A type foundry example showcasing some letters from a narrow slab serif wood type design served as the inspiration for Wood Serif Poster JNL. This condensed typeface is available in both regular and oblique versions, and digitally recreates the kind of lettering found on flyers, broadsides and newspaper headlines of the mid-to-late 1800s.

Introducing "Tiger Chest" - Unleash Your Creativity with Urban Pop Vibes! With Tiger Chest, your creativity knows no bounds. Break free from the mundane and explore the wild side of design. Whether you're crafting social media graphics, YouTube thumbnails, event posters, or comic book covers, this font will give your projects the urban edge they deserve.

Frederic Goudy designed Tory in the spirit of the ‘lettres batarde’ found Geoffry Tory’s Champ Fleury. He was looking to create a romantic type for which to typeset the book Auccasin et Nicolette. It was one of Goudy’s favorite typefaces of his own creation and it is digitized by Steve Matteson to preserve that legacy.

Sheet music for a selection from the 1928 musical “New Moon” had the show’s title hand lettered in a bold sans serif that reflected the upcoming Art Deco movement, along with a contoured outline around the letters. This served as the model for Poster Contoured JNL, which is available in both regular and oblique versions.

Best Bet JNL is a hybrid approach in reinterpreting the classic display font Beton. Using examples of the condensed version found on old sheet music, redesigning a few additional characters and melding them with slightly condensed versions of numbers from the standard weight, Best Bet JNL offers an interesting new version to an old favorite.

This handwritten font is the result of trying to write in a different way to what I'm used to: sometimes taking a left turn when going straight was the more obvious way. Or the other way around. The result was quite readable and it turned out that I could make surprisingly matching monographs with it.

Inspired by so many brush lettering around the trend last year, Clarkson Script was created with manual brush pen and refined in digital version. The Concept of Clarkson Script is combining the style of a feminine script and a masculine style to help other designer to create more easily digital lettering and other purpose.

The Carlsbad font family is a bringing together of Regina Cursiv and Hansa Cursiv which both had been released by H. Berthold Messinglinienfabrik und Schriftgiesserei around 1895. Both these beautiful Art Nouveau italic fonts come with the following swash alternatives: D, E, G, H, K, S, T, h, k, m, n, s, and z.

I designed a Morse-Code font in the mid 1990s, but when I decided to update it, I found enough problems with it to completely redo it. I hope I got all the mistakes out. There are two fonts in the package. One of them shows the letter key with the Morse Code equivalent.

Avenida was created by architect and designer John Chippindale in 1994 and is a constructed typeface that leaves a cool, sophisticated impression. An Art Deco typeface inspired lettering found on buildings constructed in Spain's Andalucian region in the 1930's and 1940's. Avenida is best suited to headlines and short to middle length texts.

FT Giorgio is based on a hand lettering in a movie poster La Dolce Vita by Giorgio Olivetti. FT Giorgio has class-based kerning and around 200 automatic interlock ligature pairs which gives your design a custom look. To use the ligatures you only need to write in CAPS and use an OpenType-aware application.

A nice mix of 62 decorative tile images. Designs are reminiscent of rubber stamps of architectural tiles found in historical homes and other buildings through the ages and printed devices from old catalogues. Generic enough to add interesting detail to just about any design. From invitations and greeting cards to book jackets, labels or fabric.

Originally made in seven sizes, 6 to 48 point. Our font was digitized from the 24 point which we found in 1947 in a Sparks, Nevada, newspaper shop. Typical of the late nineteenth century types for job printers, where the rule was “never start a line with a font used in the line above”.

Mama Bear is a playful, neat, children's book typeface. It is cute and happy, very legible and comes with extensive language support, including the 'schwa' glyph found in a handful of languages. Mama Bear was inspired by my 16 month old son, who loves his fluffy bear and likes to play hide and seek.

This font was inspired by carvings and ornament models that I found a lot in my daily life. it's a pleasure to be able to present this font as part of an awesome design work. this font include italic style.This font is perfect for traditional, cultural,social and natural theme designs hope you enjoy ....

