Introducing Fiasco Script, a bouncy modern calligraphy font. Fiasco is a clean cursive font with a feminine aesthetic, making it a perfect choice for designing feminine logos & branding, cute paper products like wedding invitation suites, or for displaying headlines on your website. Fiasco can also be used for other print design like magazines and flyers or printed marketing materials. This font can also be used for digital marketing materials and social media items! Fiasco Script’s clean edge makes it a great candidate for craft projects on your Cricut or Silhouette machine; it cuts beautifully! Fiasco Script includes: - full upper + lowercase characters - numbers + punctuation - 2 ligatures — ox, tt - PUA-encoding Extensive Language Support: Western European, Central European, South Eastern European, South American, Oceanian, Vietnamese, Esperanto Fiasco Script can be used with graphic design programs such as Illustrator or Photoshop, word processing programs like Pages or Word, Design Space for Cricut, Silhouette, Procreate, Canva Pro, Glowforge, GoodNotes, & more. This font is an installable for desktop & laptop machines, as well as iPads or iPhones. See below for links to help with installation.

Proudly present, Artes groovy layered display font. Inspired by bubble letters in graffiti art and retro style design, it produces a display font with a fun style that is perfect for the design needs of posters, flyers, covers, titles, logos, packaging, t-shirts, branding and various needs that require a unique display font. Activate the Contextual Alternates feature so that the shape of the character changes according to the shape of the character in front of it, and Activate the Stylistic Alternates feature to change the number characters into bubbles that you can use as additional elements in your design.

Ines is a full featured typeface with seven weights and italics, including Small Capitals, smart fractions and several ligatures. Ines was specially designed for books, with a slight short x-height, making the ascenders and descenders more elegant and tall.

R.H. Middleton for Ludlow, circa 1956. Digitally engineered by Steve Jackaman.

Cursive Script is a digital handwriting font. It is slightly different from many other handwriting fonts as it is designed to be regular and highly legible. As such it is clearly a digital font, inspired and informed by natural handwriting rather than attempting to emulate it. It contains 697 glyphs, mostly lower case alternates to ensure natural, flowing script. It also has stylistic alternates for many lower case letters, particularly those with ascenders and descenders.

Stitch Cursive is a cute cursive font, with the added distinction of looking hand sewn! The applications of this full-out cursive font are many. It is designed to be creative & free flowing, but I also wanted it to be at least somewhat proper. The stitch is the central element to this unique design. Use Stitch Cursive any time you want fancy, legible, and luxurious text. Works great for logo design and beautiful for titles. Go ahead and have fun with it. Stitch Cursive is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications.

LOLO Cursive is sweet & funky lettering written with distinct character. Create a memorable look with this flowering, freehand script. In this font I envisioned a style with a grassroots flavor, yet a fashionista's edginess. Small, distressed detailing contrasts beautifully with the rolling curves of this feminine hand-style. The strokes are punky yet refined - for widest appeal. LOLO Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications. Go ahead and have fun with it!

Regina-Cursiv is a warm, bold, casual typeface. Its friendly, rounded curves remind me of the line from a gospel song by the Canton Spirituals, about "smoothin' up the roughway." Jointly released by the Bauer and Berthold foundries of Germany during the fin-de-siecle period, this typeface has some cultural flexibility. There are alternate versions of the uppercase ‘H’ and ‘I’ that can be chosen to reflect a humanist or blackletter tradition, whichever you prefer. Other alternates offer various stylistic choices. Regina Cursiv is a friendly, comfortable font. You will enjoy using it. Alternative letters: D, E, G, I, K, S, T, d, h, k, m, n and z. The numerals are old-style figures.

Milk Cursive is the healthy choice. Fortify your designs & fulfill your daily textual needs with these flowing, bubbly letters. Enjoy the refreshingly natural look of an every-man's calligraphy with a fat & wide style. Milk Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications. It also contains some icons as extra characters, such as a star, a heart, an arrow, flowers, a butterfly, and manicules (pointing hands). Go ahead and have fun with it!

Dainty Cursive it is cute handwritten marker font This font is perfect for branding, cricut projects, wedding invitations, logos, vinyl, svg files, stickers, cards, signs and more!

Hand Cursive design is a cute cursive font, written by hand—careful writing with a steady pen! The applications of this full-out cursive font are many. It is designed to be creative & free-flowing, but I also wanted it to be at least somewhat proper. Use Hand Cursive any time you want fancy, legible, and luxurious text. Works great for logo design and beautiful for titles. Go ahead and have fun with it. Hand Cursive is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications.

Ribbon Cursive was developed largely from Mercator's Italic Hand, which originated from Italy, during the Renaissance. Ribbon Cursive is fancy, legible, and luxurious text. Works great if you are designing a logo, or use it to create some beautiful titling. Use it for advertisement copy, or even for short to medium-length bodies of text. It should be noted that, due to the heavy embellishment of all the capital letters, this font will not work well if your text is set in all capitals! Ribbon Cursive is contains the full West European diacritics and a full set of ligatures, making it suitable for multilingual environments and publications.

