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  1. Infrastructure JNL by Jeff Levine, $29.00
    A 1930s-era poster to "See America - Welcome to Montana" was issued by the United States Travel Bureau; one of the WPA (Works Progress Administrations) projects promoting travel and tourism within the country. The hexagon-inspired angular lettering on the poster provided the inspiration for Infrastructure JNL.
  2. Pacific Classic by Holland Fonts, $30.00
    The Pacific Standard Bold was originally designed as a - capital only - poster typeface for a poster for the 30th International Film Festival Rotterdam in 2001 in the Netherlands. Theme of the festival was 'ports'. The design is inspired by the unpretentious typography often seen in ports.
  3. Pacific Standard by Holland Fonts, $30.00
    The Pacific Standard Bold was originally designed as a - capital only - poster typeface for a poster for the 30th International Film Festival Rotterdam in 2001 in the Netherlands. Theme of the festival was 'ports'. The design is inspired by the unpretentious typography often seen in ports.
  4. Simple Pen by Zeenesia Studio, $10.00
    Simple Pen Font Duo, Introducing of our new product the name is Simple Pen, Simple Pen is a Quirky Serif Font. came with two style, Solid and Line who make your design so classy, Simple Pen very good for crafting, kids poster, promotion poster, cartoon, comic etc
  5. Bramber by Rocket 88 Foundry, $35.00
    The design of Bramber was inspired by Allied propaganda posters of the second World war, especially Russian posters. It has a distinctive solid, geometric appearance. 
Bramber also has a feel of mid 1980s design. Bramber is ideal for use as a distinctive headline or display font.
  6. Urban Rebel by Blankids, $18.00
    Introducing of our new product the name is Urban Rebel Graffiti Font. Urban Rebel inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, childrenbook, cartoon, comic etc FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype
  7. Donatellia by Garisman Studio, $20.00
    Donatellia is perfect for logos, wedding invitations, posters, business cards, logos, headlines, Instagram stories, youtube stories, book cover, poster promotion and many more! Includes OTF files with many ligatures and opentype features, also Stylistic Sets with end & start love swashes. Get the best love with Donatellia.
  8. Vallecito by Matteson Typographics, $19.99
    Vallecito or “Little Valley” is an Aldine woodtype design popular in the 19th century for posters and headlines. Vallecito’s multitude of weights and widths allows for impactful typography in signage, posters, menus and logos. Vallecito’s exaggerated, reversed stress shapes may be used in traditional or impressionistic typography.
  9. Halloween Day by Goodigital13, $20.00
    These font can be used in web design and apps as well as in booklet, posters, or any other printed matter. Halloween, is a display spooky feel font. It’s suitable for dark and Halloween theme. Such as a Poster, Logotype, Social Media Promotion, Merchandise or Crafter.
  10. Curly Lava Bubble by TypoGraphicDesign, $15.00
    CONCEPT/ CHARACTERISTICS The lava/soap/pudding character of the font reminds us of a modern bitmap pixel font. »Curly lava bubble« goes even further. The rectangular hard edges expands to soft and almost organic forms. APPLICATION AREA The fancy, modern & decorative font »curly lava bubble« would look good at dis­play size for party flyer & movie pos­ter, music covers or head­lines in maga­zi­nes or websites… TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Decorative Font »curly lava bubble« with 3 stlyes (light, regu­lar, bold) & 305 gly­phs inkl. accents & € KONZEPT/BESONDERHEITEN Der Lava/Seifenblasen/Pudding Charakter der Schrift lässt an eine moderne Bitmap Pixel Schrift erinnern. Wobei »curly lava bubble« noch weiter geht und die harten rechteckigen Kanten zu weichen und fast schon organischen Formen ausbaut. EINSATZGEBIETE Der Font würde sich über fol­gende Gebiete sehr freuen und sich dort wohl füh­len: Logos/Wortmarken aller Art, Flyer für fast jede Party, Plat­ten­Co­ver, CD-Cover, Pla­kat­De­sign, Game- und Video­spiel-Design aller Gen­res, als Head­line­schrift für print und digi­tale Maga­zine, Bücher, Web­sei­ten… TECHNISCHE INFORMATIONEN Head­line Font | Dis­play Font | Deko Font »curly lava bubble« Open­Type Font mit 3 Schrift­schnit­ten (light, regu­lar, bold) & 305 Gly­phen inkl. dia­kri­ti­sches Zei­chen & €
