settings perfect for framing gems, words, quotes and pictures in groups of three. These were created to go well with Gingerbread Borders and Victorian Frames. 76 characters.

A font inspired by Javanese script that has ethnic characters. And this font is also named after the name of my new child born 18 September 2020, whose name is Ganya Agathsya. This font is suitable for logos and some ethnic products. And can be tailored to a variety of needs. Thank you Tahta Ega

Another one of those faces that caught my eye in one of my art deco type books, and I wanted it. After I finished the face, I noticed that there is a more clean-cut version of this face in digital format, but my version retains more of the funkiness of the original drawings.

Misstho is casual modern script font. With bold contrast stroke, fun character. To give you an extra creative work. Misstho font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Misstho font. Cheers, Maulana Creative

Closterian is a modern signature script font. With regular contrast stroke, fun character. To give you an extra creative work. Closterian font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Closterian font. Cheers, Maulana Creative

Southride is a quirky fun casual handwritten font. With wavy bold stroke, fun character. To give you an extra creative work. Southride font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Southride font. Cheers, Maulana Creative

Noeri is Western typeface. inspiration come from cowboy era and I want to Presenting the letterform style of that era. The Typeface comes with Stylistic Set Exellent typeface to use for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Stylistic Set inumocca type Studio

Claycozoa is a versatile, bold and unique display font. Was inspired by Psychedelic and Art Nouveau style, Claycozoa has a unique style with stylistic, alternates, ligatures and supports multilingual languages. The organic feel of Claycozoa evokes a psychedelic vibe which you can use to take your designs to a new level. The font is great for posters, flyers, apparel, quotes, greeting cards, product packaging, album covers, movies, and more.

De Arloy Typeface was inspired by art nouveau style from 1890-1910 which combining classic typography with awesome features bring classic touch on this decade :), it works well with normal size text but it works even better for large displays or short words. this is suit for : wine packaging, labeling, logo, classic shop, coffee shop, movie title, etc De Arloy Features Uppercase Lowercase Numerals & Punctuations Open Type featuring Ligatures

Rincho Modern Futuristic Font Minimalist typeface with feels Futuristic Letterforms and eyecatching. Inspiration by neon lights,Synthwave, Mecha, Modern Technology, Sci-fi Movie Poster, science and Space Theme. Really great font to covering your Project, like Lettering, Website Interface, Magazine, Branding, Poster, wedding invitations, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Stylistic Alternates (SS01,SS02,SS03,SS04) inumoccatype

RHESON is the ideal font for any project that requires a small amount of gothic flair. Its various lovely and harmonious shapes let you select the perfect word for your project. The best part is that this font is of a high caliber, so you can be sure that your logo, label, badge, the newest music or movie videos, old-fashioned posters, and other items will all look their best.

Figuta is a modern signature script font. With slanted contrast stroke, fun character. To give you an extra creative work. Figuta font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Figuta font. Cheers, Maulana Creative

Mothman Legend is a grunge spooky font, inspired by 90s horror movies. It will be perfect for your horror and Halloween-themed needs! You can use it for anything ranging from t-shirts and clothing, to your book designs, Halloween party needs, greeting cards, stickers, posters, banners, or anything that needs a cool touch. Try it to create fabulous designs and feel the gothic and Halloween vibes with it!

Leonardo da Vincen Typeface Font type font with a style that is quite unique, has interesting features that can be used in many fields This font is inspired by the shape of a branch or a natural ornament that can be shaped vintage Leonardo da Vincen is also suitable for making quotes, logos, beverage label designs, badge designs, t-shirt designs, food / coffee packaging and movie poster designs.

Introducing, HS Monsnow! An Experimental Condensed Display Font with the unique touch. It looks authentic and stylish that can be used for all your project needs.This font can be used at any time and on any project. So, HS Monsnow Font can't wait to give its touch to all your design projects such as magazine, movie, poster design, printing, personal branding, promotional materials, logotype, product packaging, etc. Thank You HS

Sollesty is a modern signature script font. With upright contrast stroke, fun character. To give you an extra creative work. Sollesty font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Sollesty font. Cheers, Maulana Creative

Glowyts is a modern simply casual handwritten font. Inspired by the peoples handwriting letters in the envelope or their notes. Glowyts includes opentype features Many Ligatures. Glowyts support multilingual more than 100+ language. This font is good for logo design, Movie Titles, Books Titles, a short text even a long text letter and any awesome project you create. Make a stunning work with Glowyts handwritten font. Cheers, Maulana Creative

Brody Rawk is modern gothic font. inspired by a traditional carved wooden Powerfull and has a very distinct and unique Character The Typeface comes with Stylistic Set Features Exellent Font to use for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Stylistic Set (ss01) inumoccatype

Allbine experimental display typeface font, fun character with a bit of ligatures and alternates. To give you an extra creative work. Allbine font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Allbine font. Cheers, Maulana Creative

Glow Night is a classic serif font with a unique style and modern look. It is perfect for elegant and luxury logos, book or movie title design, fashion brands, magazines, clothes, lettering, quotes, and much more. Add it to any of your creative projects, and you will be amazed by the results. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Slurpy is a casual wavy handwritten display font. With bold stroke, fun character. To give you an extra creative work. Slurpy font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Slurpy font. Cheers, Maulana Creative