This Gelora font is luxurious and classic engraved that is suitable for any design such as book covers, posters, quote designs, apparel, etc. This font is inspired by a colossal theme from the Roman Empire or something like a Gladiator story, but I found this font also looks suitable for a western cowboy theme.

Stonecut JNL is an adaptation of a novelty display face found in one of the Dan X. Solo lettering books. Resembling letters made from cut stone, both the inline and solid black versions are perfect for themes encompassing outdoors, the Stone Age, "macho" events or anything where an unpolished or rustic look can be adapted.

This font has a lovely roundish shape and gives us cute and relax impression. But because it is upright, it has a well-ordered atmosphere. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

This font is inspired by aerospace. I use the negative spaces of each font to form planets or rockets. every glyph has its power. can be used as initials or as a word nicely. and also supports multilingual. the space design side is also found in punctuation to! thanks and enjoy the design! cherrs

From a few letters found on an old bank document from 1876, Maverick's Luck was born, and born again to give your projects that old western appearance. Maverick's Luck comes with multiple fill fonts, you will need an application that works in layers in order to use the fill fonts that come with FontMesa fonts.

Despite its macabre-sounding name, Headstone Roman JNL is not a novelty font for Halloween or horror movies. Instead, it's an attractive Roman typeface based on an example provided of a guide for stonecutters to use when cutting epitaphs into tombstones. Headstone Roman JNL is available in regular, oblique, condensed and condensed oblique versions.

RM Sans has been designed to offer an useful but inexpensive family of 5 regular weights; 3 condensed weights; 5 outline weights and an 'eco' alternative. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Faricy New is the updated version of Faricy originally released in 2004. Completely re-drawn from the ground up , but retaining its original modern appeal, Faricy New is now re-released as an Opentype font with new spacing and kerning. The new version has small caps, tabular, proportional and old style numerals and ligatures.

An online photo gallery showcased a number of vintage and unique signs around Europe – mostly from Germany. One particular sign (“1818-Hoofdkant Spaarbank-1921”) was formed in metal and with stencil letters of a distinctive 1970s feel. This served as the model for Euro Stencil JNL, which is available in both regular and oblique versions.

The Irish monk Columbanus founded early monasteries across Western Europe starting in the Sixth Century, bringing literacy in his wake. As the Patron Saint of Motorcyclists, the adventurous Columbanus is both gallant and respected. The font is Classical Roman with a Celtic accent, great for a range of applications from the sacred to the profane.

Vandal Linerous sounds like a cool graffiti typeface. Graffiti fonts often have a unique and artistic style that can add an edgy and urban feel to various design projects. If you have any specific questions or if there's anything specific you'd like to know or discuss about graffiti fonts or design, feel free to ask!

Frantic Pace JNL is based on hand lettering found on the lid of a late 1950s or early 1960s edition of the Print Craft alphabet printing set once manufactured by the Superior Marking Equipment Company of Chicago. The free-form spurred serif lettering is fun and casual; giving the impression of movement or action.

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino, Fino, and Fino Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino family, along with our entire catalogue, has been optimised for today’s varied screen uses. All these talents let Fino perform a range of roles far broader than your typical Bodoni or Didot.

‘Skiart Serif Subtle’ is now available online. Originally inspired by the san serif font ‘Skia’ by Mathew Carter for Apple. ‘Skiart’ was designed to feel more like a serifed font, but without any serifs. It took a step between sans serif and serif fonts. Next on the path towards a serif font came Skiart Serif Mini, with tiny serifs added. This was a true serif font, all be it on the small side. Skiart Serif Subtle is less of a serif than Skiart Serif Mini, in that it doesn’t have actual 'serifs' as such. It has a subtle flare where a serif might normally be found. It remains fully readable and feels as clean and normal as any of the best body copy serifs, and yet still has the strong solid bones of all the other Skiart font families. If compared to one of the more commonly used serifs like ‘Times New Roman’, the ‘Skiart Serif Subtle’ lowercase is more open with a taller x-height, increasing its readability and friendliness. The serifs are smaller and less distracting. They are not pretending to be ligatures. Where ‘Times’ makes its p q b d forms out of a barely touching oval and stem, the ‘Serif Subtle’ forms are much more firmly attached, appearing clearly as single letters. The standard setting for the a’s and g’s are round single story, feeling warmer and more inviting in the ‘Serif Mini’ font. Much more friendly than the stuffy double-storied versions in fonts such as ‘Times’ etc.