  11. Hamburger by FontMesa, $29.00
    Our new Hamburger font is based on the old classic Brush Script design with many new additions. We've added many alternates to the design including lowercase swash tail letters, swash underscores and a few alternate uppercase letters. Upright scripts are popular these day so new to this old type design is a near upright script version, a lot of hand work went into producing it. One of the biggest problems with the old Brush Script font is that people use it as all caps, which doesn't look good because of the extended swash on the top left side of the caps letters. We've fixed that problem by making an all caps version where the caps in the lowercase position have the top left swash tucked in to help the letters display better as an all caps font. We've also created a small caps version, again the small caps lowercase have all the top left swashes tucked in to bring the letters closer together for a better display. Also new to this font are two higher x-height versions that are ideal for signage. The first is Hamburger X which stands for extra x-height and the second is Hamburger SPX which stands for super x-height. Both of these higher x-height fonts are suitable for signage on a building, billboard and vehicle lettering where you're looking for faster readability from moving traffic. We've designed a new lowercase b and moved the original to an alternate position. We've also redesigned the uppercase C bringing the bottom up to the baseline and moved the original C to an alternate position. The original lowercase g was open at the top, we've closed it and we're not offering the original g as an alternate.
  12. Garrigos by Underground, $-
    Set of ornaments based on the decorative motifs used by the first typographic workshop in Buenos Aires: “Imprenta de Niños Expósitos”, between 1780 and 1824. This set is the product of an extensive historical research that aims to identify the type that came from Europe to the City during colonial times, and during the first years of Argentina’s independence. This group has a lot of diversity, which fluctuates between organic baroque forms and geometric neoclassical. Its characters can be used in editorial design along with Roman typefaces, they work individually or grouped to form different figures, guards or frames. It was baptized in honor to the first printer who worked in the workshop: the Spanish Agustín Garrigós.
  13. Gradia by Attract Studio, $20.00
    Gradia is a serif font in the form of a unique & elegant typographic design. very suitable for making your choice of design work from invitation cards to magazines, logos, branding, signage and many other creative projects. Gradia features OpenType 765+ glyphs, also has 270 character Alternates, 116 Ligatures that are perfect for various uses, and is also equipped with multiple language support. What is included: Gradia Regular Gradia Regular Italic Gradia Light Gradia Light Italic Gradia Bold Gradia Bold Italic To access these OpenType features, you will need Opentype-enabled software such as: Adobe Illustrator, Word, CorelDraw, Photoshop, Indesign and many more. Check out Bagoni Type which is a great pair for Gradia.
  14. 1584 Pragmatica Lima by GLC, $42.00
    This family was created from the set of font faces used in Lima (Peru) by Antonio Ricardo in 1584 for the first publication ever printed in Southern America: a four-page leaflet in Spanish entitled "Pragm·tica sanciÛn" with information about the new Georgian calendar of 1582 which had not yet been communicated to the colonies. In our two styles (Regular & Italic), font faces, kernings and spacing are as close as possible to the original. This Pro font covers Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, with standard and “long s” ligatures in each of the two styles. A,B,D,E,F,M,N,P,R,V,W swashed capitals in the italic style.
  15. USKOK by Sebastian Cabaj, $15.00
    USKOK is great typeface for headlines, posters, books, covers, labels and apparel.
  16. Gmuender Gravur by RMU, $35.00
    A versatile multilingual display font for headlines, posters, ads and much more.
  17. Hebrew Crown by Samtype, $39.00
    This is a beautiful font to book covers and posters, and invitations
  18. Balora MF by Masterfont, $59.00
    Nostalgic and elegant solution for any outstanding poster or banner. You choose..