Scrawl Cursive pushes the boundaries of OpenType contextual alternates to present a font which emulates natural, modern, casual handwriting. It includes 2006 glyphs, many of these lower case alternates so that there are minimal compromises when it comes to forming and joining letters naturally. Another unusual feature is that many capital letters also join when preceding lower case letters, which creates a much more realistic flow than is normally achieved. Please view with the contextual alternates option turned on.

Lydian is Warren Chappell’s almost calligraphic sanserif, designed for ATF in 1938. Lydian Cursive, done by Chappell in 1940, is much freer and more calligraphic. Life is a journey.

Azola Cursive is an elegant connected letter cursive script arriving with a family of detailed & artistic styles. Azola Cursive features diagonal hatched texture, outline & solid variations. Azola Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications. This new font family pairs well with the existing Azola (noncursive) family.

Candy Cursive is a sweet & lovely connected script. Use this flowing cursive wherever eloquence or delicacy is required. Candy Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Your grade school teacher would be proud of this smooth flowing handwriting font. Perfect for any formal invitation, newsletter, scrapbook layout, etc.

Okaycat presents "Forest Cursive". Forest Cursive is an beautiful connected letter cursive script arriving with ornate & simplified styles. Forest Cursive features lovely detail & artistic nature. Forest Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Pompeian Cursive is a calligraphically-inspired display typeface featuring a limited number of alternate characters and a handful of graceful ligatures. A lively set of non-lining numerals accompanies, as well as a few calligraphically-inspired flourishes for ornament. The history of this typeface: Oswald Cooper’s relationship with the Barnhart Brothers & Spindler foundry was one instigated under the auspices of creating new styles of type in lieu of following stylistic trends. In 1927, BB&S requested that Cooper create a script-like cursive typeface design in step with Lucien Bernhard’s Schoenschrift and ATF’s similarly-styled Liberty typeface. In response to BB&S’s desire to emulate instead of innovate, Cooper wrote to Mcarthur, “I am desolated to see Barnhart’s hoist the black flag. Your own efforts through the years to boost the foundry into a place in the sun as an originator seem wasted.” Still, Cooper took up the task at hand, creating a delicate, sophisticated type design which he named Pompeian Cursive. The typeface featured a limited number of alternate characters and a handful of graceful ligatures. A lively set of non-lining numerals accompanied, as well as a few calligraphically-inspired flourishes for ornamenting the end of lines of type accompanied the typeface, as well. By reviewing the few remaining original drawings for the type, as well as copious samples of Pompeian Cursive from both Cooper & BB&S' proofing process and period-specific type specimens, Wordshape presents the first digital version of this classic hybrid script/sans typeface, complete with all original alternate characters and ornaments. Pompeian Cursive has been intensively spaced and kerned for the finest setting for weddings, announcements, and general display work. - What was the inspiration for designing the font? While researching a biographic essay for Japan’s IDEA Magazine, I came across the original proofs and drawings for Pompeian Cursive. While a number of foundries have released interpretations of Cooper’s assorted typefaces, they stray from the original rather dramatically in parts. Cooper is without a doubt my favorite type and lettering designer, and to bring a refined return to his original intentions is an immense gift. - What are its main characteristics and features? Pompeian Cursive is a typeface which functions as both a display face and a limited text face. It features classy, thoughtful, and delicate swash capitals and rugged lowercase characters with a low x-height and gracefully long ascenders and descenders. - Usage recommendations: Display type or text-setting. Perfect for newspaper work, editorial design, materials intended to invoke an "old-timey" flavor, or just about anything in need of personality.

3D Cursive is an extruded cursive family with multiple styles. The 3D Cursive font is extruded in delicate outline. 3D Cursive Stencil is an alternate style in bold black. 3D Cursive Simple provides a perfectly matching, yet non-extruded style. 3D Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

The most notable characteristic of this typeface is that it has a compact and regular shape that is slightly condensed but fluidly connected. Its glyphs emulate the look of handwritten, inked characters. Their exuberant graphic strokes and sharp edges maintain the influences of printed types produced by mechanical processes. Unlike most of the italic type of today, the capital letters are as high as the ascending lower-case letters. The brush script style (Originally designed in 1942 by Robert E. Smith for the ATF) inspired many contemporary and beautiful typefaces, such as Wisdom Script, Mission Script, Marketing Script, Motion Picture, Thirsty Script, Lauren Script, Deftone Stylus and many others. This font has more than 700 glyphs, Central European languages support, including Open Type features, swashes, and contextual stylistic alternates. It also includes old-style figures, discretional and standard ligatures, is case-sensitive and has a set of tails and ornaments.