Thrace (/θreɪs/; Greek: Θράκη, Thráki; Bulgarian: Тракия, Trakiya; Turkish: Trakya) is a geographical and historical region in Southeast Europe, now split among Bulgaria, Greece, and Turkey, which is bounded by the Balkan Mountains to the north, the Aegean Sea to the south, and the Black Sea to the east. It comprises southeastern Bulgaria (Northern Thrace), northeastern Greece (Western Thrace), and the European part of Turkey (East Thrace). Trakya Sans is a modern sans serif with a geometric touch. Futura, Avant Garde and the like. It has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. Ideally suited for advertising and packaging, editorial and publishing, logos, branding and creative industries, posters and billboards, small text, way-finding and signage as well as web and screen design. Trakya Sans provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Trakya Sans 500 Regular” forms the central point. The first figure of the number describes the stroke thickness: 100 Thin to 900 Bold. "Trakya Sans" comes in 5 weights with matching italics plus "Trakya Sans Alt", also 5 weights and italics so a total of 20 styles. The family contains a set of 630+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just with one easy touch in all graphic programs. Trakya Sans is the perfect font for web use. You can enjoy using it.

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino Sans is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino Sans, Fino Sans, and Fino Sans Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino Sans to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino Sans family, along with our entire catalogue, has been optimised for today’s varied screen uses. All these talents let Fino Sans perform a range of roles far broader than your typical Bodoni or Didot.

Tall, stately, and refined, with a showy contrast between thick and thin, a certain kind of titling Didone has become synonymous with fashion. Ermin Međedović’s latest type system amplifies the most theatrical aspects of this genre while bringing an uncommon flexibility of style and variation to any type palette — particularly those required for editorial design. Fino Stencil is a Rational (or Modern) display serif with sharp details. Its fairly Title proportions produce a regular beat of bold stems at frequent intervals. One can add an unexpected twist to this plot line by introducing the alternate ‘C, D, G, O, and Q’ (found in the uppercase); these replace the standard, Title oval shapes with big, full, show-stopping round ones. Other alternate forms, along with a grand ensemble cast of ligatures, lets the director continually flip the script. This stage is set in three acts: Fino Stencil, Fino Stencil, and Fino Stencil Stencil. Each of these offer six weights and italics, and each actor is comfortable speaking any Latin-based language, from standard Hollywood English to the many accents of Eastern Europe. Finally, every style comes in two optical sizes, with Title having the finest hairlines for the biggest parts. This lets you put Fino Stencil to work in a variety of productions, from short texts (24pt–48pt settings) to epic titles. The complete Fino Stencil family, along with our entire catalogue, has been optimized for today’s varied screen uses. All these talents let Fino Stencil perform a range of roles far broader than your typical Bodoni or Didot.