  19. Marina by Sebastian Cabaj, $7.00
    Marina is great typeface for titles, posters, books, covers, labels and apparel.
  20. As of my last update in April 2023, "Gamera" is a distinct font created by Harold Lohner, an artist known for his eclectic and wide-ranging typeface designs. Drawing inspiration from the world of fan...
  21. Original Absinthe by Vozzy, $10.00
    Introducing a vintage look label font named "Original Absinthe". This family includes seven styles - Regular, Inline, Shadow, Inline FX, Shadow FX, Full and Aged. The posters show the result of combining them. This font will be great for any retro design like poster, t-shirt, label, logo etc.
  22. PAG Smoke by Prop-a-ganda, $19.99
    Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Smoke is very heavy geometric font. Its unique shape is like a monster for your design project.
  23. Zalena by Gatype, $14.00
    Hello my name is Zalena font, our new and fun font collection. Combining hand drawn style with a modern twist. Zalena comes with a ligature alternative that you can use to give your projects more options. Perfect for logos, notes, posters, t-shirts, stickers, posters, mugs, labels, etc.
  24. Street Urban by Blankids, $20.00
    Our new product the name is Street Urban Graffiti Font inspired by graffiti style with a fun theme very good for graffity poster, Hip Hop music, kids poster, flyer, children book, cartoon, comic etc MULTILINGUAL ACCENT : ØÆøæ¢ÐŒœÁĂÂÀÄĄÅÃǼĆČÇĈĊĎÉĔĚÊËĖÈĘĞĜĢĠĤÍĬÎÏİÌĮĨĴĶĹĽĻĿŃŇŅÑÓŎÔÖÒŐǾÕŔŘŖŚŠŞŜȘ ŤŢÚŬÛÜÙŰŲŮŨẂŴẄẀÝŶŸỲŹŽŻáăâäàąåãǽćčçĉċďéĕěêëėèęğĝģġĥíîïìįĩĵķĺľļŀńʼnňņñóŏôöòőǿõŕřŗśšşŝșťţ ŭûüűùųůũẃŵẅẁýŷÿỳźžż FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype
  25. Summer Program JNL by Jeff Levine, $29.00
    The WPA (Works Progress Administration) posters on file at the Library of Congress have been a treasure trove of classic hand-lettered type designs. Summer Program JNL is based on one such poster offering free arts and crafts classes in New York City sponsored by the Federal Art Project.
  26. PAG Karogs by Prop-a-ganda, $19.99
    Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Karogs is geometric, art-deco font that had been used for a match box. The bowls of this font is based on a positive circle. The contrast of a circle and straight line effective in producing brisk structural rhythms. This is great for branding, packaging and posters or any other kind of display use.
  27. Maulida by Goodigital13, $20.00
    This font perfect for signature logo, handwritten quotes, product packaging, fashion magazine, photography, merchandise, branding projects, poster, social media post, book cover, flyer, and advertising. You can create easily and make it as if you wrote it yourself. handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!! Best match for logo, badge, packaging, headline, poster, t-shirt/apparel, greeting card, and wedding invitation. The flowing characters are ideal to make attractive messages
  28. Electrone by Alit Design, $21.00
    💥Introducing "Electrone" – Unleash the Power of Typography with a Superhero Flair! Unleash the electrifying energy of "Electrone," a dynamic font that embodies the essence of superheroes with lightning speed, unmatched strength, and a dash of style. This font is not just a typeface; it's a superpower for your design projects! Key Features: Electrifying Glyphs: With 890 meticulously crafted glyphs, "Electrone" offers a vast array of characters that will add a powerful punch to your designs. Every glyph is a superhero in its own right. Sided Ligature: Seamlessly blend characters with our specially designed sided ligatures, creating a visual impact that resonates with strength and unity. Alternate Characters: Customize your text with alternate characters to give your designs a unique and personalized touch. The alternates are carefully curated to ensure versatility without compromising the superhero aesthetic. Lightning Swash: Add a bolt of energy to your typography with lightning swashes that strike through your text. Watch your words come to life with the electrifying force of "Electrone." Wings of Typography: Elevate your designs to new heights with the winged elements included in "Electrone." These wings symbolize the freedom and power associated with superheroes, making your text soar above the ordinary. Suit Up Your Designs: "Electrone" is not just a font; it's a complete superhero costume for your words. Whether you're working on comic book titles, posters, logos, or any design that demands a bold statement, "Electrone" is here to save the day. Perfect for: Comic Books and Graphic Novels Superhero Movie Posters Action-packed Logos Gaming Graphics Apparel Design and more! Embrace the electrifying power of "Electrone" and turn your designs into epic adventures. Download now and witness the transformation of ordinary into extraordinary!