Star Cursive is a connected letter script which is full of stars! Float with the stars, drifting through the galaxy! Use this star font whenever sparkle, glamour or a touch of the stars is needed. Star Cursive is extended, containing the full West European diacritics and a full set of ligatures, making it suitable for multilingual environments and publications.

Bernhard Cursive ExtraBold is one of Lucian Bernhard's most expressive fonts which are worth to get preserved for now and times to come. An ideal font face for advertisements, posters, flyers, titles and subtitles.

Designed by Ewen Prigent, Shaking is a set of four expressive hand-crafted titling typefaces ideal for packaging, posters, children's books… and many other media! Shaking one, two, three and four!

Shake it DOWN! Shake it UP! Shake it OFF! Shake a LEG! You can even shake it like a polaroid picture now that Comicraft has the font that allows you to do just that, in comic book form! Shake is the ideal partner to our font, SHIVER, and yet it does not preclude rattling OR rolling if you're getting ready to RUMBLE! CAUTION: This font may cause you to move to and fro with jerky movements. See the families related to Shake: Shiver.

Shone slab serif inspired by vintage style with a touch of classic style. This font is built with solid foundations, strong visuals, old-school movement, and a modern minimalist style. Shone is perfect for Jersey , athletic, poster, branding projects, Logo design, Clothing Branding, product packaging, for magazine titles. for something with the theme of sports, album title, etc

Shapely is designed with elements of classical calligraphy expressed in a very modern idiom. It embodies the Scholtz signature - casual, extravagant, bold design with an underlying attention to detail and legibility. Numerous ligatures emphasize immediacy and the handwritten quality of the finished product creates a feeling of variety, spontaneity and flexibility. The font abounds with extravagant flourishes, however, with almost every character, plainer alternatives are available through OpenType technology. This frees the user to put an individual stamp on his use of the font. There are a total of 70 ligatures and alternate characters that use OpenType technology to expand the flexibility and power of Shapely. The font contains all upper and lower case characters, punctuation, numerals and mathematical operators, as well as all accented characters used in European languages.

Sharely is a minimalist brush font, with a beautiful and feminine feel. Inspired by the girly style and modern-minimalist label that visualize naturality with the brush style. This font has a simple letterform either the uppercase or lowercase that emphasizes the minimalistic feel. Sharely is designed in condensed shapes which perfect for the logotype, short quote, labels, display information, merchandise, t-shirt, poster, mug, and more. This brush font also complete with some OpenType features that you can mix and match to get the more playful brush style! Fonts featured : Uppercase Lowercase Numbers Symbols & punctuation Stylistic alternates Ligatures Swashes (simply type 'underscore' and a number, eg: _1, _2, _3, etc) That's all folks! Thank you for watching.

Sunsive Sans Serif Font family is the perfect choice for clean, minimalist, and professional designs. With a variety of weights and styles, it's suitable for headlines, body, web, print, and modern branding. This font provides a bold and elegant look to your graphic projects. Sunsive Sans Serif Font family provides a variety of variations from Regular to Black, allowing you to customize the appearance of the text according to your needs. From simple Regular to powerful Black, each weight provides flexibility in designing text with a professional, modern touch.

Cuisine originated from a how-to lettering book from the 1950s. It suggests the script style found on food and beverage labels in the early 20th century. This creamy font does for food advertising what Bodoni does for haute couture. Its simmering, hand-scribed charm captures the complexity of wine and the robust energy of coffee. It shines on luxe food packaging or high-end menus

Curser is an oldish-looking typewriter font, decayed and scary. The special characters give an expression that they have been made using the common keys and moving the paper. Curser supports West and Central European languages as well as Baltic, Turkish and Romanian.

Unlike the modest fonts in your menu content with discreetly imparting information, Carnival is conspicuous by design. Deliberately engineered to attract eyeballs, the typeface’s unmistakable silhouette produces a dramatic visual texture that stands out in print, on screen, or in any environment where your message demands to be noticed. The steady yet vibrant rhythm created by its letterforms also makes Carnival ideal for fashioning alphabet patterns and graphic devices. Flaunting a lean slender body anchored by stout stroke endings, Carnival turns conventional typographic thinking on its head by inverting the relative thickness of its stems and serifs. This reverse-contrast approach stretches all the way back to the roots of modern advertising, when similar types became the favorite for posters, packaging, and loads of consumer products during the 1800s. The striking style prevailed well into the next century, as Harold Horman, co-founder of New York City-based Photo-Lettering. Inc., modernized a version for the company’s popular film-typesetting service in the early 1940s. Digitized and expanded by Dan Reynolds in 2013, Carnival had previously been used exclusively for House Industries projects. Now you can get in on the action, and use this stunning slice of type history anytime you want your work to turn heads. SUGGESTED USES Carnival’s unique character commands attention, making it the perfect voice for promotional pieces, editorial design, labels, packaging, posters, and any other application that needs to strike the right tone. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.