Merengue Script is the second typeface designed by Panco, once again together with Ale Paul, who supervised the whole development. In this opportunity, the process of shape research and the systematization of signs led him to dive into new waters. The objective was to generate a system of signs in which the construction of such was not directly bound to traditional calligraphy, nor to texts typography. Instead, the point was to create signs inspired in “Brush pen” calligraphy but with their main features drawn or literally illustrated. The result was a font with personality, authenticity and uncommon formal aspects that make Merengue Script an interesting, highly attractive and rather unusual font. From the very beginning, the search was based on creating a font with weight and good presence in big formats, but, at the same time, efficient for brief texts of small formats. The aim was to make it usable mainly in candy, sweets and chocolate packaging. The predominance of round shapes, harmonious modulations and funny and friendly-looking visual rhythms spark a special effect in the usage of Merengue Script. Texts are enhanced with an interesting visual charm, capable of transforming a very simple text into a virtual illustration that semantically reinforces the messages in a simple way, without putting legibility at risk. With a basic set of stylistic alternatives full of frills and flounces for initials, ornamental and final letters, plus a set of disconnected signs, Merengue Script offers a wide and versatile range of options for graphic designers in the process of packaging design.

Haboro Squared is a formidable typeface, created for a variety of uses. Clean and consistent, it evokes the 1950s and 1960s. Haboro Squared conveys accuracy and utility with its clean, consistent strokes. In the 1950s and 1960s, designers and the general public began to reject the austerity of the war years in favor of a new sense of American optimism. This era is reflected in Haboro Squared’s gently rounded letters, playful alternates, and multi-purpose use. Whether you are creating a logo, crafting a website, or designing a magazine article, Haboro balances modernity with a hint of nostalgia. Haboro Squared achieves a balance between fashion and practicality. Even though it has an angular, modern design, it radiates friendliness and warmth. Haboro Squared works well for headings and brief texts. This collection of fonts consists of eight weights, from Thin to Black, each with a corresponding italic. Your design will seem robust and fashionable with so many options. Haboro plenty of alternate glyphs from which you can select an alternative or adjust the appearance of each letter. You’ve found a secret weapon. The Haboro Hyperfamily features a whole array of options, from Haboro Sans, Serif, to Haboro Didone. Take a look at the entire family. Even the most serious texts have a touch of whimsy thanks to the quirky alternate terminals in this multipurpose text face. Impress clients with your next branding package, web site, or magazine spread. Let the nostalgia of America’s post WWII heyday fill you with inspiration! Supercharge your next branding package, web site, or magazine spread with Haboro Squared!

Thrace (/θreɪs/; Greek: Θράκη, Thráki; Bulgarian: Тракия, Trakiya; Turkish: Trakya) is a geographical and historical region in Southeast Europe, now split among Bulgaria, Greece, and Turkey, which is bounded by the Balkan Mountains to the north, the Aegean Sea to the south, and the Black Sea to the east. It comprises southeastern Bulgaria (Northern Thrace), northeastern Greece (Western Thrace), and the European part of Turkey (East Thrace). Trakya Slab is a modern slab serif with a geometric touch. It has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. Ideally suited for advertising and packaging, editorial and publishing, logos, branding and creative industries, posters and billboards, small text, way-finding and signage as well as web and screen design. Trakya Slab provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Trakya Slab 500 Regular” forms the central point. The first figure of the number describes the stroke thickness: 100 Thin to 900 Bold. "Trakya Slab" comes with 5 weights and italics; "Trakya Slab Alt" also comes with 5 weights and matching italics, giving a total of 20 styles. The family contains a set of 630+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just with one touch, easy to access in all graphic programs. Trakya Slab is the perfect font for web use. Enjoy using it.

Wappenbee is a 28 pixel bitmapped dingbat system for building crests for the modern, noble life. The dingbat allows you to build memorable crests like the skatepark crest, the smelly sock crest, the mixtape crest and many more. Vowels are mythical shield-holding creatures (upper- and lowercase are right- and leftfacing beasts), consonants are the various shields and numerals are 'crowns' above the crests.

This bouncy beauty was inspired by Walnetto Casual, designed by Dave West for Photo-Lettering, Inc. in the 1970s, and takes its name from a mythical West Texas beastie. This version has been thoughtfully designed to use Contextual Alternates to avoid unsightly serif collisions for best possible visual effect. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

Sharper than a cactus patch, the thorny Prick is perfect for the Goth or Heavy Metal fan that lies dormant in us all.