  29. Hero fire by Alit Design, $23.00
    Hero Fire is a dynamic and bold typeface that embodies the essence of a powerful superhero. The characters are meticulously crafted with strong serifs, exuding strength and resilience. The design seamlessly blends classic typography with iconic superhero elements, making it a distinctive and impactful choice for display purposes. Illustrations: The typeface is adorned with illustrations inspired by the superhero universe. Each character is meticulously detailed, featuring elements such as: Fire: Flame motifs gracefully intertwine with certain characters, adding a touch of intensity and energy. Swords: Sharp and sleek sword illustrations are incorporated into select characters, symbolizing heroism and the strength to overcome challenges. Skulls: Subtle skull designs enhance the edginess of the typeface, capturing the essence of a fearless and bold superhero. Shields: Protective shields are cleverly integrated into specific characters, emphasizing the font's ability to safeguard and endure. Wings: Majestic wing illustrations accompany certain characters, representing the freedom and soaring spirit of a superhero. Characteristics: Bold and Strong: Hero Fire commands attention with its bold and robust characters, making it perfect for headlines and attention-grabbing text. Serif Display: The typeface features classic serifs that add a touch of sophistication, making it suitable for both modern and traditional designs. Versatile Usage: Hero Fire is designed for versatility, lending itself well to various design applications such as posters, comic books, branding, and more. Usage Recommendations: Hero Fire is particularly well-suited for projects that require a strong and impactful display font. Its superhero-themed illustrations make it a perfect choice for comic book titles, movie posters, gaming graphics, and any design where a bold and dynamic aesthetic is desired. Embrace the power of Hero Fire to infuse your designs with a heroic and captivating spirit!
  30. SCR-N by URW Type Foundry, $39.99
    SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).
  31. SCR-I by URW Type Foundry, $39.99
    SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).
  32. Lemon - Unknown license
  33. HARBER by bb-bureau, $60.00
    The name ‘HARBER’ comes from the first letters drawn. It is a sans serif family designed of dots on a grid, that gives it this round and rhythmic aesthetic. Only dots grow, approaching or moving away, changing the aspect of letters but keeping its characteristics.
  34. Hebrew Karina by Samtype, $34.00
    This is a beautiful font to use in invitations, posters, and small texts
  35. FP Stage by Fontpartners, $29.00
    FP Stage was inspired by old Victorian theater posters and corresponding typographic designs.
  36. Chic by Monotype, $29.99
    The Chic font is a headline face ideal for packaging, posters and signs.
  37. Kaine by The Northern Block, $12.80
    A bold slab-serif typeface influenced by Spagetti Western posters of the 1960s.
  38. Pleyo by Tour De Force, $25.00
    Pleyo is the player for all situations - packages, labels, posters, titles, logos etc.
  39. Sidkit MF by Masterfont, $59.00
    Grunge, rough, very coarse typeface. Great for posters, book jacket, music ads etc.
  40. Kolesom by Frantic Disorder, $12.00
    Kolesom is bold display font that inspired from classic rusty stuff like old signage and poster. This typeface has various styles of font that includes Clean, Alt, Texture, and Western. I found it perfect for poster design, t-shirt design, and other display design needs. Works best in 100pt and above.
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